Saudi artist transforms scrap metal into sculpture

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Mishal Al-Amri recently held his first exhibition under the theme The Neglected. (Supplied)
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Mishal Al-Amri has been upcycling waste materials from the streets of Jeddah into artwork for 20 years. (Supplied)
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Mishal Al-Amri has been upcycling waste materials from the streets of Jeddah into artwork for 20 years. (Supplied)
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Mishal Al-Amri has been upcycling waste materials from the streets of Jeddah into artwork for 20 years. (Supplied)
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Mishal Al-Amri has been upcycling waste materials from the streets of Jeddah into artwork for 20 years. (Supplied)
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Mishal Al-Amri has been upcycling waste materials from the streets of Jeddah into artwork for 20 years. (Supplied)
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Updated 22 July 2025
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Saudi artist transforms scrap metal into sculpture

  • Mishal Al-Amri has been upcycling waste materials into artwork for 20 years
  • He recently held his first public exhibition under the theme 'The Neglected'

JEDDAH: Where others see scrap metal destined for the trash, Saudi artist Mishal Al-Amri sees opportunities to create artwork.

In his bustling studio in Jeddah, Al-Amri works to remove rust before cutting, rolling, shaping and joining thousands of pieces of shaped scrap metal by hand.

He has been upcycling unwanted bits of metal throughout his artistic career, which has spanned 20 years.

“The artist has an eye that sees what others cannot; an eye that captures the beauty in the heart of the damaged and neglected, and restores it to life and meaning. My ultimate hope and goal are to give scrap metal a new life,” Al-Amri told Arab News.

When growing up, Al-Amri loved to draw. As he got older, he started painting. It was not until he retired at the age of 59 that he discovered his true passion and began sculpting with recycled metal after teaching himself how to weld.

“As I said before, it was just a hobby and I stopped it for a long time after I joined the banking sector due to the difficulty of balancing the hobby, the job, and then the family later on.

“Anyhow, when I was approaching 40 years of age, and after having a family and professional job, I began to pursue my artistic journey once again. I worked on paintings during my free time and vacations, and I lived for nearly 26 years just painting, readings, attending art seminars, workshops, and holding exhibitions alongside other local artists.”

Speaking about how he started collecting scrap metal items from the street, the 65-year-old said: “The spark for this artistic journey was the first moments of an evening walk, when my eyes would trace the floor littered with scraps of plastic, scraps of iron and discarded remnants of lighting and plumbing, no longer fit for use or neglected.”

He added: “These pieces I picked up from the streets would become the core of my personal art collection — materials I plucked from the fate of neglect to submit to my ideas and participate in the creation of beauty.”

These materials can end up waiting for days and sometimes years in storage in his studio until an idea suddenly emerges.

“The journey of constructing the painting or sculpture begins; from choosing the colors and sizes of the pieces, to weaving the relationships between them into an artistic composition that gives it a new spirit.”

The Saudi Arabian Society for Culture and Arts recently hosted his first solo exhibition showcasing under the theme “The Neglected.”

“This exhibition is the fruit of those moments; an invitation to see the beauty in the unusual, and to contemplate art’s ability to redefine what is damaged and neglected to ultimately become more precious and valuable,” he said.

“My artistic experience in this exhibition is based on two complementary principles: First, protecting the environment from the effects of pollution and human-caused damage, by collecting remnants of harmful materials in the soil and saving them from becoming a burden on the earth.

“Second, sustaining the usefulness of objects, by recycling them and using them in the field of art after their original function has ended, reborn as works of art that convey an aesthetic, humanitarian and environmental message.

Al-Amri says that he plans to continue creating scrap metal sculptures and paintings.

“On a personal level, I want to reopen the Cezanne Fine Arts Center, which I founded years ago and continue to cultivate art until its very end.

“On a more general level, I strive to raise environmental awareness, enabling people to respect and preserve the environment.”


Director Kaouther Ben Hania rejects Berlin honor over Gaza

Updated 20 February 2026
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Director Kaouther Ben Hania rejects Berlin honor over Gaza

DUBAI: Kaouther Ben Hania, the Tunisian filmmaker behind “The Voice of Hind Rajab,” refused to accept an award at a Berlin ceremony this week after an Israeli general was recognized at the same event.

The director was due to receive the Most Valuable Film award at the Cinema for Peace gala, held alongside the Berlinale, but chose to leave the prize behind.

On stage, Ben Hania said the moment carried a sense of responsibility rather than celebration. She used her remarks to demand justice and accountability for Hind Rajab, a five-year-old Palestinian girl killed by Israeli soldiers in Gaza in 2024, along with two paramedics who were shot while trying to reach her.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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“Justice means accountability. Without accountability, there is no peace,” Ben Hania said.

“The Israeli army killed Hind Rajab; killed her family; killed the two paramedics who came to save her, with the complicity of the world’s most powerful governments and institutions,” she said.

“I refuse to let their deaths become a backdrop for a polite speech about peace. Not while the structures that enabled them remain untouched.”

Ben Hania said she would accept the honor “with joy” only when peace is treated as a legal and moral duty, grounded in accountability for genocide.