Nestled in the heart of dunes, Riyadh Oasis proves to be a huge hit

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Located about an hour outside of Riyadh, the oasis is like a glittering jewel with soft lamplight and music welcoming guests to its luxurious charms. (Photos by Mohammed Al-Baijan)
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Photo/Mohammed Al Baijan
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Updated 05 October 2023
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Nestled in the heart of dunes, Riyadh Oasis proves to be a huge hit

  • Organizers say reservation numbers have ‘exceeded expectations’ since opening on Jan. 17

RIYADH: Riyadh’s glitzy, upscale desert retreat, Riyadh Oasis, has generated plenty of buzz since opening to the public on Jan. 17. Located about an hour outside of Riyadh, the oasis is nestled in the heart of the dunes like a glittering jewel, with soft lamplight and music welcoming guests to its luxurious charms.

Visitors have given rave reviews to the four restaurants in the oasis.
Latin-American restaurant Amazonico, masquerading as a piece of the rainforest in stark contrast to the surrounding desert; bright white and blue Nammos, the younger but equally fabulous sibling of the original seafood restaurant in sunny Mykonos; Zuma, the exotic Japanese fusion cuisine restaurant in regal blacks and reds, and Emirati cuisine hub Ninive, designed as a replica of a traditional Bedouin tent with its subtle beige and sadu weaving. And right in the middle of the oasis is Saddle, Dubai-based purveyors of the finest coffee and crepes outside of Paris, which offers a cheaper bill and a more relaxed atmosphere.
And according to Adel Al-Rajab, CEO of Seven Entertainment, one of the organizers of Riyadh Oasis and first winner of the General Entertainment Authority’s (GEA) “Ideas of Entertainment” initiative, the retreat has had no trouble drawing in crowds, despite the challenges of the coronavirus disease (COVID-19) pandemic.
Al-Rajab told Arab News that the idea had been in the works since December when it was first presented to GEA Chairman Turki Alalshikh as part of the “Ideas of Entertainment” initiative.


Al-Sheikh’s initiative was launched to boost the Kingdom’s entertainment sector as it recovers from the pandemic. Riyadh Oasis is the first of 20 ideas that the chairman has promised to support.
“We wanted to take the experience of the Saudi desert to another level. Initially, we thought of making it just one restaurant, along with a weekend experience, like a concert. But his excellency ended up loving the idea so much, he wanted to make it ten times bigger,” he said.

HIGHLIGHTS

• The retreat is part of the General Entertainment Authority’s ‘Ideas of Entertainment’ initiative.

• The initiative was launched to boost the Kingdom’s entertainment sector as it recovers from the pandemic.

• Riyadh Oasis is the first of 20 ideas that the GEA chairman has promised to support.

“The Oasis today is a destination for people to enjoy the desert, the fine dining at the four world-class restaurants, the cafe, and the concerts on the weekends.”
Al-Rajab revealed that initial plans were to invite between seven to 10 restaurants, which was reduced to four due to the limitations imposed by COVID-19.
“We wanted to stay within the regulations of the Ministry of Health, and that is why we are limiting visitors to such a small number, though the oasis could normally accommodate up to 5,000 easily,” he said.
Al-Rajab said the retreat hopes to accommodate up to 1,500 guests per day, a target that they have been successfully reaching since doors opened.
“To be honest, we are overwhelmed with the numbers, although we thought it might be a bit too far from Riyadh, or a bit too pricey, but we were surprised to find ourselves overbooked, especially during the weekends,” he said.
“We have a lot of repeat clients who are coming back, twice, sometimes three or four times, which shows us how much they love the experience,” he added.
However, considering the 80 km distance between the oasis and Riyadh coupled with the dining prices, Al-Rajab said he realizes that many will find a visit to the retreat well out of their budget.
Restaurant reservations cost up to SR800 ($213) per person. A reservation at the glamps costs SR13,800 on weekdays and SR20,700 on weekends.
“We are planning to work on other experiences that can accommodate more segments of the population. In any industry, whether it is entertainment or tourism, you plan your experience for specific segments, and we are not targeting everyone.
“We cannot offer the retreat to more people because of COVID-19 and the limitations in place. But once things are back to normal, I’m sure a lot of experiences will be open for everyone,” he said.
Al-Rajab added that while the oasis is scheduled to run until March, he would not rule out the possibility of extending the festivities further.
“We will try our best. The weather is a major factor that we can’t play with, but we are considering it and if we get the approval from the GEA, we will go ahead with it,” he said.
He also highlighted the way that the venture’s leadership was supporting the Kingdom’s youth, giving them the ability to think creatively.
“Today we have a world-class experience that has been executed 100 percent by Saudi companies. This is something that makes us proud, and I think it’s an opportunity for any Saudi to think out of the box and be creative, and can do something that makes the Kingdom different,” he said.


