French honor Saudi photographers

Updated 04 October 2012
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French honor Saudi photographers

The Cultural department of the French Consulate in Jeddah with the support of Les Amis de la Culture Francaise honored Saudi photographers by organizing a three-day exhibition at the French Consulate premises.
Louis Blin, the new French consul general, welcomed the guests and diplomats on the occasion. He said he hoped the attendees will find the exhibition fantastic and feel at home in the French Consulate.
“Our main aim behind organizing this exhibition was to introduce Saudi artists to the French and European people, as well as to bring the two cultures and people close to each other. As Princess Reem Al-Faisal studied in France, I believe that she has a French touch in her photography, which is very important for us as we are here to develop mutual understanding between the people and cultures of the two countries,” he said.
Blin said the other photographers especially Esa Engawi, famous Saudi and international photographer, also played a huge role in the exchange of culture and mutual understating between the people of different cultures. He also said in future they are planning to bring French artists from all fields and educationists to Saudi Arabia for interaction between Saudi and French artists and educators.
Blin told the Saudi public that they should work together in the cultural field.
Ambassador Mohammed Ahmed Al-Tayeb, director general of the Ministry of Foreign Affairs, Makkah Region, praised the efforts of the French Consulate for organizing a marvelous exhibition at their premises.
“Today’s exhibition is fabulous, an excellent collection of 30 pictures representing the taste of the photographers and their philosophy, as Princess Reem’s pictures on Haj reflect the importance of Haj in the life of a Muslim. Through her pictures she communicated to Muslims and non-Muslims about the beauty of Haj and a side of this main pillar of Islam. Esa. S. Engawi also showed old and modern architecture of Makkah. We encourage this kind of cultural activities. We hope such activities will continue,” he said.
He also said he would like to see French artists and photographers in Saudi Arabia as this will help in cultural exchange. “I encourage cultural exchange, people-to-people interaction. This constitutes to building a solid relationship between the countries and people."
The exhibition featured photographs of Princess Reem Al-Faisal, who depicted her experience about Haj through the lens.
Princess Reem’s chosen genre is black and white photographs and her photos not only speak more than a thousand words, they have an ethereal quality, exude piety — whether it is that of a palm raised in prayer, Hajis (pilgrims) in singles, twos or in multitude at any of the holy sites such as Mina, Arafat or Muzdalifah, crossing the Makkah Haram courtyard, or a rural scene. Each of her photos conveys individuality as well as universality.
The work of Esa. S. Engawi was based on his experience of architecture and modern buildings. He said he likes to work in all styles but his favorite is portrait, through which he wants to send or give out a message.
“According to me photography is an art which equals 1,000 words. The thing which you can say in 1,000 words can be transformed and understood through one picture.
So we can communicate and express our feelings through a picture better than expressing ourselves in words, as pictures can be read, seen and even touched to get the feeling. My pictures are based on different messages from peace to lost world, spiritual feelings, change from the old era to modern world,” he explained.
Engawi has participated in more than 120 group exhibitions, 14 solo exhibitions and 59 International exhibitions and is a member of more than 20 organizations.
The photographs of Wedad S. Al-Saban, member of Saudi Photographers’ House, were based on her experience of capturing nature through the lens. Al-Saban explained that she is interested in nature. Her works were displayed the first time in 1995. She is now member of seven photographic organizations.
“In my pictures you can see the message of nature and simplicity of life. I love to capture nature in my lens, the small things around us. Beauty always attracts me and has become part of my work. The lessons we are getting from them can be seen in my work,” explained Wedad.


Saudi, UAE and Qatar secure wins on second day of AlUla Camel Cup

Updated 13 min 9 sec ago
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Saudi, UAE and Qatar secure wins on second day of AlUla Camel Cup

  • Minister of Interior’s entry takes first race in the Hagayeg category

ALULA: Saudi Arabia, the UAE and Qatar provided the big winners on Day 2 of the second annual AlUla Camel Cup.

