Protests augur murky outlook for Hong Kong

Protesters cover themselves with umbrellas as others spray graffiti on the gate of a store during an anti-parallel trading protest in Sheung Shui district in Hong Kong on Saturday. (AFP)
Updated 14 July 2019
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Protests augur murky outlook for Hong Kong

  • Heritage Foundation has ranked Hong Kong the “freest economy” for 25 straight years

HONG KONG: It is still the world’s “freest” economy, one of the biggest global financial centers and a scenic haven for tycoons and tourists, but the waves of protests rocking Hong Kong are exposing strains unlikely to dissipate as Beijing’s influence grows.
The end of the former British colony’s 50-year grace period after China took control in 1997 is years away, and the protests have made only a minor dent in day-to-day business. But they point to issues clouding the outlook, as investors and residents fret that the city will lose its Western-style freedoms.
Many in Hong Kong believe their future hinges on keeping the civil liberties, independent courts and other advantages Beijing promised to preserve for at least a half-century after Britain ceded control under an arrangement dubbed “one-country, two systems.”
“We’re still talking about 28 years,” said Grant Strudwick, vice president for Asia for Pinkerton, which provides risk management services. “The spotlight is on China as to how they treat this transition period.”
Hong Kong’s economy once was about a fifth the size of China’s. Now, it is a tiny fraction of that, thanks in no small part to an industrial boom driven by Hong Kong tycoons who set up factories across the border after China opened to outside investment in the 1970s.
The territory’s success as a center for trade and investment is grounded in its independent legal system and the free flow of information, said Joseph Cheng, a political analyst and leader of a pro-democracy coalition, the Alliance for True Democracy.
“These are two important assets enabling Hong Kong to have a distinct edge over major coastal cities in China, like Shanghai, like Shenzhen,” he said.
He believes that, without further moves toward democracy, Hong Kong will likely become more unstable.
Confidence in the “one country, two systems” experiment was already feeble when the top local leader, Chief Executive Carrie Lam, put forward legislation that would allow authorities to send suspects held in Hong Kong to face trial in mainland Chinese courts that provide no assurances of independent judges, due process and other Western legal protections.
As tens and sometimes hundreds of thousands of Hong Kong residents took to the streets in protests and business groups and foreign governments registered their concerns, Lam suspended the proposed legislation.
Pro-democracy activists have pressed on with the protests, demanding she permanently withdraw the bill, order an independent inquiry into heavy-handed police tactics and resign.
On Tuesday, Lam insisted that the extradition bill was “dead.” Hong Kong’s government also issued a statement saying it does not plan to implement the “social credit” system used in the mainland to penalize and reward behavior measured using various technologies including data processing and facial recognition that critics have described as Orwellian.
Most of the demonstrations have been peaceful, though some have turned violent. Protesters vandalized the local legislative building earlier this month. Such sights might deter some investors, but they also show the city is a world apart from the rest of China, where public dissent is banned.
The protests are “part of the checks and balances in place in Hong Kong that support institutional strength,” the ratings agency Moody’s said in a recent update.
Heritage Foundation has ranked Hong Kong the “freest economy” for 25 straight years.

The city is the No. 3 financial center, according to an international survey of bankers, behind New York and London. It plays a pivotal role in financing for China and was the top location for initial public offerings in 2018, with nearly $37 billion raised.
As small as it is relative to China as a whole, Hong Kong retains an outsized strategic role for Beijing, said Ken Courtis, chairman of Starfort Investment Holdings.
If trade tensions between the US and China worsen further, leading Washington to curb financial activities of mainland companies in American markets, Hong Kong’s role for launching IPOs could grow further, he notes.
For now, it’s Hong Kong’s proximity to China, and its special status, that make it such an important location for businesses, analysts said.
Strudwick said Beijing’s efforts to build a “Greater Bay area” encompassing Hong Kong and other parts of the manufacturing-heavy Pearl River Delta are helping to integrate the territory more closely with neighbors such as Guangzhou and Shenzhen. That might help revitalize its economy, which expanded at an anemic 0.6 percent annual rate in the last quarter, battered by slowing demand and trade tensions.
While unemployment is low, bread-and-butter issues such as how to afford to live in a city with the world’s priciest real estate are adding to frustrations.
Salaries come nowhere close to matching the territory’s per capita gross domestic product of nearly $50,000 a year — a reflection of the vast disparities in wealth between those living in villas on Victoria Peak and the majority occupying tiny apartments that sell for about $24,000 per square meter.


Saudi youth turn to AI for art and culture

Updated 13 February 2026
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Saudi youth turn to AI for art and culture

  • Creativity, heritage and technology converge in a new generation of artists

RIYADH: As Saudi Arabia’s Vision 2030 places creativity, culture and technological innovation at the core of national development, the impact of these priorities is becoming increasingly visible across a wide range of disciplines and practices.

Through the use of artificial intelligence, young Saudis are integrating technology into their creative work both as a practical tool and as a medium in its own right. In doing so, they are expanding their capabilities, exploring personal and collective identity, and finding new ways to preserve and reinterpret cultural heritage.

“AI gives young Saudis a new way to interact with their own cultural inheritance,” said Dmitry Zaytsev, founder of Dandelion Civilization, a platform designed to help individuals shape unique professional paths.

Dmitry Zaytsev, founder of Dandelion Civilization. (Supplied)

“Traditional design elements such as calligraphy or geometric motifs were once difficult to modify. Experimentation required resources and formal approval. AI removes that barrier and makes exploration immediate. A creator can test many versions of a pattern and see which ones still feel authentic to them,” he told Arab News.

