NEW ORLEANS: An eel undulating through coastal waters, powered by batteries and checking for mines. A jellyfish is actually a surveillance robot, powered by the atoms around it. Fins pick up intelligence while propelling a robot bluegill sunfish.
The US Office of Naval Research is supporting baby steps toward making those visions of the future a reality. For instance, the jellyfish work is focused on how the creatures move in water, and how to mimic or even surpass their abilities. The robojellyfish is currently tethered to hydrogen and oxygen tanks, and ONR project manager Robert Brizzolara said he doesn’t plan to try making it move autonomously yet.
There’s plenty still to learn about basic hydrodynamics.
“We, as engineers, haven’t created anything that swims nearly as well as a very basic fish,” said Drexel University’s James Tangorra, who is working on a robotic bluegill. Partners at Harvard and the University of Georgia are studying the actual fish; he uses their findings to engineer imitations. “There are great things we can learn from fish ... The way they propel themselves; the way in which they sense water.”
Ultimately, the Navy wants “the next generation of robotics that would operate in that very Navy-unique underwater domain,” said Jim Fallin, a spokesman for Space and Naval Warfare Systems Center Pacific, which is doing separate work in San Diego. One aspect is finding long-lived power sources to let drones loiter a long time to collect information, he said.
Possible uses include spying, mapping and mine detection and removal. The Navy is not the only agency paying for such research. In 2007, the Defense Advanced Research Projects Agency offered small business innovation research money for an underwater robot that could navigate rivers, inlets, harbors and coastal waters to check for general traffic, obstacles, things on and under the bottom and “specific vessels of interest.”
The ONR studies are more basic. The grants aren’t aimed as much at creating drones as at understanding how things move forward underwater, Brizzolara said.
The Navy uses torpedo-shaped drones and tethered vehicles to detect mines and map the ocean floor. But propellers and jets can be easily tracked on radar and sonar. Robots modeled after water creatures could be both more efficient and harder to detect, and could move through perilous waters without endangering people, researchers say. The work isn’t all at universities. The Office of Naval Research opened a robotics laboratory this year. A prototype dubbed Razor, developed at the Naval Undersea Warfare Center in Newport, Rhode Island, uses flippers for stealth.
Like the jellyfish work and the University of Virginia studies on manta rays, the eel research at the University of New Orleans is all about hydrodynamics. The spark is UNO professor emeritus William Vorus’ theory that sinuous undulations, though a slow way to swim, should allow forward movement without creating a wake. Brandon M. Taravella, who studied under Vorus and is now an assistant professor of naval architecture and marine engineering at UNO, sees the robot eel as a possible surveillance tool. But the Office of Naval Research’s three-year, $900,000 grant is focused on making an eel and seeing whether it can swim without disturbing the water around it.
Other scientists have checked real eels, Taravella said. “It’s pretty high-efficent ... but still has some wake. That’s why we’re not dropping eels into the tank.” Computer-generated models indicate just how a robot eel should move to get through the water without any drag. Creating one to do that is far from easy.
Scientists making fishy robots for naval research
Scientists making fishy robots for naval research
Georges Chakra presents new couture collection in Paris
- Chakra introduces ‘new Parisienne attitude’
- Top Arab designers also have shows in city
DUBAI: Lebanese designer Georges Chakra has presented his Spring/Summer 2026 couture collection at Paris Haute Couture Week, offering a contemporary interpretation of the house’s established design codes through refined silhouettes and detailed craftsmanship.
Drawing on the heritage of the maison, the collection revisited classic elements of elegance while introducing what the designer described in an Instagram post as a “new Parisienne attitude.”
Soft pastels, ivory and metallic tones defined the palette, moving between pale blue, blush, lavender and gold across the runway.
The show featured a range of sculpted looks, with structured bodices balanced by feathered appliques, floral embroidery and layers of sheer tulle.
Strapless gowns with petal-like embellishments appeared alongside column dresses finished with subtle shimmer, while ruffled sleeves, organza capes and sheer overlays created volume and movement.
White gowns formed a central part of the collection, ranging from minimal silhouettes with clean lines to more elaborate designs incorporating veils, hats and lattice-style embroidery.
Sequins, hand-applied florals and intricate beading appeared throughout the collection. The show concluded with a bridal look featuring sheer embroidery and floral detailing.
After beginning his career in Beirut, where he initially worked at his home studio following his graduation from an institution in Canada, Chakra founded his fashion house in 1985.
He later expanded his atelier to Paris, debuting on the Haute Couture Week calendar in 2002, and has since built an international reputation for couture and eveningwear, dressing a wide range of regional and global figures for major red-carpet appearances.
His designs have been worn by celebrities including Nicki Minaj, Rihanna, Beyonce, Cara Delevingne, Tyra Banks, Jennifer Lopez, Helen Mirren, Molly Sims and Andra Day.
Chakra was among several Arab designers featured during Paris Haute Couture Week this season.
Georges Hobeika and Tony Ward had already presented their Spring/Summer 2026 couture collections earlier in the week, while Elie Saab, Zuhair Murad, Ashi Studio and Rami Al-Ali are scheduled to show later on the official calendar.