Held in unseasonably hot conditions, Thursday’s competition consisted of two 5 km categories, the Hagayeg and the Lagaya, with two races run in each.

Saudi Arabia’s Minister of Interior Prince Abdulaziz bin Saud bin Naif won the first Hagayeg race, much to the delight of spectators.

The Prince’s camel, aptly named AlUla, won in a time of 5 minutes 59.3 seconds. In the second Hagayeg race of the day, Shart, owned by Emirati Mohammed Al-Kutbi, took first place in a time of 5:57.8.

The day’s total prize pool of $6.83 million was split equally between the two categories.

Winners in each of the races received $870,000, second-place finishers earned $266,666, and those in third place received $133,333. The balance of the prize pool was distributed among the other finishers.

The event was organized by the Royal Commission for AlUla as part of the AlUla Moments calendar, in partnership with the Saudi Camel Racing Federation.

The 2024 AlUla Camel Cup offers spectators and participants a new and more expansive experience after the inaugural edition in March last year.

This year, designated Year of the Camel by the UN and the Ministry of Culture, the event pays homage to the desert animal that is so integral to the Kingdom’s heritage.

“The AlUla Camel Cup attracts the best riders and the best camels throughout not just the region, but the world,” said Mahmoud AlBalawi, executive director of the SCRF. “Qualification for the AlUla Camel Cup is deliberately challenging, with 11 camel races taking place under the federation’s jurisdiction throughout the season to qualify for this illustrious competition.”

AlBalawi said that the Saudi Camel Racing Federation’s programs “target all corners of Saudi Arabia in a bid to continue to grow and improve the cherished sport of camel racing. There are more than 50 camel racing tracks across the country, including the elite AlUla venue where the AlUla Camel Cup takes place.”

RCU’s chief sports officer, Ziad Al-Suhaibani, praised the participants and said: “The AlUla Camel Cup reflects the importance of camel racing as a symbol of the Kingdom’s heritage and culture.”

While the heritage sport dates from the seventh century, the event this year includes a more contemporary setup that caters to all the family. There are opportunities to take camel selfies, sample camel smoothies or listen to live folk music by local performers.

The final races take place on Saturday.


US Embassy marks 248th Independence Day with shared US-Saudi vision for space exploration 

Updated 25 April 2024
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US Embassy marks 248th Independence Day with shared US-Saudi vision for space exploration 

  • Ambassador Michael Ratney welcomes hundreds of Saudi guests to space-themed Riyadh reception

RIYADH: The US Embassy in Riyadh celebrated the 248th anniversary of Independence Day on Thursday with a reception hosted by US Ambassador Michael Ratney. 

The ambassador welcomed guest of honor Prince Faisal bin Abdulaziz bin Ayyaf, Riyadh Region mayor, along with Saudi officials, and hundreds of Saudi guests, as well as visitors from Washington, including members of the US Congress.  

The space-themed Independence Day reception served as a symbolic celebration of the future of the US-Saudi cooperation in space, highlighting the profound benefits and possibilities of space exploration, research, and commercial development.

Ratney said the theme reflects the “shared ambition of the United States and Saudi Arabia to embrace opportunities in space, positioning both countries as pioneers in this frontier of innovation.” 

The event evoked nostalgia for past achievements, such as the 1969 moon landing, while emphasizing ongoing advancements in space sciences, particularly commercial space exploration. 

Ratney highlighted Saudi pioneers in space travel, such as Prince Sultan bin Salman, and astronauts Rayyanah Barnawi and Ali Al-Qarni. 

An art installation, “Museum of the Moon,” by artist Luke Jerram, featured NASA’s high-definition imagery of the lunar surface. 

According to the US Embassy’s statement, the collaboration between the US and Saudi Arabia continues to advance shared interests in diplomacy, commerce, culture, and more.

