It’s just before first light and the bird-catcher strings nets among the orange, pomegranate, fig and carob trees in his orchard. The sound of chirping emanates from inside a massive carob — a trick sent from speakers to attract tiny songbirds. By mid-morning, the man disentangles about a half-dozen blackcaps, snaps their necks with his teeth and drops them in a bucket.
For centuries, the migratory songbirds have been a prized delicacy among Cypriots. They are also an illegal one, as entry into the European Union forced Cyprus to ban the tradition of catching the creatures, some endangered, in nets or on sticks slathered with a glue-like substance.
Now economic crisis is luring many out-of-work Cypriots back into the centuries-old trade. They risk stiff fines and even jail time by supplying an underground market for the tiny songbirds illicitly served up in the country’s tavernas — but they say it’s their only way to make ends meet.
Served whole either boiled or pickled, the fatty birds are such an ugly sight on a plate that outsiders find it hard to fathom how there could be any profit to be made from them. For many Cypriots, however, the tangy-sweet taste of the birds is pure bliss.
Supporters of trapping ‘ambelopoulia,’ as the blackcaps, robins and other warblers are known locally, ruefully reminisce about how until recently the practice was widely considered an ingrained part of local culture, one so lucrative that it sustained entire livelihoods and put countless kids through college.
That changed when Cyprus joined the European Union in 2004 and authorities began cracking down. Trappers were cast as greedy villains out to line their pockets without regard for the ensnared birds. The threat of a maximum €17,000 ($22,500) fine, a three-year jail term or both persuaded many to quit trapping.
It’s difficult to say how many have again turned to trapping because they’ve lost their jobs. Even discreet queries are met by a wall of silence. Trust must be earned, especially in villages in the country’s southeast, where ambelopoulia trapping is most prevalent.
But Andreas Antoniou, the head of the special police anti-poaching unit, said songbirds, hares and protected mouflon sheep have been at the center of a surge in illegal hunting island-wide that he blames on the economic crisis. He conservatively estimates a 10 percent spike in recent months, although the number of nabbed trappers has remained steady.
Authorities are alarmed.
“We’re concerned that in light of the economic crisis, there are signs of increased poaching and illegal trapping of ambelopoulia,” said Cyprus Game and Fauna Service Director Pantelis Hadjiyerou.
Martin Hellicar, a spokesman for conservationist group BirdLife Cyprus, says locals have confirmed that trappers who had given up the practice have been drawn back because of money problems, noting a “dramatic rise” in bird-trapping using both nets and “lime sticks” since last autumn.
The country’s southeast straddles well-worn routes for birds migrating in spring and fall from Europe, Africa and the Middle East. Coincidentally, it also has one of the island’s highest unemployment rates, running as high as 50 percent, according to local officials, with most of the job losses in the construction business.
“With the crisis, people are turning to poaching,” says Liopetri Hunting Association President Costas Michael, surrounded by a half-dozen fellow hunters in the Association’s cramped headquarters, replete with maps and life-size photos of hares and partridges hanging on the walls. “People who can’t find a job know that there’s money to be made just in their orchard.”
Stavros Neophytou, president of the pro-trapping advocacy group Friends of the Lime Stick, puts it this way: “If you can’t eat, what are you supposed to do?“
In headier times, trappers would earn around €40 ($54) for just a dozen birds, while restaurants would charge customers double that. But demand has dropped amid the crisis, says Game Fund Service official Petros Anayiotos, resulting in an ambelopoulia glut which, in turn, has meant prices at restaurants are down by as much as half.
Even with the plunge in prices, however, the cash enticement to trap birds remains high for those who have lost jobs. Trapping also gives the unemployed a way to fill their hours.
And for many Cypriots, bird-trapping is about more than the money.
Michael says it’s about tradition that stretches back centuries. A book entitled “Xoverga” (“Lime Sticks“) — a kind of unofficial bible for trappers — refers to a 16th-century English traveler named John Locke, who recounted how he witnessed hundreds of bottles of pickled ambelopoulia being exported to Italy during a visit to the then-Venetian ruled island in 1553.
Michael says his association strictly supports lime stick trapping because it’s been passed down from father to son for centuries, but frowns upon the more modern and more indiscriminate mist nets.
