Prominent Egyptian dancer Fifi Abdo accused of ‘rigging’ her TV prank show

Fifi Abdo’s show is not the first prank show to be accused of fabrication. (Instagram)
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Updated 15 May 2020
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Prominent Egyptian dancer Fifi Abdo accused of ‘rigging’ her TV prank show

  • Picture circulating on social media hints that guests are briefed before filming begins

CAIRO: A picture circulating on social media claims to show one of the cameramen working on prank TV show “Watch Out For Fifi” with Hassan El-Raddad — one of the show’s guests — before filming began, bolstering long-held suspicions that such shows are scripted in advance.

Egyptian star Fifi Abdo, the host of “Watch Out For Fifi” — which uses hidden cameras placed in Abdo’s home — claims the picture is a fake.

“The picture is fabricated and it is not from my show,” she said. “New technology can do more than this. Besides, isn’t it possible that the director of the show missed something while he was editing?”

The picture has reignited the long-running debate over whether prank shows are themselves faked. Many viewers believe that the celebrity guests know in advance what is going to happen.

Mohamed El-Morsy, a professor of mass communication at Cairo University, said that the majority of viewers believe the shows are, at least, exaggerated and that the pranks are agreed with the guests beforehand.

“This is confirmed by the amount of exaggeration as well as the real health risks in some dangerous situations, which could lead to real heart attacks if the scene is not previously agreed on,” El-Morsy said.

But El-Morsy noted that prank shows remain popular with TV audiences “especially if they are carried out in an ethical way.”

The shows depend on an important psychological aspect, he suggested: That the viewers puts themselves in the shoes of the show’s guests.

Prank shows consistently bring in high ratings in the Arab world and are extremely popular with advertisers, he said, which means they also make huge profits.

However, El-Morsy added that prank shows have gradually turned into “the goose that laid the golden egg,” with networks milking them in a way that, he said, has a negative effect. “They contain violence, cursing, and humiliation — whether of the guest or the host,” he told Arab News. “Thus, the viewer is actually hurt by all this exaggeration.”

Indeed, El-Morsy believes that viewers are starting to lose interest in the shows and will “morally reject them.”

“If they continue with all these platitudes, they will come to an end soon,” he said.

Abdo’s show is not the first prank show to be accused of fabrication. Egyptian entertainer Ramez Galal’s long-running series of Ramadan prank shows has also faced similar charges.

In 2014, actress Athar El-Hakim filed a report with the prosecutor general to block an episode of the show in which she appeared — “Ramez the Sea Shark” — from being broadcast on satellite channels.

However, a video reportedly leaked by Galal showed El-Hakim agreeing to appear in the episode and play along with the prank. The disagreement was over the fee she would receive for doing so.

Another show, “Crazy Taxi,” was slammed last year when pictures posted on social media revealed that the instigator of the prank hired professional stuntmen to play the role of the victims. But the show was still renewed for a second season, with a third rumored to be in the pipeline.

Nagwa Kamel, another professor of mass communication at Cairo University, said Galal’s shows, in particular, have gone too far.

“I refuse to watch prank shows because I am not sadistic. I don’t like to see people afraid and terrorized,” she said. “What’s so funny about that? It is unacceptable.”


‘One in a Million’: Syrian refugee tale wows Sundance

Updated 24 January 2026
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‘One in a Million’: Syrian refugee tale wows Sundance

PARK CITY: As a million Syrians fled their country's devastating civil war in 2015, directors Itab Azzam and Jack MacInnes headed to Turkey where they would meet a young girl who encapsulated the contradictions of this enormous migration.

In Ismir, they met Isra'a, a then-11-year-old girl whose family had left Aleppo as bombs rained down on the city, and who would become the subject of their documentary "One In A Million," which premiered at the Sundance Film Festival on Friday.

For the next ten years, they followed her and her family's travels through Europe, towards Germany and a new life, where the opportunities and the challenges would almost tear her family apart.

The film is by directors Itab Azzam and Jack MacInnes. (Supplied)

There was "something about Isra'a that sort of felt to us like it encapsulated everything about what was happening there," MacInnes told an audience at the Sundance Film Festival in Park City, Utah on Friday.

"The obvious vulnerability of her situation, especially as being a child going through this, but that at the same time, she was an agent.

"She wasn't sitting back, waiting for other people to save her. She was trying to fight, make her own way there."

The documentary mixes fly-on-the-wall footage with sit-down interviews that reveal Isra'a's changing relationship with Germany, with her religion, and with her father.

It is this evolution between father and daughter that provides the emotional backbone to the film, and through which tensions play out over their new-found freedoms in Europe -- something her father struggles to adjust to.

Isra'a, who by the end of the film is a married mother living in Germany, said watching her life on film in the Park City theatre was "beautiful."

And having documentarists follow her every step of the way as she grew had its upsides.

"I felt like this was something very special," she told the audience after the screening. "My friends thought I was famous; it made making friends easier and faster."