Magical Madrid: The unique charms of the Spanish capital

Madrid the capital of Spain. (Shutterstock)
Updated 13 November 2018
Follow

Magical Madrid: The unique charms of the Spanish capital

  • Madrid is a European capital like no other
  • Madrid’s blockbuster sights regally lived up to their generations-old hype

LONDON: It was bad luck that brought me to Madrid — or perhaps fate. Midway through a two-month road trip around Southern Europe, diligently skirting the coasts of Portugal and Spain, but with no intention of venturing inland, my 20-year-old campervan broke down in the scorching Andalusian planes, some 30 km outside Seville, officially the warmest city in Europe.
My fate was sealed by the calendar as much as the location: It wasn’t just that I blamed the searing summer sun for overheating my ancient engine, but also for thwarting any chance of its repair. For the month of “Agosto,” I soon learned, the south of Spain simply shuts down. There wasn’t a garage in town with the faintest bit of interest in fixing my motor. And so, after a fortnight of shade-seeking 40-degree days and flamenco-filled nights in Seville, I impulsively rented a car and made a spontaneous six-hour road trip to Madrid. And whatever the repair bill ended up being, I wouldn’t change a thing.
Arriving exhausted at dusk, I emerged from my air-conditioned car to find the climate completely transformed, temperatures hovering in the pleasant mid-twenties, surrounded by commuters ambling amiably to street-side tavernas rather than racing to the metro — or hiding indoors like their southern compatriots.

Hurried logic (and a whiff of luck) had brought me to the south-western edge of the central Sol barrio, a maze of winding streets with colorful cafés and tapas joints that seem to be as busy for breakfast as in the early hours, entertaining a constant flow of customers and an insistent throb of lively chat. It was the perfect tonic for the breakdown blues.
Arriving without preconception or preparation had its benefits. I was free to follow whims, enjoying the kind of aimlessness which can only be bred through enforced limbo. Evenings drifted by nibbling gambas al ajillo (garlic prawns) and pimientos de padrón (padrón peppers), while practicing my newly acquired Spanish with friendly locals at Bodegas Melibea, an audaciously decorated café with wide open windows offering cooling vistas of the ever-changing street scene.

Madrid’s blockbuster sights regally lived up to their generations-old hype. The Plaza Major really could not be better named — a bright rectangular space built around the turn of the 16th century, lined with interconnected regal rows of identical three-story buildings, sporting a total of 237 tiny balconies.
Grander still is the Royal Palace of Madrid, a magnificent maze of 3,418 rooms which make it Europe’s largest royal residence. Be sure to stop at the nearby Temple of Debod, an ancient Egyptian temple donated to Spain and incongruously rebuilt in the early 1970s.
I had heard of the Prado Museum, of course, and held some inkling of its famed depth and breadth, but little could prepare me for the boggling floorplan and epic catalogue of art, which stretches from the 12th to 20th centuries. At any one time, only about 1,300 of the institution’s collection of more than 20,000 works is on display — but that still means that if you entered at 10 a.m., stayed until closing time at 8 p.m., and took zero breaks, you would have the equivalent of 27 seconds to view each work. Time is likely to be considerably tighter when an extension is unveiled next year, coinciding with the Prado’s 200th anniversary.




Temple of Debod. (Shutterstock)

More manageable and equally essential is the Museo Nacional Centro de Arte Reina Sofía, one of Europe’s greatest exhibitors of 20th-century artists which pays homage to the country’s headline exports Pablo Picasso and Salvador Dalí — including staging the former’s epic “Guernica,” a stark, monochrome Spanish Civil War epic which rightfully ranks among the century’s greatest cultural achievements. At 7.7 meters wide, it’s a work that no postcard or textbook reproduction can do justice to — a statement which needs to be experienced in the flesh, and studied up close, to appreciate even a jot of its power, scope or intent.
Madrid is simply magical. Not in that quaint, stately, Western European way of Vienna or Prague, nor with the pretentious powerhouse vibe of Paris or London. And nothing like the crumbling grandeur of Mediterranean neighbors Rome and Athens. It’s a European capital like no other — and it’s the one I’d move to in a heartbeat.

 


AlUla’s ancient scripts come alive after dark at Ikmah

The team at ‘Ikmah After Dark: Secrets of the Scribe’ showing a visitor how to carve on a stone. (Supplied)
Updated 04 January 2026
Follow

AlUla’s ancient scripts come alive after dark at Ikmah

  • Gen-Z local Omer Mohammad guided Arab News through the vast outdoor setting of ‘Secrets of the Scribe’

ALULA: Ikmah Mountain, also known as Jabal Ikmah, one of AlUla’s landmark archeological sites, is offering visitors a new experience this week as part of the Winter at Tantora programming, which ends on Jan. 10. 

Near the ancient city of Dadan, Ikmah highlights AlUla’s role as a major cultural and religious center long before the rise of the Nabataeans. It is being activated under the stars in a brand new, old way.

The site, often described as “an open-air library” for its hundreds of ancient inscriptions carved on its canyon walls thousands of years ago, provides visitors with have a chance to etch their own names, using the ancient alphabet, on a block of stone they can take home.

The team at ‘Ikmah After Dark: Secrets of the Scribe’ showing a visitor how to carve on a stone. (Supplied)

Written mainly in Dadanitic and Lihyanite, the ancient texts once recorded religious dedications, laws, names of rulers and traced everyday life, providing rare insights into the beliefs and social structures of early Arabian kingdoms. 

Arab News spoke with Gen-Z local Omer Mohammad, who guided us through the vast outdoor setting of the “Secrets of the Scribe — Ikmah After Dark” experience.

“When the guests arrive, we welcome them ... give them some tea to get refreshed. After that, if the group is big, we split them into two; some of the group goes to go to the carving where they are going to learn how to carve. And the other group is going to go to explore the gorge,” he said. 

Storytelling was such an important thing here 3,000 years ago. People from all over the world used to bring their animals and rest here; it had a river so it had some water and everything.

Omer Mohammad, AlUla local

The gorge is an elevated path with candles lighting the way on both sides.

“In the scripts and descriptions you’re going to see (in the mountains), you will get to know more about Dadani lives and what they used to do here,” he said.

After the hike down, visitors from both groups join at the gathering point where everyone is encouraged to rest, mingle and enjoy small bites such as dates and other goodies, as well as tea. 

While it is a new experience, the tradition is old. 

“Storytelling was such an important thing here 3,000 years ago. People from all over the world used to bring their animals and rest here; it had a river so it had some water and everything,” he said.

Dressed in garb from olden times and speaking in poetic prose, Mohammad and his peers guided us to see the light in the dark night.

“It is significant to me personally to work on this project to get people to come here and get excited (about) what’s happening, enjoy our stories and know more about Dadani life,” he said.

On a personal note, Mohammad is grateful to know more about his own history and wants to continue passing on that newfound knowledge to all generations — both younger and older than his own — and be part of the unfolding story of the land and its people.

“I guess you can say that this is the land of my ancestors. I really love history, and I really would like to know more about history — and my history,” Mohammad said. “But I just learned about this ancient history three years ago when I started working here.

“I never had the experience before, so when I knew more about it, I was so happy. And it was so good. Everyone should come,” he said.