Prank TV show with fake Daesh fighters sparks outrage in Iraq

1 / 3
The controversial program, called “Tanb Raslan,” invited celebrities to visit displaced Iraqi families who supposedly fled the clutches of the extremist terrorist group Daesh. (Screenshot)
2 / 3
The controversial program, called “Tanb Raslan,” invited celebrities to visit displaced Iraqi families who supposedly fled the clutches of the extremist terrorist group Daesh. (Screenshot)
3 / 3
The controversial program, called “Tanb Raslan,” invited celebrities to visit displaced Iraqi families who supposedly fled the clutches of the extremist terrorist group Daesh. (Screenshot)
Short Url
Updated 22 April 2021
Follow

Prank TV show with fake Daesh fighters sparks outrage in Iraq

  • Playfully entrapping celebrities is a staple of primetime Ramadan programs, but some viewers say “Tanb Raslan” goes too far 

LONDON: A prank TV show in Iraq has sparked outrage after featuring fake Daesh fighters who kidnap celebrities, strap fake suicide bombs to their chest and threaten the celebrities with execution.

The controversial program, called “Tanb Raslan,” invited celebrities to visit displaced Iraqi families who supposedly fled the clutches of the extremist terrorist group. As participants arrive at the alleged house, they are ambushed with actors disguised as Jihadist fighters who immediately threatened to kill them.

Celebrities were then blindfolded and fake suicide bombs were strapped to their chest. Unknown to the participants that their surroundings are fictitious, they were shown on their knees and get emotional all while the cameras are rolling. 

Iraqi footballer Alaa Mhawi became tearful and pleaded for his life while Nessma, a 58-year-old Iraqi actress, lost consciousness after the fake explosive belt was strapped to her.

Playfully entrapping celebrities has become a staple of primetime Ramadan TV shows in Iraq. However, this program, in particular, attracted criticism, considering Daesh and extremist violence still remain a real threat in the country.

The show is reportedly underwritten by the state-sponsored Hashd Al-Shaabi paramilitary, whose fighters helped expel Daesh fighters from Iraqi cities. These paramilitaries, still armed, have their own role in the TV show and are portrayed as heroes saving the day.

In the show, the homes of the alleged displaced families are located in the agricultural belt outside of Baghdad where Daesh sleeper cells still roam and extort locals.

Many Iraqi viewers took to social media to criticize the TV show. 

“This is not entertainment,” Bilal Al-Mosuli, a resident of Mosul, wrote on Twitter. 

Ahmed Abderradi expressed disbelief at the show after it made a tongue-in-cheek reference to Saddam Hussein, the dictator who terrorized Iraqis from 1979 to 2003. 

“Or we can throw guests into a river like the victims of Speicher,” Abderradi wrote on Twitter, referring to the 2014 Camp Speicher massacre when Daesh executed 1,700 Shiite conscripts and dumped their bodies into the Tigris.

For others, however, the show saluted anti-Daesh fighters with a slight reservation.

“But it is possible to show the bravery of the Hashd Al-Shaabi and Iraqi troops without introducing terrorism,” Noor Ghazi, an Iraqi living in the US, wrote on Twitter. 

A writer on the show, Dargham Abu Rghif, defended the program: “The scenes are harsh but if Daesh had won, artists would have had a far harder life. And all Iraqis, too.”


Independent Arabia celebrates 7th anniversary with global journalism awards

Updated 26 January 2026
Follow

Independent Arabia celebrates 7th anniversary with global journalism awards

  • Journalist Aya Mansour received the Kurt Schork International Journalism Award for her rigorous investigative reporting from Iraq on highly sensitive issues
  • ‘SRMG’s support enabled us to reach and connect with massive readership – These awards belong to every journalist:’ Editor-in-Chief Ahdwan Al-Ahmari

LONDON: Independent Arabia on Saturday marked seven years since its launch as a platform for “distinctive content and a bold editorial vision,” having made history as the first Arabic digital outlet to secure licensing rights from an international publication, London-based newspaper The Independent.

Over this seven-year period, the news platform has established itself as a meaningful force within Arab media institutions through political, economic, cultural, and lifestyle coverage that reimagines news delivery and journalistic purpose. By innovating content presentation and format, it has tangibly contributed to reshaping Arabic digital journalism’s landscape.

Recalling the 2019 founding, Editor-in-Chief Ahdwan Al-Ahmari said: “Our fundamental objective was connecting with the widest possible Arab readership. SRMG’s backing enabled us to achieve substantial audience reach through correspondents positioned throughout the Arab region and internationally.”

Since its launch, Independent Arabia has won 11 awards. Its latest came in January 2025 when staff journalist Aya Mansour received the 24th Kurt Schork International Journalism Award in the Local Reporter category for her rigorous investigative reporting from Iraq on highly sensitive issues.

Al-Ahmari dedicated the accolade to every Independent Arabia journalist and media professionals across the Arab world, “particularly our colleagues lost in Yemen and Palestine. I specifically honor Maryam Abu Daqqa, our journalist colleague killed while documenting Gaza’s reality through photography—posthumously recognized at the highest level in Vienna by the International Press Institute with the ‘World Press Freedom Hero’ award.”

“Our initial tagline was ‘Independent Enriches You,’” Al-Ahmari recalled. “As our understanding matured, we recognized that ‘we lie in the details’—prompting the change. Within news media, particularly across SRMG’s distinguished portfolio, integrated coverage matters most. The real competitive edge comes from delivering analytical depth unique to each publication.”

Observing this seventh anniversary milestone, Al-Ahmari expressed appreciation for “everyone contributing publicly and behind the scenes—designers, correspondents, editors, administrative teams—every individual whose dedication keeps us leading the field.”