ASHGABAT, Turkmenistan: This weekend saw a three-day celebration of Saudi Arabian culture take place in Turkmenistan.
Saudi “Cultural Days” opened to visitors on Friday and concluded Sunday. On Thursday night, an official opening ceremony took place at Al-Maqam Palace.
The event included a number of exhibitions, displayed at the Museum of Fine Arts in the Turkmen capital, Ashgabat.
The pavilion of the Custodian of the Two Holy Mosques Institute for Hajj and Umrah Research took visitors on a virtual-reality journey through the Two Holy Mosques of Makkah and Madinah and the holy sites, highlighting their expansion and development. It also featured photos and models of projects dating back to the founding of Saudi Arabia, in addition to a number of research papers produced by the institute.
Elsewhere, a pavilion of traditional Saudi costumes displayed dresses from several regions of the Kingdome, which visitors could try on for themselves, and the Darah Foundation provided a history of Saudi-Turkmen relations, with a particular focus on cultural ties, and exhibited artworks that reflected society and the environment in the Kingdom.
A pavilion dedicated to the Zamzam Project explained the evolution of the methods of extracting water from the historic well and distributing it to the Two Holy Mosques.
The College of Agriculture at Qassim University hosted a palm and date exhibition at its pavilion, and there were also pavilions dedicated to Arabic calligraphy; hospitality; the art of henna; and traditional folk dances and music.
On Saturday, the Saudi delegation for “Cultural Days” — which included Saudi Ambassador to Turkmenistan Khalid bin Faisal Al-Sahli, and the Ministry of Media’s general supervisor for international cultural relations, Omar bin Mohammed Al-Aqeel — visited Magtymguly State University in Ashgabat.
During the visit, Dr. Ibrahim bin Mohammed Al-Muzaini and Dr. Hamoud bin Mohammed Al-Najidi of the Imam Muhammad ibn Saud Islamic University delivered a lecture titled “The importance of the Silk Road, and historical and cultural relations between Turkmenistan and the Arabian Peninsula.”
Al-Muzaini described Turkmenistan as “the jewel of Asia Minor and the essence of history and civilization,” noting that the country is home to historical and archaeological sites dating back to the early Islamic era.
He explained that trading routes traditionally passed through Turkmenistan on their way to the Arabian Peninsula and other parts of the Islamic world.
Al-Muzaini proposed establishing a center to document relations between Saudi Arabia and Turkmenistan.
Al-Najidi highlighted the cultural ties between the two countries, focusing on the Arab presence in Turkmenistan as well as scientific, economic, and trade ties between the Kingdom and Turkmenistan, in addition to Hajj routes between the two countries.
He also discussed the Turkmen presence in Saudi Arabia through the Khurasan Road, emphasizing the developments and changes the road has gone through.
Ambassador Al-Sahli said in a press statement: “We aspire to assist those who promote and support Arabic language departments in Turkmen universities, and I look forward to agreements that support teaching Arabic in Turkmen universities through the employment of Saudi specialists.”
The dean of the College of Foreign Languages at the university, Dr. Awraz Qaldi Awad Saad, emphasized his country’s desire to include Arabic in its educational curricula, and to teach Turkmen heritage in foreign languages, including Arabic.
Saudi ‘Cultural Days’ attracts crowds in Turkmenistan
Saudi ‘Cultural Days’ attracts crowds in Turkmenistan
- Lecture highlights historical relations between Turkmenistan, Arabian Peninsula
Saudi artist embraces the unconventional with anti-aesthetic artworks
RIYADH: In a world fixated on beauty and aesthetic perfection, Saudi artist Asrar Al-Qarni is boldly producing anti-aesthetic and unsettling art.
Through her work, the 33-year-old challenges traditional notions of beauty and protests conformity. She compels viewers to confront uncomfortable truths and explore darker aspects of society.
This unconventional approach to art can be seen as a romantic rebellion against society’s constraints, as well as a celebration of individuality and freedom of expression.
Al-Qarni told Arab News that anti-aesthetic art encourages people to look beyond the surface and find beauty in the unexpected and the unconventional. It seeks to disrupt the status quo and provoke thought and discussion about the nature of art itself: “Instead of being visually appealing and comforting, anti-aestheticism prioritizes evoking emotions and disturbing expression within the artwork,” the artist said.
This can lead to anti-aesthetic works being labeled ugly, jarring, or anti-art by those who prefer more aesthetically focused works.
By highlighting discord and dissonance in her paintings, Al-Qarni, a self-taught artist, creates a unique and thought-provoking experience for those who encounter her work. “Incorporating elements of chaos, ugliness and discomfort forces viewers to confront their preconceived notions about what art should be,” she added.
