Malika Favre: Artist who put Saudi women in the driver’s seat 

Updated 24 June 2018
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Malika Favre: Artist who put Saudi women in the driver’s seat 

  • In September 2017, King Salman issued a decree declaring an end to the decades-long ban from June 2018
  • Some three million women in Saudi Arabia could receive licences and actively begin driving by 2020

French artist Malika Favre has created iconic covers for “The New Yorker” magazine, with animations that have gone viral online. So she was the natural choice for Arab News to illustrate our souvenir edition commemorating the day when women are allowed to drive in Saudi Arabia.
As Faisal J. Abbas, editor in chief of Arab News, explained: “Our website and newspaper — which today features a striking cover illustration by artist Malika Favre — will provide comprehensive coverage of both the immediate impact and wide-reaching, long-term social benefits of this move.”
From her base in London, Favre explained why the idea immediately appealed. “For me, it’s exactly the kind of subject that I want to work with and tackle today. I’ve been increasingly involved with women’s issues over the past few years, with The New Yorker as well.
“These stepping stones are extremely important, and they should be celebrated. It’s also something that as a woman I feel very strongly about.”
What made our global creative director, Simon Khalil, think that the in-demand artist would take his assignment on? “As a champion of women for years through her unique creative style, Malika Favre was the obvious choice,” he said. “Her illustration brilliantly captures the significance of this moment on the day Saudi Arabia changed forever.” 
For the illustration, called “Start Your Engines,” Favre began with the idea of “something quite subtle, not aggressive, something celebratory,” coming up with an image of a “beautiful, Arabic woman” that tells a story within a story. 
“So, basically, I had this idea of looking at the car from the point of view of the woman who is driving, and so maybe the first thing you see is a woman with a headscarf and quite a colorful image, but then on the second layer you see what’s happening and you see that she is driving the car,” Favre said. 
The image of her hands on the wheel, and that iconic Gulf vehicle, a white SUV, are reflected in her sunglasses. These are animated online. “I really like the idea of this woman being on the road, because I think symbolically it’s about going forward,” she said. “That is also a positive element, to create a positive image of what this historic moment will change.” 
The topic also resonated with Favre because her mother, while she was born in France, is Algerian. “For her, she always wanted to have the same rights as everyone else. She was a big advocate for that. She raised me in that way as well. So for her it’s also an important cover on a personal level.” 
When asked about her favorite assignments, Favre referenced “Operating Theatre” for The New Yorker’s “Health, Medicine & the Body” issue last year. 
“It was an extremely important project because it went totally viral.” 
In her illustration, female surgeons are arranged in a circle looking down, as if the viewer is on the operating table. In the animation, the image is viewed as if through a blinking eyelid. Women surgeons around the world started re-enacting Favre’s cover, sharing more than 5,000 photos, with the hashtags #NYerORCoverChallenge and #ILookLikeASurgeon. 
“For me, it was a very important moment,” Favre said. “It reached out to an audience that wasn’t design-focused. It was something very profound that spoke to these women, and they took it as a very strong statement of let’s celebrate women surgeons.” 
Does Favre think the women of Saudi Arabia are up for such an assignment? “I think it definitely has the potential to do that as well,” she said. Challenge accepted. 


• Download our free #SaudiWomenCanDrive mobile phone background designed by renowned artist Malika Favre:  https://startyourengines.21wallpaper.design


From injury to influence: Khaled Olyan — the new voice of Arab football

Updated 30 January 2026
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From injury to influence: Khaled Olyan — the new voice of Arab football

  • The Saudi social media star — TikTok’s Arab Creator of the Year — recounts how a setback ended his playing ambitions and pushed him to redirect his passion 
  • Known for memes and commentary that blend football, travel, culture and everyday life, Olyan is FIFA-accredited as a sport informant and covered AFCON 2025 in Morocco

LONDON: A broken dream launched Khaled Olyan’s unexpected rise as a Saudi social media star. Passion and perseverance took him from shattered ambitions to the Africa Cup of Nations 2025 in Morocco, where he surfed the hype while representing Arab culture.

“The journey began with a child who dreamed of becoming a football player to fulfill his own dreams and those of his family and community. After an injury ended that path, I didn’t break, I redirected my passion toward football media,” he said.

In an interview with Arab News, shortly after being crowned TikTok’s Arab Content Creator of the Year, Olyan — who has 13.2 million followers on that platform and 5 million on Instagram — credited his rise to “pure passion and honest content,” and said he had learned over time that “consistency matters more than fast virality.”

He added: “The turning point came when I realized that content can genuinely impact people, not just generate numbers or views. (Then I) stepped outside the traditional sports-content framework and linked football to culture, people, and place. It wasn’t a guaranteed path, but it shaped my identity today as a creator with a clear message and purpose.”

Olyan made history as the first regional creator to be accredited by FIFA as a ‘sport informant,’ a milestone that, he said, has given “local content global credibility and reach.”

Most recently, he was in Morocco to document AFCON, where he highlighted both the host country’s hospitality and the electric atmosphere in the grounds.

