History behind firing of the Ramadan cannon

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An Egyptian policeman in Cairo fires a cannon to announce the time to break fast during Ramadan. (REUTERS file photo)
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A Bosnian Ramadan gunner fires a round from his firework cannon to signal the end of dawn-to-dusk fast in Sarajevo, Bosnia, on Wednesday evening, May 16, 2018. (AP Photo/Amel Emric)
Updated 18 May 2018
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History behind firing of the Ramadan cannon

  • Cannon firing has roots that can be traced to 19th-century Egypt, and according to some accounts even as far back as the 15th century, in the era of the Mamluks. 
  • A second account says that it was Muhammad Ali, the ruler of Egypt in the early 19th century, who fired a German-made cannon at Maghreb time and people thought that this gesture was a sign to break their fast. 

JEDDAH: One of the most popular Ramadan traditions has been the firing of a cannon at the start of Maghreb prayers. 

It is a tradition that is still carried out in several Muslim countries including Egypt, the UAE, Bangladesh, Kuwait, and, most famously, in the mountainous region of Makkah.

The cannon has a very special place in the hearts of many in Makkah. It is a tradition that has always been handled by the Makkah police every Ramadan. Children particularly look forward to it as sunset approaches. 

Maj. Abdul Mohsin Al-Maimani, a spokesman for the Makkah police department, said that the public eagerly wait for the sound of the cannon during Ramadan. 

“When Makkah police was founded 75 years ago, it was entrusted with the maintenance and care of this cannon. After Eid, the cannon is returned to a special department. A few days before Ramadan, it is sent back to the mountain. The powder is handled by a special team so that no one gets hurt,” he said. 

The official Saudi government network channel often focuses on the famous cannon being fired on the mountain during its coverage of Maghreb prayers in Makkah, as viewers around the world share in this decades-long Ramadan tradition, a cannon blast triggering feelings of nostalgia.

Today, there are two cannons in Madinah, one of them on Salaa Mountain. During the reign of King Faisal, the second cannon was placed on the hill outside Quba Castle. However this year Arab News has learned that Madinah will not be carrying out the cannon-firing tradition due to operational malfunctions and technical requirements. Next year, however, the city plans on reintroducing it. 

Cannon firing has roots that can be traced to 19th-century Egypt, and according to some accounts even as far back as the 15th century, in the era of the Mamluks. 

The cannon was fired to notify Muslim worshippers that the time to break their fast had arrived. A second firing followed much later, in the early-morning hours during the call to Fajr prayers, and signalled the start of a new fasting day.

There are a few different versions of the story of how the cannon tradition came about. One is that the Mamluk sultan in Cairo wanted to test-fire one of his new cannons, and the experiment coincided with Maghreb prayers. Residents thought the sultan had fired the cannon to notify worshipers that it was time to break their fast. When the sultan saw how happy the people were with this new “innovation,” he decided to do it every day. 

A second account says that it was Muhammad Ali, the ruler of Egypt in the early 19th century, who fired a German-made cannon at Maghreb time and people thought that this gesture was a sign to break their fast. 

A third story places the origin of this practice later, during the time of Khedive Ismail in late-19th century Egypt. The story similarly goes that soldiers were testing a cannon that went off at Maghreb time. 

When Fatimah, the khedive’s daughter, heard about this, she issued a decree saying that the cannon should be used at Maghreb and during official events on Eid days. For this reason, some call  the cannon firing during Ramadan “Fatimah’s cannon.”


‘Masterpieces of Saudi Orchestra’ shine at Maraya in AlUla

The “Masterpieces of Saudi Orchestra” concert opened at Maraya Concert Hall in AlUla on Thursday. (Supplied)
Updated 23 January 2026
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‘Masterpieces of Saudi Orchestra’ shine at Maraya in AlUla

  • The concert on its opening night presented a seamless artistic journey, where orchestral works met Saudi musical identity
  • It underlined the Music Commission’s aim to present Saudi artistry at a high professional level

RIYADH: The “Masterpieces of Saudi Orchestra” concert opened at Maraya Concert Hall in AlUla on Thursday under the patronage of the Kingdom’s Minister of Culture and Chairman of the board of the Music Commission Prince Bader bin Abdullah.

Organized by the Music Commission, the concert on its opening night presented a seamless artistic journey, where orchestral works met Saudi musical identity.

The Saudi National Orchestra and Choir, conducted by Maestro Hani Farhat, led audiences through carefully curated pieces reflecting heritage and modern creativity.

The repertoire combined traditional influences with orchestral scoring, offering listeners heritage-based compositions alongside recent arrangements.

Regional rhythms and layered musical textures were used to echo the Kingdom’s history, while pieces rooted in Saudi classical music tradition connected audiences with familiar cultural references in a fresh format.

The concert underlined the Music Commission’s aim to present Saudi artistry at a high professional level.

The series seeks to honor national heritage while encouraging contemporary artistic engagement, and its growing local and international presence was highlighted throughout the evening.

The program also featured a visual dimension led by the Theater and Performing Arts Commission, which staged live performances of Saudi folk arts. 

Audiences saw presentations of Samri, Dahha, Rafeihi, Yanbawi, Zair and Khabeeti, synchronized with the orchestra to create one integrated artistic experience.

These folk elements were arranged to complement the orchestral sound, reinforcing the richness and variety of Saudi cultural identity. The combination of music and movement aimed to show how traditional forms can engage with large-scale concert settings while retaining their historical character and community roots.

This performance is an extension of the series of successes achieved by the Saudi Orchestra’s masterpieces both locally and internationally, and reaffirms the Music Commission’s commitment to showcasing Saudi music in its finest form.