Al-Qarni became interested in anti-aesthetic art because of its raw human expression and beauty hidden by imperfections.
She uses bold colors and abstract shapes to create pieces that challenge viewers’ preconceptions and provoke a strong emotional response.
“I use various materials for my art, including mixed media, oil paint, acrylic paint and watercolor. My choice of materials depends on the specific technique or effect I want to achieve in my artwork,” Al-Qarni said.
By breaking free from the constraints of conventional beauty, the artist is pushing boundaries and inspiring others to think outside the box.
Al-Qarni said she cultivated her style through dedicated practice. She started copying and sketching cartoons from her favorite television shows as a child. “As I got older, I got into realistic portrait painting, trying to capture the world around me, but I soon realized that realism did not allow me to express my emotions deeply enough,” she added.
The Saudi artist eventually resorted to a more liberated method, allowing her to follow her instincts and let her brush strokes guide her: “When I hold the brush against the canvas, it becomes a way to quieten the noise of life and connect with my inner self, providing a source of relaxation and tranquility.”
The artist maintains a multi-purpose space where she paints, serving as both a studio and a cozy personal area.
“It is where I sleep, read and spend most of my time. Waking up surrounded by the creative mess of my art provides me with a sense of passion and inspiration to continue my artistic journey each day.”
Ten years ago, Al-Qarni decided to pursue art professionally, and she has not looked back since. Her work has been featured in galleries and exhibitions across Saudi Arabia, earning her recognition and acclaim from critics and audiences.
Al-Qarni’s first showing was in 2016 in Jeddah with Behance, the world’s largest network for showcasing and discovering creative work.
“Facing the audience, I received both compliments and critiques. The experience was helpful and encouraging, inspiring me to create more and improve my art,” she said.
She has taken part in several art exhibitions, such as the Misk Art Institute in 2019, which provides a platform for creative individuals to influence present-day discussions.
Al-Qarni also showcased her work at Grey Art Gallery in Alkhobar, and Zawaya Art Gallery and Sensation Art Gallery in Jeddah.
The artist gives each painting a title that reflects the overarching emotion or story behind the artwork. The title can be inspired by a novel, a song, or a personal experience related to the painting.
“How someone perceives and feels about a painting can vary depending on the person looking at it,” she added. “We all bring our own thoughts and experiences, which adds to the richness and meaning of any artist’s work.”
To aspiring artists who might be intimidated to share their artwork and innermost emotions with an audience, Al-Qarni preaches that the world needs art.
“Embrace the opportunity for growth and connect with other artists through feedback and experiences, and remember that every artist starts somewhere, and sharing your work is a step toward achieving your goals.”
Stage is set for Saudi Arabia’s first Arabic grand opera
- ‘Zarqa Al-Yamama’ aims to bring Saudi heritage to life and lead the way into a new cultural era in the Kingdom
- Saudi singers Sawsan Al-Bahiti, Khayran Al-Zahrani and Reemaz Oqbi take on 3 key roles in the opera
RIYADH: With just a week to go, the stage is set for the eagerly anticipated first performance of “Zarqa Al-Yamama,” which organizers describe as the first grand Saudi opera in Arabic, at King Fahd Cultural Center in Riyadh on April 25.
The libretto will be sung in Arabic, which is rare in opera as the vast majority of works are performed in European languages. As such, the Kingdom’s Theater and Performing Arts Commission said the event, which takes place under the patronage of Minister of Culture Prince Badr bin Abdullah bin Farhan, marks a turning point in an increasingly vibrant Saudi cultural scene, given the high artistic value of opera and the interest of connoisseurs and audiences around the world in the art form.
“Zarqa Al-Yamama” is based on well-known sung poems and music inspired by the operatic tradition, together with elements of Saudi music. It tells the story of the legendary figure Zarqa Al-Yamama, who lived in the Al-Yamama region of Najd during the pre-Islamic era and is caught up in a dispute between her tribe and another that ends in tragedy.
The producers describe the opera as a poignant tragedy with breathtaking suspense, brought to life in a state-of-the-art theatrical production filled with sweeping orchestral movements and mesmerizing choral performances that deliver a unique cultural experience.
Sultan Al-Bazie, the CEO of the Theater and Performing Arts Commission, said the opera embodies well-established elements of Saudi heritage and presents a well-known story within a contemporary framework that reflects modern artistic trends and audience expectations.
It is a collaborative project featuring Saudi and international artists. Saudi poet Saleh Zamanan, who has received several local and international awards for his poetry and plays, wrote the words, inspired by the historical story of Zarqa and adding his own literary stamp.
