KSRelief doesn’t discriminate religiously, ethnically or politically, says top Saudi aid body chief

#KSrelief continues to support the victims of the floods in #Sudan with the distribution of 400 tents and shelter aid, in addition to nutrition and food supply to multiples areas. (Supplied)
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Updated 30 October 2020
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KSRelief doesn’t discriminate religiously, ethnically or politically, says top Saudi aid body chief

  • Dr. Abdullah Al-Rabeeah, supervisor general of King Salman Humanitarian Aid and Relief Center, spoke exclusively to Arab News
  • KSRelief currently has 1,367 projects under way in 54 different countries with a total cost of $4.673 billion

JEDDAH: King Salman Humanitarian Aid and Relief Center (KSRelief) provides assistance to “needy people around the world regardless of religious, ethnic, and political background. The aid is free of any agenda, based instead on the mission for which it was founded.” These words of Dr. Abdullah Al-Rabeeah, the supervisor-general of KSRelief, sum up in a nutshell Saudi Arabia's commitment to peace, sanctity of human life and dignity. In an exclusive interview with Arab News, Al-Rabeeah discussed some of KSRelief’s 1,367 projects under way in 54 countries at a total cost of $4.673 billion (SR17.52 billion).

One area that KSRelief has focused on is the removal of landmines. Al-Rabeeah estimates Iran-backed militias in Yemen have laid as many as 1.1 million mines since the outbreak of the conflict. To date, more than 192,000 have been safely removed thanks to the KSRelief-affiliate, Project Masam.

Q: Is the work of KSRelief limited to just Arab and Islamic countries?

A: The humanitarian, relief and development activities of KSRelief extend to all needy countries of the world, including the Arab and Islamic countries. This is in line with KSRelief’s mission of providing aid to all needy and affected people around the world without the slightest discrimination (religious, ethnic, political or otherwise) and without linking aid to any agenda. KSReliefs 1,367 projects and programs cover 54 different countries around the world on all its continents.

INNUMBERS

KSRelief

* 1,367 KSRelief projects.

* 54 Beneficiary countries.

* $4.673bn Total project costs.

* $269m Project costs for 2020.

* 259 Projects undertaken in 2018.

Q: Development through education and training projects constitutes a large part of KSRelief’s work. What is the purpose of that? 

A: To date, the center has implemented 74 educational projects, valued at $181.3 million in Yemen, Syria and Somalia and for the benefit of Rohingya refugees in Malaysia, Bangladesh and other countries of the world, based on Saudi Arabia’s belief in the importance of supporting education among stricken peoples, as well as enhancing educational opportunities for children outside school, which the Kingdom considers an important part of the humanitarian and relief work that it carries out.

In addition to that, KSRelief’s efforts included implementing vocational training programs in many countries to empower needy families by qualifying them with a profession or craft and enabling them with an income-generating project so that these families transform from being dependent on the community to being productive families that rely on themselves in securing the basic needs that help them to lead a decent life.




KSRelief Supervisor General Abdullah Al-Rabeeah attends the Saudi-UAE-OCHA Humanitarian High-level Meeting held at KSrelief headquarters in Riyadh, on May 22, 2019. (AFP/File Phot)

Q: Which are the main countries served by KSRelief, and how much aid has been provided to them?

A: KSRelief has a noticeable humanitarian presence in many of the affected countries and always seeks to extend a helping hand to these countries and peoples to alleviate their suffering and meet their basic needs according to an integrated system of education, health, food and shelter services. At the forefront of those countries is Yemen, which suffered a coup by the Houthi militia, which is supported by Iran.

KSRelief allocated most of its aid to the brothers in Yemen, and the projects implemented for Yemen amounted to 513 worth $3.253 billion. The Syrian people also received a large share of KSRelief’s support, as it implemented 225 projects in Syria with a total value of $296.9 million. It also carried out 88 projects in the occupied Palestinian territories with a value of $359.6 million. Other projects carried out by KSRelief include 54 projects in Somalia with a value of $197.8 million and 113 projects in Pakistan with a value of $120.4 million, among many others.

Q: How have KSRelief’s most recent projects helped displaced people in Yemen and communities affected by the Beirut port explosion and the Sudan floods?