Artist in residence program revives Arabic calligraphy in Jeddah

Al Falah hosted the “Dar Al-Qalam Residency Program” exhibition over the weekend, presenting a modern take on Arabic calligraphy
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Artist in residence program revives Arabic calligraphy in Jeddah

JEDDAH: Al Falah, Jeddah’s oldest school, hosted the “Dar Al-Qalam Residency Program” exhibition over the weekend, presenting a modern take on Arabic calligraphy.

The program exhibited works by members of an artist-in-residency program run by the Prince Mohammed bin Salman Global Center for Arabic Calligraphy, an initiative of the Saudi Ministry of Culture.

The residency brought together Saudi and international artists in an intensive eight-week program dedicated to contemporary Arabic calligraphy.

It explored the art of Arabic calligraphy through four key themes: its traditional roots, the arts that accompany it, leading contemporary practices and questions surrounding the future of innovation in this art form.

The exhibition was curated by Abdelrahman El-Shahed, supported by assistant curator Layal Al-Gain.

The artists who took part in the second edition of the residency were: Om Kalthoom, Budor Alyafie Al-Alawi, Bushra Al-Kebsi, Rafiq Ullah Khan, Zainab Al-Sabba, Somaya Al-Sayed, Laya Al-Kaff, Mustafa Al-Arab, Hind Djafer and Yomna Ayman.

Assistant curator Layal Al-Gain told Arab News that artists who reside in the heart of Jeddah historical area are offered a transformative platform to sharpen their creative skills through expert mentorship, production support and curatorial guidance.

“The participating artists came from a wide range of multi-disciplinary backgrounds including art, photography, design, architecture and other fields, and what is beautiful about that (is that) they have joined together by their love and passion for the Arabic calligraphy as they approach it in a different way,” Al-Gain said.

The program offered an intensive framework of practical workshops, critique sessions, lectures, research activities and field visits.

These were complemented by meetings with experts and peers, fostering critical exchange within a historically and culturally resonant setting.

For Saudi artist Om Kalthoom, the experience was deeply introspective.

“I have been in residency programs (before) but this one is very impressive because the subject is related to Arabic calligraphy,” she said.

“Being immersed in the heart of this great historical area allowed me to see making as both an act of listening and an act of thinking.”

Speaking about her work, she explained: “It is called ‘Beyond the Light.’ it is a direct message with Arabic letters.

“I try in this project to give visitors a space where they can think, search and connect these letters.”

Saudi artist Laya Al-Kaff said: “We are here to celebrate the Arabic letter not simply as text but as a form of visual expression in itself.”

Al-Kaff said the Dar Al-Qalam Residency Programme was a great experience. “It is a great opportunity (for) us as artists to engage with the residents’ artistic processes, trace the evolving forms of Arabic calligraphy in contemporary practice.

“In this work, I rethought my own background as an artist. I graduated with a degree in dentistry, oral medicine, therefore decided to combine the anatomy I studied at university with the one-line art.”

Rafiqullah Khan, from Pakistan, said he was “thrilled to be part of the second Al‑Qalam Arabic Calligraphy Residency, an initiative of the Prince Mohammed bin Salman Global Center for Arabic Calligraphy.”

“This program gives calligraphers and visual artists a nurturing space to experiment, share knowledge and celebrate Arab identity on both local and world stages.”

He said he was “immersed in the historic heart of Al‑Balad, Jeddah, wandering coral‑stone alleys, sketching timeless facades, and letting the city’s layered stories flow into my work.”

Zainab Al-Sabaa, a Bahraini artist, designer and architect told Arab News that she was inspired by Jeddah’s historical area.

Aligned with Saudi Arabia’s Vision 2030 and the National Culture Strategy, Dar Al-Qalam contributes to a wider effort to support creative practice, nurture artistic research and reposition traditional art forms within global contemporary discourse.