Egyptian satirical puppet Abla Fahita set to premiere on Netflix

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Updated 21 October 2020
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Egyptian satirical puppet Abla Fahita set to premiere on Netflix

  • The first part of the series was filmed in early August through mid-October in various locations in Cairo

CAIRO: After months of filming, the company behind Egyptian satirical puppet Abla Fahita’s “Live from the Duplex” series has revealed that the character’s Netflix premiere is due to be screened in the first half of next year.

The six-episode “Drama Queen” series will see Fahita starring in an action-packed comedy adventure alongside her children Caro and Boudi, and actors Bassem Samra, Donia Maher, and Osama Abdallah.

The series has been directed by Khaled Marei and written by Abla Fahita with the participation of Muhammad Al-Jamal, George Azmy, Dina Maher, Sara Murad, and Mahmoud Ezzat, and was produced by OKWRD Productions in cooperation with ASAP Productions and executive producer Amin El-Masry.

The first part of the series was filmed in early August through mid-October in various locations in Cairo under strict health and safety precautions designed to stop the spread of the coronavirus disease (COVID-19) pandemic.

Fahita returned to present her television program in April, on channel, but due to the lack of a live studio audience as a result of COVID-19 restrictions the show was not as successful as previous outings.

The puppet character was created and is voiced by Egyptian Hatem El-Kashef, who studied theater and traveled to the US to complete his studies. Fahita is a housewife with two sons and first appeared on screens in 2011.

Part of Netflix’s recent focus has been on producing original works directed to the Arab world and in local dialect.

“Paranormal,” taken from a series of novels with the same name by the late Egyptian writer Ahmed Khaled Tawfik, is one such project. It stars actor Ahmed Amin playing the character of Dr. Rifaat Ismail, and premieres on Nov. 5.

Other Netflix productions are linked with Egyptian singer Amr Diab and Tunisian actress Hend Sabry.

Critic, Amer Abu Hatab, said Netflix’s move into Arab works was important and confirmed the global attraction of the region to audiences.


The difference between European and Gulf weddings — from a photographer’s point of view

Updated 21 January 2026
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The difference between European and Gulf weddings — from a photographer’s point of view

DUBAI: From her early career in northeast France to working across the Gulf and Europe, wedding photographer Maddy Christina has observed many contrasts between such events in different parts of the world.

Her early years as a photographer were defined by variety; she worked across fashion, family portraits and weddings simultaneously before recognizing how wedding photography brings multiple genres together in a single day. 

Christina said weddings in the region required a shift in both perspective and technique. (Supplied)

“I actually fell into weddings by accident,” Christina told Arab News. “It blends every discipline at once — fashion for the couple session, sports for the reception, documentary work throughout the day, still life with details and jewelry.”

Christina’s connection to the Middle East began through Parisian clients who invited her to Dubai for a post-wedding session: “I instantly connected with the energy of the city,” she said.

Christina’s connection to the Middle East began through Parisian clients who invited her to Dubai for a post-wedding session. (Supplied)

A few years later, a wedding in Kuwait marked the start of her long-term relationship with the region.

Now working extensively across the Gulf Cooperation Council, Christina said weddings in the region required a shift in both perspective and technique.

For Christina, the most meaningful aspect extends beyond the wedding day itself. (Supplied)

“Working across the GCC has opened my mind in ways I didn’t expect,” she said, adding it felt like “resetting everything I thought I knew about weddings” — particularly compared to her experience in Europe.

She said there were clear distinctions between the two regions. “European weddings tend to be more demonstrative and expressive, while brides in the Gulf often place a deeper emphasis on tradition, family bonds and a sense of ceremony,” she said. “The emotional language is different, yet equally beautiful.”

From a technical standpoint, the contrast is just as pronounced: “In the south of France, I was used to shooting outdoors at sunset with couples already comfortable in front of the camera. Here, I often find myself in much smaller spaces, with no windows, artificial light and couples who may be more reserved.”

Christina is drawn to candid moments. (Supplied)

She added that adapting to these conditions pushed her to explore new ways of shaping light and expanded her creative approach.

While Christina is drawn to candid moments, like “guests laughing together, old friends reconnecting, a fleeting emotion passing across someone’s face,” posed pictures remain central to her work.

For Christina, the most meaningful aspect extends beyond the wedding day itself.

“It’s not the decor that makes a wedding unforgettable for me,” she said. “It’s the connection I build with the bride. That long-term bond is what feels truly magical.”