Review: Award-winning Saudi film ‘Rupture’ an abstract painting on the big screen 

“Rupture” is directed by Hamzah K. Jamjoom. (Photo/Huda Bashatah)
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Updated 20 December 2021
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Review: Award-winning Saudi film ‘Rupture’ an abstract painting on the big screen 

JEDDAH: Director Hamzah K. Jamjoom’s “Rupture,” which won the top prize in the Red Sea International Film Festival’s Best Saudi film category, plays out like an abstract painting. Sometimes, such art work is fascinating for its myriad colors and thought-provoking concepts. But it is often a puzzle that a viewer has to work hard to fully understand. Similarly, Jamjoom's work is a brilliant work of art that defies easy comprehension, in this reviewer’s opinion. One has to follow the movie without letting one's attention waver even for a few minutes — it is, in other words, an array of moving images that convey a whole lot of hidden meanings. The result is metaphorical and magnificent. 

“Rupture,” a complicated psychological thriller, tells the story of a pregnant Saudi woman who must distinguish reality from dreams and drug-induced delusions and perceptions of death, before a killer gets to her and her family. US actor Billy Zane, Saudi actress Sumaya Rida and Saudi actor Fayez Bin Jurays star in the flick. 




“Rupture,” a complicated psychological thriller. (Supplied)

The Saudi director packs his work with impactful messages, including discussions of culture clashes and the thin line between individual freedom and dependency – with the protagonist’s frustration at being tied down to her husband, his family and domesticity given much thought. 

The plot — which unfolds in a covert manner, often through darkened frames that heighten the mysteriousness of the narrative — follows an Arab couple from different cultural backgrounds who move to London to seek medical treatment for the wife’s risky pregnancy. Despite her doctor's advice and husband's consternation, wife and mother-to-be Malak is determined to go through the ordeal. But when the husband, Rakan, has to go back home on an urgent family requirement, Malak is left alone to fight her own demons, to separate fact from the figment of her imagination and to keep at bay delusional tendencies which trouble her through horrid nightmares. 

Jamjoom underlines his film with an unmistakable message about women’s empowerment in society. 

Arguably, Rupture, though with excellent production values such as cutting edge editing and largely able performances, is not easy to understand and may not be everyone’s cup of tea. as the story could have been less complicated. But the challenges overcome by the director and the cast make it a worthy watch. Zane stands out as a stern concierge out to preach his morals to the pregnant woman, played by Rida whose expressive moments of fear and panic add to the gloom and darkness of the narrative.  Jurays seems to have trouble sinking into his character, failing to bring in the awful fear of possibly losing the woman he adores to the screen.


Review: ‘Relay’

Updated 21 December 2025
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Review: ‘Relay’

RIYADH: “Relay” is a thriller that knows what its role is in an era of overly explained plots and predictable pacing, making it feel at once refreshing and strangely nostalgic. 

I went into the 2025 film with genuine curiosity after listening to Academy Award-winning British actor Riz Ahmed talk about it on Podcrushed, a podcast by “You” star Penn Badgley. Within the first half hour I was already texting my friends to add it to their watchlists.

There is something confident and restrained about “Relay” that pulls you in, and much of that assurance comes from the film’s lead actors. Ahmed gives a measured, deeply controlled performance as Ash, a man who operates in the shadows with precision and discipline. He excels at disappearing, slipping between identities, and staying one step ahead, yet the story is careful not to mythologize him as untouchable. 

Every pause, glance, and decision carries weight, making Ash feel intelligent and capable. It is one of those roles where presence does most of the work.

Lily James brings a vital counterbalance as Sarah, a woman caught at a moral and emotional crossroads, who is both vulnerable and resilient. The slow-burn connection between her and Ash is shaped by shared isolation and his growing desire to protect her.

The premise is deceptively simple. Ash acts as a middleman for people entangled in corporate crimes, using a relay system to communicate and extract them safely. 

The film’s most inventive choice is its use of the Telecommunications Relay Service — used by people who are deaf and hard of hearing to communicate over the phone — as a central plot device, thoughtfully integrating a vital accessibility tool into the heart of the story. 

As conversations between Ash and Sarah unfold through the relay system, the film builds a unique sense of intimacy and suspense, using its structure to shape tension in a way that feels cleverly crafted.

“Relay” plays like a retro crime thriller, echoing classic spy films in its mood and pacing while grounding itself in contemporary anxieties. 

Beneath the mechanics and thrills of the plot, it is about loneliness, the longing to be seen, and the murky ethics of survival in systems designed to crush individuals. 

If you are a life-long fan of thrillers, “Relay” might still manage to surprise you.