Come one, come all as Dior brings the circus to Dubai

The Christian Dior Haute Couture collection fashion show in Paris. (AFP)
Updated 06 February 2019
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Come one, come all as Dior brings the circus to Dubai

DUBAI: Just weeks after wowing the world with its circus-themed Spring/Summer 2019 couture show in Paris, Dior has announced that it is set to bring the show to the Middle East in what will be its first show in the region.

The spectacle is set to unfold on March 18 in Dubai, although an exact location has not yet been announced.

The runway show will feature looks from its couture show, staged in Paris in January, as well as a few designs exclusively for the Gulf region.

For Dior’s show in the French capital in January, Italian head designer Maria Grazia Chiuri took the well-heeled crowd to the circus with arguably her most sublimely balanced collection, AFP reported at the time.

A troupe of all-female acrobats of all body shapes led out the show inside a retro big top — complete with harlequin-pattern floor — built in the gardens of the Rodin Museum in the center of the French capital.

Chiuri is the first woman ever to lead the mythic French label, and her feminism is never far away.

All her nearly 70 models wore glittery skullcaps fastened under their chins — think aviation pioneer Amelia Earhart meets commedia dell’arte character Pierrot.

But there was nothing remotely clownish about the muted elegance of the clothes, featuring lashings of embroidery and beadwork, to summon up the spirit of the circus-set 1917 ballet “Parade.”

Chiuri’s designs mixed the romantic and the muscular, cutting her dreamy organza and tulle dresses with whip smart ringmaster and lion-tamer jackets, leather corsets and high-wire jumpsuits.

“Every look has its own personality, just like circus characters,” she told AFP, “brave, funny, happy and sad.”

“The circus is a world of its own, which passes from town to town, changing each one a little as it goes — a bit like fashion week,” the creator added.

The tattooed lady, that staple of the Victorian sideshow, also got a drum roll with a look inspired by Maud Wagner, America’s first known female tattoo artist.

The designer, who sports a few herself, floated surrealist neck tattoos in a previous show.

Critics predicted her silk bandage roll gowns and architectural tutus would also be a hit with haute couture’s super-rich clientele, the only people who can afford the handmade creations.

Previous shows have involved collaborations with women writers, musicians and choreographers.

This time she worked with the female-led British acrobat company Mimbre.

Chiuri said she was struck by how inclusive the circus world was, and how it offered “a possible equality... where beauty, origin, gender and age are no longer important. Only technique and daring matter.”

It was this that inspired the collection’s necklaces and bracelets of interlocking gold hands. An acrobat “puts their life in the hands of another, you have to really trust each other,” she said.

If her Parisian showcase was anything to go by, Dubai’s fashion elite are in for a treat on March 18.


Mona Tougaard wears bridal look at Dior’s Paris show

Updated 27 January 2026
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Mona Tougaard wears bridal look at Dior’s Paris show

  • Rihanna and Brigitte Macron among attendees at show
  • Design part of new director Jonathan Anderson’s vision

DUBAI/ PARIS: Model Mona Tougaard reportedly turned heads in a bridal-inspired look on the Christian Dior runway during the recent Paris Haute Couture Week.

The runway star, who has Danish, Turkish, Somali and Ethiopian ancestry, wore a sculptural white gown with a one-shoulder silhouette and layered petal-like appliques cascading from the bodice to the full skirt.

The asymmetrical bodice featured draped detailing across the torso, while the skirt flared into a voluminous, floor-length shape.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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The look was finished with oversized floral statement earrings that echoed the dress’s petal motif.

The floral elements echoed the wider vision of Dior’s new creative director Jonathan Anderson, who drew inspiration from nature and his love of ceramics for his first Haute Couture collection since being appointed to the role.

The 41-year-old faces the rare challenge of overseeing all three fashion lines at the house — women’s and men’s ready-to-wear and Haute Couture — becoming the first designer to do so since Christian Dior himself.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Just days after presenting his latest men’s collection during Paris Men’s Fashion Week, the Northern Irish designer returned with his first couture offering.

The collection featured floral motifs on fabrics or as accessories, while sculptural bulbous dresses were inspired by the work of Kenya-born ceramicist Magdelene Odundo.

“When you copy nature, you always learn something,” Anderson declared in his show notes, which compared Haute Couture to a living ecosystem that is “evolving, adapting, enduring.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Other noteworthy pieces included dresses with spherical birdcage-inspired silhouettes, while other models wore vest tops with their dresses gathered around their waists.

The front row at the Rodin Museum reflected the scale of anticipation surrounding Anderson’s couture debut. France’s first lady Brigitte Macron arrived early, while Lauren Sanchez Bezos swept in shortly after.

Actor Parker Posey twirled briefly in a trench-style dress, playing to the room before settling in.

Then the space fell into a collective pause as celebrities and editors alike waited for Rihanna. When the pop star finally took her seat, the lights dropped and the show began.

Before the show, Anderson admitted in an interview with the Business of Fashion website that he previously thought couture was “irrelevant,” adding that he never really “understood the glamour behind it.”

“Now, I feel like I’m doing a Ph.D. in couture,” he explained.