A: Since its establishment, KSRelief has been working to provide various forms of humanitarian support to the Yemeni brothers, including shelter, food, health and education, covering all its governorates. KSRelief also initiated urgent relief for the brothers in Sudan, whose areas have recently been exposed to floods and natural disasters that have resulted in the loss of lives and property. An airlift was launched that included providing food, shelter, medical aid and assistance.

KSRelief also launched an airlift that included medical, housing and food aid for those affected by the Beirut port explosion, which had resulted in heavy losses of life, property and infrastructure. These urgent initiatives were the result of the generous directives of Saudi Arabia’s King Salman in extending a helping hand to needy and affected countries.




KSRelief allocated most of its aid to Yemen, and the projects implemented for Yemen amounted to 513 worth $3.253 billion. (Supplied)

Q: KSRelief is the only entity authorized to collect donations in the Kingdom. Has it been popular? Can non-residents donate?

A: KSRelief has an online donation platform for all its humanitarian and relief programs, through which donors, whether inside or outside the Kingdom, can create personal accounts that provide them with access to the programs they wish to support and donate to them using credit cards and electronic payment mechanisms. The platform also provides direct donations with the opportunity to link donations to the countries and programs of their choice.

This online platform is the only official platform that provides its users with the opportunity to donate to the programs of KSRelief, whose programs reach beneficiaries in many countries around the world, bearing in mind that the center does not deduct any administrative expenses from donations. As for its popularity, the platform is still new, and we hope for the best in the future.

Q: Health and the protection of women and children form part of KSRelief’s concern. Are there special funds allocated to these?

A: Each sector has a special budget and an amount allocated to it, regardless of the type of beneficiary. For example, the health sector has implemented 369 projects worth $797.8 million so far, while it has implemented 74 educational projects with a value of $181.3 million.

KSRelief has also carried out various projects for the benefit of women, amounting to more than 225 projects, and reached more than 62 million women worldwide in four years at a cost of $390 million. KSRelief also cares about children. Therefore, since its inception, it has managed to reach 114 million children through 234 projects. Therefore, the amount distributed to each project or each sector varies according to the size and type of the project.




KSrelief also initiated urgent relief for Sudan, which has recently been exposed to floods and natural disasters that have resulted in the loss of lives and property. (Supplied)

Q: Project Masam is one of KSRelief's most important initiatives implemented in Yemen. Is its remit limited to clearing landmines?

A: Project Masam is a Saudi humanitarian project specialized in clearing Yemeni lands of mines. Iranian-backed militias have laid more than 1.1 million mines across swathes of Yemen. Large quantities of them have been laid in areas inhabited by civilians.

Project Masam is removing these mines. It has so far cleared more than 192,000 from the land, schools and homes, many of them camouflage in a variety of shapes and colors and planted using different methods, killing and seriously injuring a large number of children, women and elderly people.

Q: How many Yemeni children have been helped through the child-soldier rehabilitation project?

A: KSRelief implements a qualitative program to rehabilitate children who have been recruited by the Houthi militia and thrown into the conflict as human shields. The center rehabilitates them, integrates them into society, returns them to their normal lives and provides social support so that they can live their lives as children.

This program, which received international acclaim, aims to educate parents about the dangers of child recruitment and works to create healthy family environments through awareness and educational sessions and by introducing laws that criminalize child recruitment.

Here I stress the importance of raising awareness of the danger of child recruitment, clarifying it to societies, and emphasizing the principles of human rights and international law that prohibit the exploitation of children in armed conflict.




With the support of KSRelief, a fifth batch of food baskets has been distributed in Madagascar to assist those affected by floods and hurricanes; the situation has worsened there recently due to the spread of COVID-19. (Supplied

Q: What facilities are provided for refugees inside Saudi Arabia, and how are they dealt with?

A: The Kingdom hosts hundreds of thousands of Yemeni, Syrian and Rohingya refugees who live on its territory as honored guests and visitors and not as refugees. They enjoy freedom of movement, enrollment in government schools, engagement in the labor market, and access to health services.

