Elie Saab stages show at Paris Fashion Week

The designer’s Fall/Winter 2026-2027 collection was inspired by New York. (Getty Images)
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Updated 08 March 2026
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Elie Saab stages show at Paris Fashion Week

DUBAI/ PARIS: Lebanese designer Elie Saab showcased his latest collection at Paris Fashion Week on Saturday, as part of a packed schedule of international luxury labels.

The designer’s Fall/Winter 2026-2027 collection was inspired by New York with billowing ballgowns printed with Central Park-themed florals and more fitted, business chic looks seen on the runway.

The “Elie Saab woman immerses herself in the 90s New York art scene. Intellectual and seductive, her look embraces downtown power tailoring and uptown florals with a twist,” the fashion house said in its show notes.

The showcase was held on the same day as the likes of Hermes, Vivienne Westwood and Balenciaga, among other labels.

In a Paris Fashion Week that still has Chanel and Louis Vuitton to come, Hermes made a case that luxury at its most persuasive doesn’t shout.

Models emerged from luminous circular openings in the walls, like figures stepping through a full moon, and walked a raised, winding catwalk above vegetation.

It was theatrical, but never gimmicky.

The set did exactly what creative director Nadege Vanhee wanted: it knocked you off balance.

Vanhee, who has led Hermes womenswear since 2014, titled the fall-winter collection “Entre chien et loup” — the French expression for dusk, that uneasy moment when you can’t tell a dog from a wolf.

Her show notes invoked Hecate, the torch-wielding goddess of darkness, though the clothes were less mythological than muscular — precise, body-conscious, built to move.

Leather dominated. Fluid overcoats with enormous Tuscan sheepskin collars.

Zip-front mini dresses in inky blue that opened to reveal contrasting shirts beneath.

An orange ostrich-leather jumpsuit, belted at the waist, that merged biker attitude with Hermes refinement.

Paris Fashion Week is delivering a forceful reminder of why it remains a capital of fashion, with blockbuster celebrity front rows, boundary-pushing design, and collections that are tackling big ideas about power, craft and the female body.

Oprah Winfrey turned heads at both Stella McCartney and Chloé. Sissy Spacek, Julia Garner and Lil Yachty claimed front-row seats at Loewe.


Riyadh to install 25 new public artworks after conclusion of Tuwaiq Sculpture symposium

Updated 09 March 2026
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Riyadh to install 25 new public artworks after conclusion of Tuwaiq Sculpture symposium

  • Move will extend the impact of the annual art event beyond its conclusion, bringing large-scale contemporary artworks into the city’s streets and parks
  • Artworks produced during the symposium will now become part of Riyadh Art’s permanent collection

RIYADH: Some 25 sculptures created during the seventh edition of the Tuwaiq Sculpture symposium and exhibition will soon be installed across public spaces in Riyadh.

The move will extend the impact of the annual art event beyond its conclusion, organizers said, bringing large-scale contemporary artworks into the city’s streets and parks.

Organized by the Royal Commission for Riyadh City through the Riyadh Art Program, the 2026 edition has ended after nearly two months of live sculpting, exhibitions and public programming.

The artworks produced during the symposium will now become part of Riyadh Art’s permanent collection and will appear across the capital as part of a broader effort to integrate art into everyday urban life.

This year’s symposium began in January and took place along Prince Mohammed bin Abdulaziz Road, widely known as Tahlia Street.

The site was transformed into an open-air studio in which visitors could observe artists carving, welding and assembling sculptures.

The live sculpting phase, which was held between Jan. 10 and Feb. 5, brought together leading Saudi and international artists to produce 25 large-scale works.

The sculptures were created using locally sourced granite and reclaimed metal, highlighting both the region’s natural materials and the creative reuse of industrial elements.

Visitors were able to follow the process of each artwork’s development, from raw materials to finished sculptures, while also interacting with the artists and learning about their techniques and concepts.

The event also featured a wide-ranging community engagement program designed to deepen public understanding of contemporary art.

The program included 10 panel discussions, 105 training workshops and 15 masterclasses exploring sculptural techniques, materials and the role of public art in cities.

Educational outreach formed another key component of the symposium. Organizers hosted 25 educational visits for more than 600 students, while daily guided tours enabled visitors to explore the artworks and gain insight into the creative processes behind them.

After the live sculpting phase, the completed sculptures remained on-site until March 8, giving visitors the opportunity to experience the works in their original setting before their distribution across Riyadh.

The symposium was curated by Lulwah Al-Homoud, Sarah Staton, and Rut Blees Luxemburg, who guided the artistic direction around the theme “Traces of What Will Be,” exploring how sculpture can reflect future possibilities while responding to the city’s evolving identity.