The US remains dedicated to enhancing shared US-Saudi shared interests in security and in fostering prosperity in the region, while also exploring new avenues for partnerships in areas such as the arts, education, entertainment, and tourism, it said.

Both countries are poised to explore further cooperation, including potential joint ventures in space, reflecting a vision for an even stronger US-Saudi relationship in the future, the statement added. 


Saudi, Cypriot foreign ministers discuss relations

Updated 25 April 2024
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Saudi, Cypriot foreign ministers discuss relations

Saudi Minister of Foreign Affairs, Prince Faisal bin Farhan received his Cypriot counterpart, Dr. Konstantinos Kompos, at the ministry’s headquarters in Riyadh on Thursday.

During the meeting, the ministers reviewed the advanced bilateral relations between the Kingdom and the Republic of Cyprus, and ways to promote them in a variety of fields. 

They also discussed ways to increase bilateral coordination on issues of common interest and reviewed international developments.


New initiative to train young innovators in nanotechnology

Updated 25 April 2024
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New initiative to train young innovators in nanotechnology

  • Program structured in 3 phases for Saudi graduates and entrepreneurs 

RIYADH: The Nanotechnology Association, supported by the Misk Foundation, is set to launch the Nanohub Program, aimed at inspiring and equipping the next generation for careers in the sector to help support a brighter future and a thriving economy.

Nanohub, a nonprofit initiative, is structured in three phases to train Saudi graduates and entrepreneurs aged between 20 and 26. It provides workshops and sessions to develop personal skills, gain hands-on experience with nanotechnology, and receive guidance from industry experts.

The program partners with leading local and international organizations to ensure participants are prepared for the workforce.

Nanotechnology is expected to transform business and innovation in various sectors. Understanding its economic impact and the potential benefits of partnerships are of crucial importance for young entrepreneurs.

The program aims to equip participants with the skills and knowledge needed to excel in nanotechnology and inspire them to drive innovation in their industries.

The first phase of the program will focus on soft skills and leadership development. It is scheduled for three days, starting on April 28.

The second phase, which starts on May 5, explores applications of nanotechnology. It runs for five days, covering topics like the fundamentals of nanotechnology, its use in medicine, energy, and renewable energy, as well as sustainability.

The third phase, beginning on May 12 and ending on May 16, provides hands-on laboratory experience through a series of sessions called “Shadowing and Lab Tours.” This phase has two key tracks: the Shadowing Track and the Lab Tours Track.

The Lab Tours Track will give participants an in-depth look at cutting-edge nanotechnology research. They will visit world-class laboratories where nanotechnology innovations are being developed.

Participants will observe advanced equipment and complex techniques central to nanotechnology research. They will see live experiments and dynamic processes that reveal the workings of nanotechnology. This track is more than just a tour as it enhances understanding by connecting academic concepts to real-world applications, giving participants a closer look at the research and development process.

The Nanohub Program is “a transformative initiative designed to elevate the skills and competencies of graduates and new hires with STEM (science, technology, engineering and mathematics) backgrounds,” said Dr. Turki Almugaiteeb, chairman of the board of the Nanotechnology Association.

“This unique initiative aims to enrich participants’ soft skills and technical expertise through curated activities.”

Almugaiteeb added that participants would “have the opportunity to delve into the intriguing realms of medicine and energy, witnessing firsthand how nanotechnology is revolutionizing these industries.”

He added: “By immersing themselves in this dynamic program, individuals will not only broaden their knowledge but also cultivate the multidisciplinary skills needed to thrive in today’s competitive and rapidly evolving STEM landscape.”


An enduring bond: A Jordanian photographer has turned his focus on two of the Arab world’s most beloved creatures

Updated 25 April 2024
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An enduring bond: A Jordanian photographer has turned his focus on two of the Arab world’s most beloved creatures

  • Tariq Dajani’s first photographic exhibition of the horse and falcon series is on display at Ahlam Gallery in Al-Olaya, Riyadh
  • Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages

RIYADH: The Arabian horse and hunting falcon are important historical and cultural symbols for the Arab world, both ancient and modern.