KSRelief has established a platform for refugees, displaced persons and visitors to highlight the type and volume of aid provided to them by Saudi Arabia both inside and outside the Kingdom. The aid provided to them has reached $13.7 billion so far.

Q: KSRelief works with several international organizations. How does it coordinate with them in Yemen and other beneficiary countries?

A: KSRelief is constantly and continuously coordinating with international humanitarian organizations to bring aid to the needy. In Yemen, KSRelief is one of the biggest supporters in the field of humanitarian work in all Yemeni governorates and regions. Therefore, all humanitarian organizations operating inside Yemen seek to coordinate with the center to facilitate the delivery of aid to the afflicted. KSRelief has branches inside Yemen that meet periodically with humanitarian organizations to provide exemplary work in the relief and humanitarian fields.




KSRelief provides assistance to “needy people around the world regardless of religious, ethnic, and political background.” (Supplied)

Q: How many volunteers support KSrelief? How are they integrated into its work?

A: KSRelief has established a platform for volunteering. The number of registered volunteers has reached 15,562, who have been classified according to their specialties and the center’s need for their services.

KSRelief’s volunteer programs fall under the Kingdom’s Vision 2030 and are based on the principle of voluntary work as one of the seven principles of humanitarianism recognized by international law.


Saudi youth turn to AI for art and culture

Updated 13 February 2026
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Saudi youth turn to AI for art and culture

  • Creativity, heritage and technology converge in a new generation of artists

RIYADH: As Saudi Arabia’s Vision 2030 places creativity, culture and technological innovation at the core of national development, the impact of these priorities is becoming increasingly visible across a wide range of disciplines and practices.

Through the use of artificial intelligence, young Saudis are integrating technology into their creative work both as a practical tool and as a medium in its own right. In doing so, they are expanding their capabilities, exploring personal and collective identity, and finding new ways to preserve and reinterpret cultural heritage.

“AI gives young Saudis a new way to interact with their own cultural inheritance,” said Dmitry Zaytsev, founder of Dandelion Civilization, a platform designed to help individuals shape unique professional paths.

Dmitry Zaytsev, founder of Dandelion Civilization. (Supplied)

“Traditional design elements such as calligraphy or geometric motifs were once difficult to modify. Experimentation required resources and formal approval. AI removes that barrier and makes exploration immediate. A creator can test many versions of a pattern and see which ones still feel authentic to them,” he told Arab News.

According to Zaytsev, this emerging form of expression does not signal a rejection of tradition, but rather a deeper engagement with it. “The young creator discovers what can change and what must remain constant. AI becomes a sketchbook that allows culture to evolve through curiosity rather than fear. When creators correct a model or push it toward local rhythm, they strengthen rather than dilute cultural identity,” he explained.

Sarah AlBaiz, an art adviser, researcher and artist, uses code to blend visual art with concepts drawn from culture and philosophy. While her early practice focused primarily on painting, her trajectory shifted during the 2020 AI Artathon, a pioneering international event highlighting collaboration between humans and machines in artmaking, where she discovered how to merge her engineering background with her creative work.

DID YOU KNOW?

• Saudi youth are using AI as a creative tool to reinterpret heritage, from calligraphy to folklore.

• AI is helping artists experiment faster without the traditional barriers of resources or formal approval.

• The Kingdom is backing creative AI nationally, with programs like SAMAI aiming to empower 1 million Saudis for an AI-driven future.

Operating within the field of computational creativity, where technology actively participates in the artistic process, AlBaiz explores themes of finance and faith. “Because they’re two sides of who I am,” she said. “When you talk about values, for example, that is both a term used in finance and trade from an objective perspective, but also moral and spiritual value.”

“When you understand prompting in AI, you can get it to produce almost anything. But it’s also informed by the training data it has,” she said.

Sarah Albaiz's "Diriyah II (2020)" melds a traditional Saudi landmark with the avant-garde. This generative artwork rejuvenates the historic Alsalwa Palace in Diriyah. By infusing Munira AlTheeb's artistry through GAN style transfer, the piece stands as a testament to the evolving narrative of Saudi heritage. (Supplied)

Rather than relying on a single platform, AlBaiz experiments with multiple AI models to test their limitations and audience reception. “I work a lot with language as well, so large language models are right up my street when it comes to computational creativity.”ee

Her work has gained international recognition. At the 2022 Islamic Arts Biennale in Jeddah, she co-created an artwork under the banner of Super Artistic AI that generated Al-Qatt Al-Asiri motifs from southern Saudi Arabia. The piece received an Audience Award.

