MILAN: Art restorers have removed a deteriorating piece of graffiti by the street artist Banksy titled “The Migrant Child” from the side of a building overlooking a Venetian canal to preserve the work for future public display, officials said Thursday.
The removal from the wall of Palazzo San Pantalon was carried out in consultation with people close to the secretive British street artist, according to the Venice-based bank Banca Ifis’ art program that promotes art and culture.
The artwork depicting a shipwrecked child holding a pink smoke bomb and wearing a lifejacket appeared along Rio di San Pantalon in Venice in May 2019, and was acknowledged by Banksy. Marked on online maps, it has become a tourist destination.
But six years of neglect had led to the deterioration of about a third of the work, the bank said.
The restoration is being overseen by Federico Borgogni, who previously removed dust and cleaned the surface before detaching a section of the palazzo’s facade overnight Wednesday, Banca Ifis said in a statement. The bank is financing the project, but didn’t release the cost of the operation.
The bank intends to display the work to the public as part of free cultural events organized by Ifis art once restoration is completed. No time frame was given.
Banksy work ‘The Migrant Child’ removed from Venetian palazzo for restoration and future display
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Banksy work ‘The Migrant Child’ removed from Venetian palazzo for restoration and future display
Cambodia takes back looted historic artifacts handled by British art dealer
- The objects were returned under a 2020 agreement between the Ministry of Culture and Fine Arts and the family of the late Douglas Latchford, a British art collector and dealer who allegedly had the items smuggled out of Cambodia
PHNOM PENH, Cambodia: Cambodian officials on Friday received more than six dozen historic artifacts described as part of the country’s cultural heritage that had been looted during decades of war and instability.
At a ceremony attended by Deputy Prime Minister Hun Many, the 74 items were unveiled at the National Museum in Phnom Penh after their repatriation from the United Kingdom.
The objects were returned under a 2020 agreement between the Ministry of Culture and Fine Arts and the family of the late Douglas Latchford, a British art collector and dealer who allegedly had the items smuggled out of Cambodia.
“This substantial restitution represents one of the most important returns of Khmer cultural heritage in recent years, following major repatriations in 2021 and 2023 from the same collection,” the Culture Ministry said in a statement. “It marks a significant step forward in Cambodia’s continued efforts to recover, preserve, and restore its ancestral legacy for future generations.”
The artifacts were described as dating from the pre-Angkorian period through the height of the Angkor Empire, including “monumental sandstone sculptures, refined bronze works, and significant ritual objects.” The Angkor Empire, which extended from the ninth to the 15th century, is best known for the Angkor Wat archaeological site, the nation’s biggest tourist attraction.
Latchford was a prominent antiquities dealer who allegedly orchestrated an operation to sell looted Cambodian sculptures on the international market.
From 1970 to the 1980s, during Cambodia’s civil wars and the communist Khmer Rouge ‘s brutal reign, organized looting networks sent artifacts to Latchford, who then sold them to Western collectors, dealers, and institutions. These pieces were often physically damaged, having been pried off temple walls or other structures by the looters.
Latchford was indicted in a New York federal court in 2019 on charges including wire fraud and conspiracy. He died in 2020, aged 88, before he could be extradited to face charges.
Cambodia, like neighboring Thailand, has benefited from a trend in recent decades involving the repatriation of art and archaeological treasures. These include ancient Asian artworks as well as pieces lost or stolen during turmoil in places such as Syria, Iraq and Nazi-occupied Europe. New York’s Metropolitan Museum of Art is one of the prominent institutions that has been returning illegally smuggled art, including to Cambodia.
“The ancient artifacts created and preserved by our ancestors are now being returned to Cambodia, bringing warmth and joy, following the country’s return to peace,” said Hun Many, who is the younger brother of Prime Minister Hun Manet.









