NEW YORK: A planned Christmas Eve jazz concert at the Kennedy Center, a holiday tradition dating back more than 20 years, has been canceled. The show’s host, musician Chuck Redd, says that he called off the performance in the wake of the White House announcing last week that President Donald Trump’s name would be added to the facility.
As of last Friday, the building’s facade reads The Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts. According to the White House, the president’s handpicked board approved the decision, which scholars have said violates the law. Trump had been suggesting for months he was open to changing the center’s name.
“When I saw the name change on the Kennedy Center website and then hours later on the building, I chose to cancel our concert,” Redd told The Associated Press in an email Wednesday. Redd, a drummer and vibraphone player who has toured with everyone from Dizzy Gillespie to Ray Brown, has been presiding over holiday “Jazz Jams” at the Kennedy Center since 2006, succeeding bassist William “Keter” Betts.
The Kennedy Center did not immediately respond to email seeking comment. The center’s website lists the show as canceled.
President Kennedy was assassinated in 1963, and Congress passed a law the following year naming the center as a living memorial to him. Kennedy niece Kerry Kennedy has vowed to remove Trump’s name from the building once he leaves office and former House historian Ray Smock is among those who say any changes would have to be approved by Congress.
The law explicitly prohibits the board of trustees from making the center into a memorial to anyone else, and from putting another person’s name on the building’s exterior.
Trump, a Republican, has been deeply involved with the center named for an iconic Democrat after mostly ignoring it during his first term. He has forced out its leadership, overhauled the board while arranging for himself to head it, and personally hosted this year’s Kennedy Center honors, breaking a long tradition of presidents mostly serving as spectators. The changes at the Kennedy Center are part of the president’s larger mission to fight “woke” culture at federal cultural institutions.
Numerous artists have called off Kennedy Center performances since Trump returned to office, including Issa Rae and Peter Wolf. Lin-Manuel Miranda canceled a planned production of “Hamilton.”
Kennedy Center Christmas Eve jazz concert canceled after Trump name added to building
https://arab.news/ctxsq
Kennedy Center Christmas Eve jazz concert canceled after Trump name added to building
- According to the White House, the president’s handpicked board approved the decision, which scholars have said violates the law
- Numerous artists have called off Kennedy Center performances since Trump returned to office, including Issa Rae and Peter Wolf
Riyadh to install 25 new public artworks after conclusion of Tuwaiq Sculpture symposium
- Move will extend the impact of the annual art event beyond its conclusion, bringing large-scale contemporary artworks into the city’s streets and parks
- Artworks produced during the symposium will now become part of Riyadh Art’s permanent collection
RIYADH: Some 25 sculptures created during the seventh edition of the Tuwaiq Sculpture symposium and exhibition will soon be installed across public spaces in Riyadh.
The move will extend the impact of the annual art event beyond its conclusion, organizers said, bringing large-scale contemporary artworks into the city’s streets and parks.
Organized by the Royal Commission for Riyadh City through the Riyadh Art Program, the 2026 edition has ended after nearly two months of live sculpting, exhibitions and public programming.
The artworks produced during the symposium will now become part of Riyadh Art’s permanent collection and will appear across the capital as part of a broader effort to integrate art into everyday urban life.
This year’s symposium began in January and took place along Prince Mohammed bin Abdulaziz Road, widely known as Tahlia Street.
The site was transformed into an open-air studio in which visitors could observe artists carving, welding and assembling sculptures.
The live sculpting phase, which was held between Jan. 10 and Feb. 5, brought together leading Saudi and international artists to produce 25 large-scale works.
The sculptures were created using locally sourced granite and reclaimed metal, highlighting both the region’s natural materials and the creative reuse of industrial elements.
Visitors were able to follow the process of each artwork’s development, from raw materials to finished sculptures, while also interacting with the artists and learning about their techniques and concepts.
The event also featured a wide-ranging community engagement program designed to deepen public understanding of contemporary art.
The program included 10 panel discussions, 105 training workshops and 15 masterclasses exploring sculptural techniques, materials and the role of public art in cities.
Educational outreach formed another key component of the symposium. Organizers hosted 25 educational visits for more than 600 students, while daily guided tours enabled visitors to explore the artworks and gain insight into the creative processes behind them.
After the live sculpting phase, the completed sculptures remained on-site until March 8, giving visitors the opportunity to experience the works in their original setting before their distribution across Riyadh.
The symposium was curated by Lulwah Al-Homoud, Sarah Staton, and Rut Blees Luxemburg, who guided the artistic direction around the theme “Traces of What Will Be,” exploring how sculpture can reflect future possibilities while responding to the city’s evolving identity.
