‘My quest’: Priyanka Chopra brings Bollywood to Toronto

No Indian star has made a bigger splash in Hollywood than Priyanka Chopra. Above, Chopra attends a premiere for ‘The Sky Is Pink’ at the Toronto International Film Festival. (Invision/AP)
Updated 14 September 2019
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‘My quest’: Priyanka Chopra brings Bollywood to Toronto

  • Priyanka Chopra was the first Indian actress to lead a primetime US series
  • ‘The Sky is Pink is Chopra’s first Hindi-language film in three year

TORONTO: No Indian star has made a bigger splash in Hollywood than Priyanka Chopra — and the “Baywatch” actress said she is on a quest to shatter myths about Bollywood, including its approach to sex.
Chopra was the first Indian actress to lead a primetime US series with FBI thriller “Quantico,” and cemented her global celebrity status by marrying pop singer Nick Jonas last December.
That star power secured a glitzy, red-carpet slot at Toronto’s film festival for “The Sky is Pink,” Chopra’s first Hindi-language film in three years. It is the only Asian film on the prestigious gala lineup at North America’s biggest movie festival.
“People get surprised when they see ‘The Sky is Pink’ and they’re like, ‘this is not a Bollywood movie.’ Bollywood is not a genre!” Chopra said ahead of the premiere Friday.
“It really is my quest to educate people in that.”
Directed by Shonali Bose, “The Sky is Pink” tells the tragic true story of Aisha Chaudhary, an inspirational Delhi teenager whose life was cut short by a rare genetic disorder.
Chaudhary delivered a TED talk and wrote a book on her battle before her death in 2015 at the age of 18. But the film focuses on her parents, exploring how their marriage and love — and even their sex life — survived the loss of two children.
Until recently kissing was rarely shown in films made by conservative Bollywood, better known abroad for its colorful musical numbers and fairytale romantic plots.
“I don’t think we haven’t spoken about sexuality in Indian films — we do,” said Chopra, 37. “I think sexuality is spoken about in many different ways in Indian cinema.”
“It’s culturally sensitive, yes,” she added. “India is an amalgamation of modernity and tradition. And this film is made by a modern Indian. So hence, you see what her language is. This is true to who she is.”
Bose, whose own marriage ended after she lost her son, was approached by Chaudhary’s parents to make the film.
Chaudhary had been a fervent fan of the director’s work, and never fulfilled her “dying wish” to see Bose’s previous film “Margarita With A Straw.”
Bose said she was moved by the request but chose to focus on the parents after learning of their “amazing” love story and care for their child.
“They wanted the film to be about their heroic dying teenage girl, and I don’t feel she would’ve wanted to be on a pedestal — actually she was really cool and humble,” she said.
Chopra, who does not have children, said she drew on others’ experiences, including Bose’s, to play Chaudhary’s mother Aditi.
But there is plenty of Chopra in the role too. At one point her character is described as “the ‘almost’ Miss India.” Chopra herself was crowned Miss World in 2000.
As beauty pageants led to acting, Chopra, who attended school in the US, said she held onto her global outlook.
Also a singer, Chopra has released songs with US chart-toppers including Pitbull and The Chainsmokers.
“It’s a genuine quest of mine to be able to cross-pollinate cultures, and to be able to take Indian cinema to the globe as much as I can,” she said, adding: “It’s not the language that’s the barrier — it is the fear of the unknown.”
Movie-mad India has the largest film industry in the world in terms of the number produced — up to 2,000 every year in more than 20 languages, according to industry data.
Bollywood star Akshay Kumar regularly appears in Forbes’ annual list of the world’s top 10 highest-paid actors.
In recent years Bollywood’s influence has spread in North America, thanks to a growing, affluent South Asian diaspora — and a smattering of Western converts.
But while other Bollywood actors and actresses have landed high-profile roles in the US, such as Deepika Padukone in 2017’s “XXX: Return of Xander Cage,” none are as recognizable as Chopra.
“I really hope that there’s so many more entertainers from India that get the opportunity and push themselves toward global entertainment,” said Chopra.
“The world of entertainment is so global now,” she added. “With streaming coming in everyone from anywhere can watch anything.”


How science is reshaping early years education 

Updated 27 December 2025
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How science is reshaping early years education 

DUBAI: As early years education comes under renewed scrutiny worldwide, one UAE-based provider is making the case that nurseries must align more closely with science.

Blossom Nursery & Preschool, which operates 32 locations across the UAE, is championing a science-backed model designed to close what it sees as a long-standing gap between research and classroom practice.

“For decades, early years education has been undervalued globally — even though science shows the first five years are the most critical for brain development,” said Lama Bechara-Jakins, CEO for the Middle East at Babilou Family and a founding figure behind Blossom’s regional growth, in an interview with Arab News.

Lama Bechara-Jakins is the CEO for the Middle East at Babilou Family and a founding figure behind Blossom’s regional growth. (Supplied)

She explained that the Sustainable Education Approach was created to address “a fundamental gap between what we know from science and what actually happens in nurseries.”

Developed by Babilou Family, the approach draws on independent analysis of research in neuroscience, epigenetics, and cognitive and social sciences, alongside established educational philosophies and feedback from educators and families across 10 countries. The result is a framework built around six pillars; emotional and physical security, natural curiosity, nature-based learning, inclusion, child rhythms, and partnering with parents.

Two research insights, Bechara-Jakins says, were particularly transformative. “Neuroscience shows that young children cannot learn until they feel safe,” she said, adding that stress and inconsistent caregiving can “literally alter the architecture of the developing brain.” 

Equally significant was evidence around child rhythms, which confirmed that “pushing children academically too early is not just unhelpful — it can be counterproductive.”

Feedback from families and educators reinforced these findings. Across regions, common concerns emerged around pressure on young children, limited outdoor time and weak emotional connections in classrooms. What surprised her most was that “parents all sensed that something was missing, even if they couldn’t articulate the science behind it.”

At classroom level, the strongest body of evidence centres on secure relationships. Research shows that “secure attachments drive healthy brain development” and that children learn through trusted adults. At Blossom, this translates into practices such as assigning each child “one primary educator,” prioritising calm environments, and viewing behaviour through “a neuroscience lens — as stress signals, not misbehaviour.”

Bechara-Jakins believes curiosity and nature remain overlooked in many early years settings, despite strong evidence that both accelerate learning and reduce stress. In urban centres such as Dubai, she argues, nature-based learning is “not a luxury. It is a developmental need.” 

For Blossom, this means daily outdoor time, natural materials, gardening, and sensory play — intentional choices aimed at giving children what science says they need to thrive.