MOSCOW: Twitter’s ban on adverts from Russian media was motivated by Washington’s “deep prejudices” against Moscow and was setting a worrying precedent for the company to treat its clients unequally, the Kremlin said on Friday.
Twitter on Thursday accused Russian media outlets Russia Today (RT) and Sputnik of interfering in the 2016 US election and banned them from buying ads on its network, after criticism in the US that the social network had not done enough to deter international meddling.
“We regret this. We regret that, first and foremost, this company (Twitter) is most probably falling victim to deep prejudices about our mass media,” Kremlin spokesman Dmitry Peskov told a conference call with reporters.
“We also regret that the company is actually creating a precedent of unequal treatment of its clients which ... is likely to alarm and worry other users of this network.”
In April, Reuters reported that RT and Sputnik were part of a plan by Russian President Vladimir Putin to swing the US presidential election to Donald Trump and undermine voters’ faith in the American electoral system, according to three current and four former US officials.
The Kremlin has strongly denied US accusations of meddling in the polls.
“We still hope that in the end the company will deem it necessary to analyze this situation in detail and in the end will come to a conclusion that the work of free mass media, which RT and Sputnik are certainly part of, should in no way be qualified as meddling in the electoral process of the USA. or any other country,” Peskov said.
He also said that possible new US sanctions against Russia were a cause for concern and a reflection of Washington’s “unfriendly and even hostile attitude toward our country.”
The US State Department said on Thursday it had belatedly begun informing Congress and others about groups associated with the Russian intelligence and defense sectors as required under a 2017 law tightening sanctions on Russia.
Kremlin hits at Twitter’s “prejudiced” move against two Russian media outlets
Kremlin hits at Twitter’s “prejudiced” move against two Russian media outlets
Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape
- The publication features established and emerging talents elevating the region across design, fashion, art, tech, music, architecture and media
- Saudi fashion designer Hatem Alakeel seeks to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences
DUBAI: When Saudi fashion designer Hatem Alakeel interviewed Princess Reema bint Bandar Al-Saud before her appointment as Saudi ambassador to the US, the longtime advocate of women’s empowerment made a powerful prediction: “I look forward to the day that the Saudi woman is no longer the story but rather a phenomenal achievement.”
That moment would become the foundation for Gems of Arabia, an arts and culture audio-visual podcast that spotlights the creative talents shaping the landscape of Saudi Arabia and the broader region.
Over six years, Gems of Arabia has documented the sweeping transformation of the Kingdom’s art and culture scene, and is now evolving into a full-fledged magazine.
“It started off as a column I used to write, and from there, it turned into a podcast. Now it is growing into a magazine,” Dubai-based Alakeel, the magazine’s founder and editor-in-chief, told Arab News ahead of the launch of the digital publication on Thursday.
Besides spotlighting celebrated regional artists, Alakeel said Gems of Arabia is in search of the “hidden gems” elevating the region across design, fashion, art, tech, music, architecture and media.
The magazine serves as a platform for talented, authentic creatives and tech entrepreneurs unable to articulate their work “because they don’t have the public relations or capacity to promote themselves even through social media.”
Alakeel added: “Our job is to identify all these authentic people; you don’t have to be famous, you just have to be authentic, and have a great story to tell.”
The digital publication offers a dynamic blend of short-form podcasts, coverage of regional cultural events, in-depth features and editorials, long-form interviews and artist profiles — spotlighting both celebrated and emerging talents. This is complemented by social media vox pops and bite-sized coverage of art events across the region.
Alakeel, who also runs Authenticite, a consulting and creative production agency connecting creators and brands who want to understand Saudi culture, said the magazine content is “carefully curated” to feature topics and personalities that resonate in the region.
What differentiates Gems of Arabia, he said, is its story of continuity and substance amassed over the years that has captured the evolution of the wider regional landscape.
“The website represents an archive of nearly 150 articles compiled through years of podcasts and long-form conversations that show continuity and depth changes,” he said.
“So, it’s an evolution and it’s another home for all our content and our community.”
Growing up in France, Alakeel said his mission started early on when he felt the need to represent his Saudi culture “in a way where it can hold its own internationally.”
Through his first brand, Toby, he sought to bring the traditional thobe into modern designs and introduce it to the luxury fashion world. This mission was accomplished when his thobe designs were placed alongside global labels such as Harvey Nichols, Dolce & Gabbana and Prada.
What began as a personal design mission would soon expand into a broader platform to champion Saudi talent.
“I was articulating my culture through fashion and it just felt natural to do that through the incredible people that the region has,” Alakeel said, adding that the magazine aims to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences.
“Art is such a great way of learning about a culture and a country,” he said.
On the ground in Saudi Arabia, the publication hosts GEMS Forum, a series of live cultural gatherings that bring together prominent artistic figures for in-depth conversations later transformed into podcast episodes recorded with a live audience.
Alakeel said the print edition of Gems of Arabia will debut in March, designed as a collectible coffee-table quarterly distributed across the Gulf.
He envisions the platform growing into a long-term cultural record.
“It's a Saudi-centric magazine, but the idea is to make it inclusive to the region and everyone authentic has a seat at the table,” said Alakeel.
