Review: Award-winning Saudi film ‘Rupture’ an abstract painting on the big screen 

“Rupture” is directed by Hamzah K. Jamjoom. (Photo/Huda Bashatah)
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Updated 20 December 2021
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Review: Award-winning Saudi film ‘Rupture’ an abstract painting on the big screen 

JEDDAH: Director Hamzah K. Jamjoom’s “Rupture,” which won the top prize in the Red Sea International Film Festival’s Best Saudi film category, plays out like an abstract painting. Sometimes, such art work is fascinating for its myriad colors and thought-provoking concepts. But it is often a puzzle that a viewer has to work hard to fully understand. Similarly, Jamjoom's work is a brilliant work of art that defies easy comprehension, in this reviewer’s opinion. One has to follow the movie without letting one's attention waver even for a few minutes — it is, in other words, an array of moving images that convey a whole lot of hidden meanings. The result is metaphorical and magnificent. 

“Rupture,” a complicated psychological thriller, tells the story of a pregnant Saudi woman who must distinguish reality from dreams and drug-induced delusions and perceptions of death, before a killer gets to her and her family. US actor Billy Zane, Saudi actress Sumaya Rida and Saudi actor Fayez Bin Jurays star in the flick. 




“Rupture,” a complicated psychological thriller. (Supplied)

The Saudi director packs his work with impactful messages, including discussions of culture clashes and the thin line between individual freedom and dependency – with the protagonist’s frustration at being tied down to her husband, his family and domesticity given much thought. 

The plot — which unfolds in a covert manner, often through darkened frames that heighten the mysteriousness of the narrative — follows an Arab couple from different cultural backgrounds who move to London to seek medical treatment for the wife’s risky pregnancy. Despite her doctor's advice and husband's consternation, wife and mother-to-be Malak is determined to go through the ordeal. But when the husband, Rakan, has to go back home on an urgent family requirement, Malak is left alone to fight her own demons, to separate fact from the figment of her imagination and to keep at bay delusional tendencies which trouble her through horrid nightmares. 

Jamjoom underlines his film with an unmistakable message about women’s empowerment in society. 

Arguably, Rupture, though with excellent production values such as cutting edge editing and largely able performances, is not easy to understand and may not be everyone’s cup of tea. as the story could have been less complicated. But the challenges overcome by the director and the cast make it a worthy watch. Zane stands out as a stern concierge out to preach his morals to the pregnant woman, played by Rida whose expressive moments of fear and panic add to the gloom and darkness of the narrative.  Jurays seems to have trouble sinking into his character, failing to bring in the awful fear of possibly losing the woman he adores to the screen.


Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

Updated 31 January 2026
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Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

DUBAI: Afghan American film producer Zainab Azizi cannot wait for audiences to experience Sam Raimi’s new horror comedy “Send Help.”

In an interview with Arab News, the president at Raimi Productions kept returning throughout her interview to one central theme: the communal thrill of horror.

“I started watching horror from the age of six years old. So, it’s kind of ingrained in my brain to love it so much,” she said, before describing the formative ritual that still shapes her work: “What I loved about that was the experience of it, us cousins watching it with the lights off, holding hands, and just having a great time. And you know, as an adult, we experience that in the theater as well.”

Asked why she loves producing, Azizi was candid about the mix of creativity and competition that drives her. “I’m very competitive. So, my favorite part is getting the film sold,” she said. “I love developing stories and characters, and script, and my creative side gets really excited about that part, but what I get most excited about is when I bring it out to the marketplace, and then it becomes a bidding war, and that, to me, is when I know I’ve hit a home run.”

Azizi traced the origins of “Send Help” to a 2019 meeting with its writers. “In 2019 I met with the writers, Mark and Damien. I was a fan of their works. I’ve read many of their scripts and watched their films, and we hit it off, and we knew we wanted to make a movie together,” she said.

From their collaboration emerged a pitch built around “the story of Linda Little,” which they developed into “a full feature length pitch,” and then brought to Raimi. “We brought it to Sam Raimi to produce, and he loved it so much that he attached to direct it.”

On working with Raimi, Azizi praised his influence and the dynamic they share. “He is such a creative genius. So, it’s been an incredible mentorship. I learned so much from him,” she said, adding that their collaboration felt balanced: “We balance each other really well, because I have a lot of experience in packaging films and finding filmmakers, so I have a lot of freedom in the types of projects that I get to make.”

When asked what she hopes audiences will take from “Send Help,” Azizi returned to the communal aftermath that first drew her to horror: “I love the experience, the theatrical experience. I think when people watch the film, they take away so many different things. ... what I love from my experience on this film is, especially during test screenings, is after the film ... people are still thinking about it. Everybody has different opinions and outlooks on it. And I love that conversation piece of the film.”