According to Zaytsev, this emerging form of expression does not signal a rejection of tradition, but rather a deeper engagement with it. “The young creator discovers what can change and what must remain constant. AI becomes a sketchbook that allows culture to evolve through curiosity rather than fear. When creators correct a model or push it toward local rhythm, they strengthen rather than dilute cultural identity,” he explained.

Sarah AlBaiz, an art adviser, researcher and artist, uses code to blend visual art with concepts drawn from culture and philosophy. While her early practice focused primarily on painting, her trajectory shifted during the 2020 AI Artathon, a pioneering international event highlighting collaboration between humans and machines in artmaking, where she discovered how to merge her engineering background with her creative work.

DID YOU KNOW?

• Saudi youth are using AI as a creative tool to reinterpret heritage, from calligraphy to folklore.

• AI is helping artists experiment faster without the traditional barriers of resources or formal approval.

• The Kingdom is backing creative AI nationally, with programs like SAMAI aiming to empower 1 million Saudis for an AI-driven future.

Operating within the field of computational creativity, where technology actively participates in the artistic process, AlBaiz explores themes of finance and faith. “Because they’re two sides of who I am,” she said. “When you talk about values, for example, that is both a term used in finance and trade from an objective perspective, but also moral and spiritual value.”

“When you understand prompting in AI, you can get it to produce almost anything. But it’s also informed by the training data it has,” she said.

Sarah Albaiz's "Diriyah II (2020)" melds a traditional Saudi landmark with the avant-garde. This generative artwork rejuvenates the historic Alsalwa Palace in Diriyah. By infusing Munira AlTheeb's artistry through GAN style transfer, the piece stands as a testament to the evolving narrative of Saudi heritage. (Supplied)

Rather than relying on a single platform, AlBaiz experiments with multiple AI models to test their limitations and audience reception. “I work a lot with language as well, so large language models are right up my street when it comes to computational creativity.”ee

Her work has gained international recognition. At the 2022 Islamic Arts Biennale in Jeddah, she co-created an artwork under the banner of Super Artistic AI that generated Al-Qatt Al-Asiri motifs from southern Saudi Arabia. The piece received an Audience Award.

Beyond her artistic practice, AlBaiz is developing an intelligent art advisory system aimed at helping users navigate the Saudi art landscape. Designed as an initial point of contact, the system would guide users through potential pathways before they engage with a human adviser.

Inverting established gender norms, Sarah Albaiz's digital collage reimagines masculinity. Set against a generative backdrop, its core message "real men cry" challenges familial WhatsApp discourses. (Supplied)

“It’s about understanding what role AI plays in the pursuit of what you want,” she said. “When I decided to focus on Qantara and building the advisory, I recognized that many of the systems required would need to be intelligent systems that offload a lot of work from me and the team.”

“When AI is an enabler rather than the end result, it becomes less intimidating because it feels risk-free for the end user,” she added.

Zaytsev echoed this idea, describing AI as a kind of rehearsal space. “Young people practice conversations, explore sensitive topics and organize their thoughts without social risk. This builds emotional clarity and confidence,” he said.

While generative tools such as large language models attract much of the attention, AI’s creative applications extend far beyond text and image generation.

Fairooz Alawami, trained as both an architect and engineer, uses AI to create self-expressive visual works inspired by dance.

Fairooz AlAwami's work. (Supplied)

“My practice is focused on contextualizing movement,” she said. “Because of my architectural training, I work with 3D modeling software called Rhino, which includes a visual coding language. Within that environment, you can also write code in Python, JavaScript or C#.”

Alawami employs OpenPose to analyze videos of her dancing by mapping points across her body. She then applies another computer vision model, MIDAS, which converts images or videos into depth frames. “If OpenPose gives me a skeleton, MIDAS gives me depth,” she explained. The resulting data is fed into 3D modeling software, where it is refined and manipulated into finished artworks.

She began dancing at a young age. “I didn’t find it, it found me,” she said. Movement later became the foundation of her artistic practice, leading to her first major project around three years ago while completing her master’s degree using the Grasshopper plugin. At the time, the workflow was slow and fragmented, but the arrival of ChatGPT helped streamline the process by making it easier to write and learn code.

Fairooz AlAwami's work. (Supplied)

“I think my love for dance and my love for art and design came together in a way that felt uniquely me,” she said. “Once I found that space, I just ran with it. It is my singular voice.”

Her work also draws heavily on cultural and musical heritage. One recent project was inspired by folklore referenced in the iconic song “Al Leila wa Leila” by Umm Kulthum. Alawami extracted musical stems from the track and mapped them to characters within the narrative. “The vocals were Shahrazad, the storyteller, and each stem represented a different narrative element,” she said. Earlier works were influenced by Islamic architecture and the geometric patterns found throughout Saudi Arabia and the wider Arab world.

“There are some incredible artists using generative AI to do very impressive things, and I don’t think I fall into that camp,” she said. “For me, AI is more like a skills-gap tool that helps me reach where I want to go.

“As humans, whether we realize it or not, the act of creating feeds us in some way. Lowering the barrier to entry makes creativity less intimidating.”

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Today, Saudi Arabia’s creative sector is supported by expanding national infrastructure. Initiatives such as the Cultural Scholarship Program place Saudi students in more than 60 universities worldwide, spanning disciplines from archaeology and literature to design, filmmaking and culinary arts. In parallel, the Kingdom launched the SAMAI initiative last year, aiming to equip 1 million Saudis with the skills needed to engage confidently in an AI-driven world.

Within Vision 2030, culture, tourism, digitalization and AI are treated as strategic sectors rather than peripheral concerns. As Saudi Arabia develops its creative economy as a form of soft power, its youth are becoming increasingly digitally fluent. AI tools are now embedded within creative workflows, enabling a new generation to explore heritage, remix traditional aesthetics and develop narratives that resonate on a global stage.