“It felt like a responsibility before it was an achievement,” he said. “I felt that my role went beyond coverage to building cultural bridges between people.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by KHALID ALOLAYAN (@olyan15k)

Known for his memes and commentaries blending football, travel, culture and everyday life with feel-good humor, fans hail his “unmatched enthusiasm” and refer to him as “the voice of Saudi football fans.”

“Content today is no longer just entertainment,” he said. “It has become documentation of moments and an influence on collective awareness, especially in sports and culture across the Arab world. That (means there is) a much greater responsibility on everything I create.”

Saudi Arabia’s content-creator ecosystem has evolved dramatically in recent years, driven by a wider national transformation that has reshaped almost all aspects of public life, including sports and entertainment.

“The transformation has been rapid and significant, opening unprecedented opportunities for creators,” Olyan said. As the country moves “quickly toward global leadership in sports,” he added, it has also raised ambitions and created new routes for people to turn dreams into reality.

Across the region, the creator economy is booming, powered by a young audience, government investment and platforms such as TikTok. In 2025, the GCC alone was home to 263,000 social media influencers — a 75-percent increase in just two years according to data from Qoruz, an influencer-marketing intelligence platform.

Globally, fashion and entertainment dominate the influencer industry, but the GCC market has followed a slightly different trajectory. Lifestyle and travel also lead the charts, reflecting both regional affluence and a cultural emphasis on luxury, aesthetics, and experience-led content.

href="https://www.tiktok.com/tag/%D8%AE%D8%A7%D9%84%D8%AF_%D8%A7%D9%84%D8%B9%D9%84%D9%8A%D8%A7%D9%86?refer=embed">#خالد_العليان #المغرب #كاس_امم_افريقيا #هدايا #سحوبات ♬ original sound - KHALID ALOLYAN

While sport is not a major category, the research underscores what makes the GCC ecosystem distinctive: high digital penetration, brand-conscious audiences, and multilingual, multi-ethnic creators, with campaign planning often shaped by strategic decisions about language and identity.

Olyan said he sees many regional influencers following the same path as him — though not necessarily through sport. “I believe we are contributing to clearer roadmaps for anyone aiming for success through creative, values-driven content rooted in strong human principles,” he added. “Opportunities are abundant, but the real challenge lies in consistency and maintaining quality amid pressure and high expectations.”

For Olyan, Arab culture is not an add-on to, but the backbone of, his storytelling. He frames the region’s passion for football alongside questions of Arab identity, delivering it in an entertaining format that can travel beyond the usual language barriers.

“What makes sport special is that it’s a universal language. Many non-Arab audiences already follow my content daily, supported by AI tools. Arabic is my language and a core part of my identity, and I won’t change it. Instead, I’ll rely on smart translation tools and solutions to reach wider audiences.”

Olyan also noted that the region has long been framed through the narratives of people from elsewhere, often in ways that highlight only its darker corners.

“The Arab world is full of inspiring stories and a rich culture that deserves to be told through the eyes of its people, not only from the outside,” he said, adding that he hopes viewers value his videos for “changing their perspective and helped them see the truth more clearly.”

Olyan was crowned TikTok Arab Content Creator of the Year 2026 at a ceremony held in partnership with the 1 Billion Followers Summit in Dubai.

He said the recognition was a result of more than just a run of viral moments, explaining that it came about “through structured, institutional work, team development, and linking content to long-term goals. Sustainability comes from creating moments and building value, not relying on trends or short-lived hype.”

Underscoring the double-edged nature of social media, Olyan argued that attention alone is not the point. “Real impact happens when content is used to educate and inspire people, not just capture their attention.”

He also expressed skepticism about banning under-16s from social media. Regulation matters, he said, but “awareness, smart supervision, and teaching safe usage matter more than complete bans.”

Creators, he added, are not immune to the platforms’ darker side. Psychological pressure, mental exhaustion, and long periods away from family due to frequent travel are part of the job. “I manage it through time organization, temporary breaks, and returning with renewed passion,” he explained.

 

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Olyan is also the founder of the O15 Football Academy, a project rooted in his childhood dream and one he sees as part of a broader sporting movement gaining traction in the Kingdom. For him, the academy is not just about competition, but about giving children a supportive environment where sport becomes a formative social practice.

“As a child, I wished such an academy existed for me and my friends,” he said. “Many talents were playing in local neighborhoods without professional guidance or support, causing real potential to be lost due to the absence of proper training environments, follow-up, and opportunities. The environment was often challenging and unmotivating.”

His academy aims to identify talent early, develop it “scientifically,” and prepare players to compete at club and national levels, but Olyan added that even those who do not pursue the sport professionally can also benefit “educationally, culturally, and socially.” 

Football, he said, is “a form of soft power that, by God’s will, can positively impact many aspects of life.”

Whether creating content or helping others pursue their sporting dreams, Olyan said his guiding principle comes from a line by the late Saudi politician and poet Ghazi Al-Qusaibi — a reminder that what you hope for in small measure can arrive, unexpectedly, in abundance: “You wish for a drop of good news, but God wishes to help you with rain.”