Capone: The degeneration of an evil mind

Tom Hardy as Capone. (Supplied)
Short Url
Updated 23 May 2020
Follow

Capone: The degeneration of an evil mind

CHENNAI: Several films have been made on Al Capone, the American mobster whose cold-blooded brutality became legendary in the American underworld. Of Italian descent, he first came to Chicago in 1919, when the city was notorious for bootlegging and rife with corruption. After committing countless crimes, he was finally caught and jailed in the early 1930s for tax evasion. He spent his last years in exile in Florida, where he lived under the watchful eye of the Federal Bureau of Investigation (FBI).




Josh Trank’s bio-drama follows Capone (played by Tom Hardy) as he lives out his final years in Florida. (Supplied)

In the latest take on the infamous gangster, Josh Trank’s bio-drama follows Capone (played by Tom Hardy) as he lives out his final years in Florida. As writer-director and editor, Trank narrates Capone’s twilight years through Hardy, with excellent results. There is a telling scene where Capone shoots a crocodile as it comes close to his fishing boat. His old gangster buddy, Johnny (played by Matt Dillon), quips: “You know, this is what happens when people spend too much time in Florida. They turn into ... hillbillies.” The scene artfully shows how Capone, with his bloodshot menacing eyes and a cigar stub between his lips, still thirsts for revenge.




Linda Cardellini and Tom Hardy in Capone (2020). Supplied

Suffering from neurosyphilis, Capone has dementia and struggles to differentiate between reality and fantasy, facts from fragmented memories of a past he still considers glorious. He also fails to remember where he has stashed away $10 million, much to the annoyance of his family and others. Some try various means to get this information out, including a doctor and FBI agent Crawford (Jack Lowden). 

Peter Deming’s camerawork tries to lighten the mood by panning across the lush Florida landscape and Capone’s own bright green lawns. Despite all this beauty, however, a sense of fear pervades the 103-minute run time. We are never allowed to forget the mobster’s evil doings, such as the St. Valentine’s Day massacre. Capone, for his part, remains void of remorse, a perfect villain if there ever was one.


Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

Updated 31 January 2026
Follow

Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

DUBAI: Afghan American film producer Zainab Azizi cannot wait for audiences to experience Sam Raimi’s new horror comedy “Send Help.”

In an interview with Arab News, the president at Raimi Productions kept returning throughout her interview to one central theme: the communal thrill of horror.

“I started watching horror from the age of six years old. So, it’s kind of ingrained in my brain to love it so much,” she said, before describing the formative ritual that still shapes her work: “What I loved about that was the experience of it, us cousins watching it with the lights off, holding hands, and just having a great time. And you know, as an adult, we experience that in the theater as well.”

Asked why she loves producing, Azizi was candid about the mix of creativity and competition that drives her. “I’m very competitive. So, my favorite part is getting the film sold,” she said. “I love developing stories and characters, and script, and my creative side gets really excited about that part, but what I get most excited about is when I bring it out to the marketplace, and then it becomes a bidding war, and that, to me, is when I know I’ve hit a home run.”

Azizi traced the origins of “Send Help” to a 2019 meeting with its writers. “In 2019 I met with the writers, Mark and Damien. I was a fan of their works. I’ve read many of their scripts and watched their films, and we hit it off, and we knew we wanted to make a movie together,” she said.

From their collaboration emerged a pitch built around “the story of Linda Little,” which they developed into “a full feature length pitch,” and then brought to Raimi. “We brought it to Sam Raimi to produce, and he loved it so much that he attached to direct it.”

On working with Raimi, Azizi praised his influence and the dynamic they share. “He is such a creative genius. So, it’s been an incredible mentorship. I learned so much from him,” she said, adding that their collaboration felt balanced: “We balance each other really well, because I have a lot of experience in packaging films and finding filmmakers, so I have a lot of freedom in the types of projects that I get to make.”

When asked what she hopes audiences will take from “Send Help,” Azizi returned to the communal aftermath that first drew her to horror: “I love the experience, the theatrical experience. I think when people watch the film, they take away so many different things. ... what I love from my experience on this film is, especially during test screenings, is after the film ... people are still thinking about it. Everybody has different opinions and outlooks on it. And I love that conversation piece of the film.”