Now a Riyadh gallery is highlighting this enduring bond with a series of portrait studies of both creatures by Tariq Dajani, a Jordanian photographer and printmaker.

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages.

However, Dajani, an owner of Arabians, chose to reflect his love of these creatures through photography and artworks.

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages. (Supplied)

Over the years he spent many sessions photographing horses in his native Jordan, as well as the UAE and Saudi Arabia. Later, toward the end of the project, he added the hunting falcon, another symbol of cultural heritage and pride among Arabs.

Dajani’s first photographic exhibition of the horse and falcon series is on display at Ahlam Gallery in Al-Olaya, Riyadh. 

Entitled “Drinkers of the Wind,” the exhibition is the result of 16 years’ work creating portraits of these magnificent creatures.

Tariq Dajani's exhibition at Ahlam Gallery, entitled “Drinkers of the Wind,” is the result of 16 years’ work. (Supplied)

Dajani told Arab News that he is delighted to be able to display his work in Saudi Arabia, “a country that is deeply connected to the horse and the falcon.”

Ahlam Gallery is the perfect place to showcase these artworks, he added.

Dajani’s treatment of his subjects is not in the usual natural or romantic manner. Instead, and this is partly what sets his art apart, he uses a studio portrait approach, where he takes his studio to the stables or falcon sheds, and spends time carefully working on portrait studies of the creatures.

“My aim is to find a connection of sorts with the horse or the birds,” he said. “I am not interested in documenting the creature; I try to go deeper, to express something emotionally if I can.

“I was living in Sweden when I decided to photograph the Arabian horse. So I had to return to the Middle East, and I started with Jordan, my home country.

“The way I approach the work is to present the horse on a backdrop where all my focus — and thus the viewers of the final picture — will be on the animal itself and not on the environment that it is in.”

Tariq Dajani's exhibition at Ahlam Gallery, entitled “Drinkers of the Wind,” is the result of 16 years’ work. (Supplied)

While photographing in Jordan, Dajani met Princess Alia Al-Hussein, eldest daughter of the late King Hussein of Jordan. He presented some of his work to her, and received her enthusiastic approval. 

Princess Alia gave him permission to photograph the horses of the Royal Jordanian Stud, and has continued to support his work over the years, opening his first two exhibitions in Jordan.

“I had access to some of the most beautiful horses in Jordan when I first started my project. My first exhibition solely of Jordanian Arabians was a great success,” Dajani said.

“Encouraged by the reception, and by now totally absorbed in this project, I went to Dubai, then Abu Dhabi, then Saudi Arabia, where I was presented with some of the most magnificent Arabian horses to photograph. Along the way, I introduced portrait studies of the hunting falcon. They, too, are strikingly beautiful and have a special place in Arab culture and heritage.

“I will always remain very grateful to Princess Alia for her initial support, and to many others for encouraging the work and opening doors for me along the way.”

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages. (Supplied)

One of his most striking photographs shows two mares bringing their heads together in a gentle greeting.

“This incredible and totally unanticipated greeting happened while I was photographing at the King Abdulaziz Arabian Horse Center in Dirab, south of Riyadh. The two mares were led out onto my backdrop studio space from opposite sides, and when they approached each other, they gently and courteously touched their heads as if to say hello,” he said.

“It was so special. No one had ever witnessed this before. We all held our breath as we watched in amazement. I frequently think that it would be nice if these sensitive, clever creatures could teach us humans a little bit of gentleness and respect.”

Dajani’s exhibition features high-quality photographic color prints, and a smaller collection of photogravure prints, produced by manually pulling an inked metal plate, engraved with the photographic image, through a traditional printing press — a slow and difficult process that produces prints with a special feel and texture.