Beyond her artistic practice, AlBaiz is developing an intelligent art advisory system aimed at helping users navigate the Saudi art landscape. Designed as an initial point of contact, the system would guide users through potential pathways before they engage with a human adviser.

Inverting established gender norms, Sarah Albaiz's digital collage reimagines masculinity. Set against a generative backdrop, its core message "real men cry" challenges familial WhatsApp discourses. (Supplied)

“It’s about understanding what role AI plays in the pursuit of what you want,” she said. “When I decided to focus on Qantara and building the advisory, I recognized that many of the systems required would need to be intelligent systems that offload a lot of work from me and the team.”

“When AI is an enabler rather than the end result, it becomes less intimidating because it feels risk-free for the end user,” she added.

Zaytsev echoed this idea, describing AI as a kind of rehearsal space. “Young people practice conversations, explore sensitive topics and organize their thoughts without social risk. This builds emotional clarity and confidence,” he said.

While generative tools such as large language models attract much of the attention, AI’s creative applications extend far beyond text and image generation.

Fairooz Alawami, trained as both an architect and engineer, uses AI to create self-expressive visual works inspired by dance.

Fairooz AlAwami's work. (Supplied)

“My practice is focused on contextualizing movement,” she said. “Because of my architectural training, I work with 3D modeling software called Rhino, which includes a visual coding language. Within that environment, you can also write code in Python, JavaScript or C#.”

Alawami employs OpenPose to analyze videos of her dancing by mapping points across her body. She then applies another computer vision model, MIDAS, which converts images or videos into depth frames. “If OpenPose gives me a skeleton, MIDAS gives me depth,” she explained. The resulting data is fed into 3D modeling software, where it is refined and manipulated into finished artworks.

She began dancing at a young age. “I didn’t find it, it found me,” she said. Movement later became the foundation of her artistic practice, leading to her first major project around three years ago while completing her master’s degree using the Grasshopper plugin. At the time, the workflow was slow and fragmented, but the arrival of ChatGPT helped streamline the process by making it easier to write and learn code.

Fairooz AlAwami's work. (Supplied)

“I think my love for dance and my love for art and design came together in a way that felt uniquely me,” she said. “Once I found that space, I just ran with it. It is my singular voice.”

Her work also draws heavily on cultural and musical heritage. One recent project was inspired by folklore referenced in the iconic song “Al Leila wa Leila” by Umm Kulthum. Alawami extracted musical stems from the track and mapped them to characters within the narrative. “The vocals were Shahrazad, the storyteller, and each stem represented a different narrative element,” she said. Earlier works were influenced by Islamic architecture and the geometric patterns found throughout Saudi Arabia and the wider Arab world.

“There are some incredible artists using generative AI to do very impressive things, and I don’t think I fall into that camp,” she said. “For me, AI is more like a skills-gap tool that helps me reach where I want to go.

“As humans, whether we realize it or not, the act of creating feeds us in some way. Lowering the barrier to entry makes creativity less intimidating.”

Opinion

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Today, Saudi Arabia’s creative sector is supported by expanding national infrastructure. Initiatives such as the Cultural Scholarship Program place Saudi students in more than 60 universities worldwide, spanning disciplines from archaeology and literature to design, filmmaking and culinary arts. In parallel, the Kingdom launched the SAMAI initiative last year, aiming to equip 1 million Saudis with the skills needed to engage confidently in an AI-driven world.

Within Vision 2030, culture, tourism, digitalization and AI are treated as strategic sectors rather than peripheral concerns. As Saudi Arabia develops its creative economy as a form of soft power, its youth are becoming increasingly digitally fluent. AI tools are now embedded within creative workflows, enabling a new generation to explore heritage, remix traditional aesthetics and develop narratives that resonate on a global stage.