“Like my father, I would wake up and go out to set traps and I would think of nothing else,” says Michael. “Ambelopoulia aren’t going to disappear, there’s so many of them, how many can poachers possibly catch anyway? Birds are there to be eaten.”
Michael says politicians let trappers down during the country’s EU membership talks by not asking to allow lime stick trapping as a traditional form of hunting. EU officials say there’s no going back to allow for such an exemption.
But for authorities and conservationists alike, the rhapsodizing about tradition simply rings hollow. Both lime sticks and mist nets are non-selective trapping methods that can ensnare threatened birds such as the cuckoo, golden oriole and nightingale.
Axel Hirschfeld, spokesman for The Committee against Bird Slaughter, a group that for several years has dispatched volunteers to the island to help stop trapping, scoffs at the idea that tradition justifies the culling of endangered birds.
“I come from any area in Germany where they used to burn witches,” said Hirschfeld. “Maybe it’s time for these traditions in Cyprus to go away as well.”
Cyprus out-of-work turn to illegal songbird trapping
Cyprus out-of-work turn to illegal songbird trapping
English museum shines light on Mary Shelley and her Gothic classic ‘Frankenstein’
- Museum in English city of Bath celebrates work of Mary Shelley
BATH: On a window of a Bath townhouse, one of the southwestern English city’s most famous residents looks out at passersby. Inside is Mary Shelley’s House of Frankenstein, a museum dedicated to the writer and her Gothic novel, published in 1818, which has inspired numerous screen adaptations, with the latest being Mexican filmmaker Guillermo del Toro’s Oscar contender.
“‘Frankenstein’ is regarded as one of the most important books in English literature ... It’s the world’s first science fiction novel,” said Chris Harris, co-founder and director of the immersive attraction.
“It’s a very modern story ... he’s trying to fit in, but he’s abandoned ... and rejected and has prejudice thrown toward him. And you think, well, from prejudice comes violence, which is happening nowadays.”
‘FEAR ABOUT CHANGE’
Born Mary Wollstonecraft Godwin, Shelley came up with the idea for “Frankenstein; or, the Modern Prometheus” at 18 years old. She and her future husband, poet Percy Bysshe Shelley, were staying by Lake Geneva in 1816 with Lord Byron when the latter challenged their group to write a ghost story. She found inspiration there.
Back in England, she moved to Bath, where she penned key chapters before finishing the book — about the scientist Victor Frankenstein, who brings to life a creature assembled from body parts — in the town of Marlow.
“It plays on people’s fears about change,” Harris said. “Now Frankenstein is a metaphor for anything we’re scared of.”
The first “Frankenstein” adaptation was a musical, he said.
“The Creature in her book is sensitive, he talks ... but in the play, he was rendered into a monster. He didn’t talk, he was mute. He just went around killing people,” Harris said.
“So, right from the off, he’s been sort of invented in a slightly different way. And that’s happened all the way through the evolution of film and theater ... So it’s interesting to see del Toro’s film; they’re exploring a different side of him.”
OSCAR AND BAFTA NOMINATIONS
That film, with nine Oscar nominations including best picture, shows actor Jacob Elordi’s Creature as gentle and hungry for knowledge but facing resentment. Elordi received Best Supporting Actor nods at the Oscars and Sunday’s BAFTA Film Awards, Britain’s top movie honors, where “Frankenstein” has eight nominations.
While del Toro’s movie differs from the book in several ways, including omitting the Creature’s murders, Harris said physically it was “a similar recreation” of Shelley’s description.
The museum has its own animatronic, standing in Victor Frankenstein’s recreated laboratory. Elsewhere, visitors learn about Shelley’s life, tragedies she faced and her interest in science.
Nearby, by Bath Abbey, is a 2018 plaque marking where Shelley lived in 1816-1817 and worked on the book. Bath is also associated with another female novelist, Jane Austen, who is celebrated annually with a festival. Harris, who opened his museum in 2021, says Shelley deserves more recognition.
“We just want people to understand that this is an extraordinary young woman who came up with one of the most enduring books ever written, that will never go out of fashion.”