Saudi artists Sawsan Al-Bahiti, Khayran Al-Zahrani and Reemaz Oqbi take on three key roles in the opera, which is a sign of the progress in the development of musical entertainment in the Kingdom.
“I will be performing the role of the bridesmaid, which is part of a major scene in the opera where the story takes a major turn to more thrilling events,” Al-Bahiti told Arab News.
Considered the first Saudi opera singer, she has been leading the way in the development of the Saudi opera scene and “Zarqa Al-Yamama” provides the latest showcase for her incredible vocal talent. She said the production is contemporary and innovative, and demonstrates a rich complexity that will captivate the audience.
“From the day I started training as an opera singer in 2008, I dreamed of an original Saudi opera production sung in Arabic,” said Al-Bahiti. “This day has finally come, and arrived sooner than I expected, which makes me even happier.”
Amid the rapid development and evolution of all forms of entertainment in Saudi Arabia in recent years, “Zarqa Al-Yamama” represents a significant step forward for opera in the Kingdom, and Al-Bahiti serves as a shining example of the growing opportunities as the art form continues to evolve and grow.
“Zarqa Al-Yamama” will run from April 25 until May 4, with 10 performances scheduled.
Saudi FM receives phone call from EU foreign policy chief
- Officials discussed Gaza war
RIYADH: Saudi Foreign Minister Prince Faisal bin Farhan received a phone call on Wednesday from European Union foreign policy chief Josep Borrell, Saudi Press Agency reported.
The officials discussed the latest developments in the Gaza Strip and its surrounding areas, and the international efforts being made to end the war.
Earlier in February, Prince Faisal and Borrell held similar discussions on the sidelines of the Munich Security Conference.
The 44th King Abdulaziz Qur’an competition begins in August
- Total prize pool of SR4m in prestigious event
RIYADH: The 44th King Abdulaziz International Competition for the Memorization, Recitation, and Interpretation of the Qur’an begins in early August in Makkah, the Saudi Press Agency has reported.
The prestigious event, which attracts contestants from around the globe, offers a total prize pool of SR4 million ($1.07 million).
The competition is divided into five categories: memorization of the entire Holy Qur’an, with accurate recitation and intonation following the seven rules of recitation; memorization of the Qur’an along with interpretation of its terms; memorization of 15 juz (parts) of the Qur’an with proper recitation and intonation; memorization of five juz with correct recitation and intonation; and a category for shorter lengths of memorization with corresponding recitation and intonation requirements.
In the first category, the top three winners will receive SR500,000, SR450,000, and SR400,000.
The event’s closing ceremony will be held at the Grand Mosque in Makkah.
Saudi Minister of Islamic Affairs, Dawah and Guidance Sheikh Abdullatif Al-Asheikh expressed gratitude toward the Kingdom’s leaders for their dedication to the Qur’an, adding that the competition showcased the country’s commitment to promoting its values among Saudi Arabia’s youth.
Saudi students shine at European math Olympiad
- Olympiad is an international math competition for high school girls with a passion for the subject beyond the standard curriculum
- Saudi students Fatimah Hassan Buali from Al-Ahsa and Retaj Al-Saleh from the Eastern Province earned a bronze medal and a certificate of appreciation, respectively
RIYADH: Two Saudi students excelled in the European Girls’ Mathematical Olympiad held in Georgia from April 11-17.
The Olympiad is an international math competition for high school girls with a passion for the subject beyond the standard curriculum. This year, 212 students from 54 countries participated.
Saudi Arabia, represented by the King Abdulaziz and His Companions Foundation for Giftedness and Creativity (Mawhiba) and the Ministry of Education, won two medals in the event.
Saudi students Fatimah Hassan Buali from Al-Ahsa and Retaj Al-Saleh from the Eastern Province earned a bronze medal and a certificate of appreciation, respectively.
This is the Kingdom’s 12th participation in Mathematical Olympiad. Over the years, Saudi students have won two gold, six silver, and 13 bronze medals, as well as seven certificates of appreciation.
Mawhiba’s Secretary-General Amal bint Abdullah Al-Hazzaa said that the students’ successes highlight the integration between Kingdom’s institutions and its commitment to advancing young talents through education and training in line with international standards.
She praised the cooperation between Mawhiba and the Ministry of Education, a partnership that aims to develop Saudi human capital in line with the National Transformation Program and Saudi Vision 2030.
Mawhiba, in strategic collaboration with the Ministry of Education, operates the Mawhiba Program for International Olympiads, preparing Saudi teams for such competitions. This includes advanced training and curriculum development, aligning with the annual Saudi scientific teams’ participation in international competitions.
The Saudi girls participating in the Mathematical Olympiad underwent intensive training to develop their scientific skills, and were nominated to participate based on their results in the training forums held by Mawhiba.