Dubai-based artist explores why symmetry is so satisfying

A piece from Series 1, part of the "1, 2, 3" exhibition. (Image supplied)
Updated 01 October 2018
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Dubai-based artist explores why symmetry is so satisfying

  • Self-taught artist Nima Nabavi unveiled his first-ever solo exhibition in Dubai
  • It is a fascinating deep dive into the art of geometry

DUBAI: Self-taught artist Nima Nabavi recently unveiled his first-ever solo exhibition at Dubai’s The Third Line gallery and it’s a fascinating deep dive into the art of geometry.

Titled “1, 2, 3,” the exhibition is comprised of three series of art. Series 1, completed over the course of five months, features 16 black-and-white pieces in which a pattern of lines gradually becomes denser toward the center.

“With my geometry one of the things I like to do is take the smallest and most basic form, like a line that’s rigid, and try to create some sort of texture out of it by repeating it thousands of times,” the artist told Arab News.

“As you look at it in the very beginning, it’s open in the middle and as you move across this diamond of density starts shrinking until its dense in the middle. I wanted to show the possibility of movement, texture and gradient, but only use one color and one form — a line — to try to create that,” he added, noting that “some of the pieces have upwards of 13,000 lines in them.”

Series 2 marks a progression from the previous body with the introduction of color, according to a press release — eight different hues appear in each work in various sequences, resulting in polychromatic ripple effects. Meanwhile, Series 3 is a synthesis of the elements found in the previous two: Color, thickness, movement and size come together to replicate patterns found in living systems.

“I’ve always found peace — like all of us — in symmetry,” Nabavi said. “Everything in my life is messy, my brain is messy, so I’ve always really liked patterns.”

And he isn’t the only one, perfectly aligned boxes, sharp lines and neat symmetrical forms have fascinated many an artist and layman — you would be hard pressed to find someone who doesn’t take satisfaction from aesthetic order and perfection.

The Iran-born artist is keen to explore why people are so fascinated by such art forms.

“Why are we all drawn to symmetry and geometry?” he asked, “Why do we like these things that don’t actually exist – it’s not a picture of a sunrise or anything – it’s this conceptual, mathematical object.”

“1, 2, 3,” is on show at The Third Line in Dubai’s Alserkal Avenue until Nov. 3, 2018.


‘The Secret Agent’ — Brazilian political thriller lives up to the awards hype

Updated 13 February 2026
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‘The Secret Agent’ — Brazilian political thriller lives up to the awards hype

DUBAI: Brazilian director Kleber Mendonca Filho’s political thriller may be set during his homeland’s turbulent 1970s — under a military dictatorship that committed extensive human rights abuses — but this ambitious, layered, and beautifully realized movie is loaded with timely reminders of what happens when political violence and moral turpitude are normalized, and — in one memorable fantastical scene — when fake news turns into mass hysteria.

The film follows Marcelo (the compelling Wagner Moura), an academic working in engineering, who discovered that a government minister was shutting down his university department in order to funnel its research into a private company in which the minister owned shares. When Marcelo points out the corruption, he becomes a marked man and must go on the run, leaving his young son with the parents of his late wife. He is moved to a safe house in Recife, run by the sweet-but-steely Dona Sebastiana (an effervescent Tania Maria) on behalf of a resistance group. They find him a job in the government department responsible for issuing ID cards.

Here he meets the despicable Euclides (Roberio Diogenes) — a corrupt cop whose department uses a carnival as cover to carry out extrajudicial murders — and his goons. He also learns that the minister with whom he argued has hired two hitmen to kill him. Time is running out. But soon he should have his fake passport and be able to flee.

“The Secret Agent” is much more than just its plot, though. It is subtle — sometimes oblique, even. It is vivid and darkly humorous. It takes its time, allowing the viewer to wallow in its vibrant colors and equally vibrant soundtrack, but always building tension as it heads towards an inevitable and violent climax. Filho shows such confidence, not just in his own skills, but in the ability of a modern-day audience to still follow stories without having to have everything neatly parceled and dumbed-down.

While the director deserves all the plaudits that have already come his way — and there will surely be more at the Oscars — the cast deserve equal praise, particularly the bad guys. It would’ve been easy to ham it up as pantomime villains. Instead, their casual cruelty is rooted in reality, and all the more sinister for it. Like everything about “The Secret Agent,” they are pitch perfect.