Saudi artists ‘embrace the process’ at Tuwaiq sculpture exhibition

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Saudi artist Ali Al-Tokhais’ sculpture Care and Interest in the Content. (Supplied)
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Saudi artist Ali Al-Tokhais’ sculpture Care and Interest in the Content. (Supplied)
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Saudi artist Ali Al-Tokhais’ sculpture Care and Interest in the Content. (Supplied)
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Saudi artist Rawan Al-Shehri’s piece titled Spontaneity. (Supplied)
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Saudi artist Rawan Al-Shehri’s piece titled Spontaneity. (Supplied)
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The Tuwaiq International Sculpture Symposium, a Riyadh Art initiative, aims to embellish the city with public artworks. (Supplied)
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The Tuwaiq International Sculpture Symposium, a Riyadh Art initiative, aims to embellish the city with public artworks. (Supplied)
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The Tuwaiq International Sculpture Symposium, a Riyadh Art initiative, aims to embellish the city with public artworks. (Supplied)
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Updated 20 February 2025
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Saudi artists ‘embrace the process’ at Tuwaiq sculpture exhibition

  • Visitors flock to Roshn Front to check out latest creations by 30 international, local artists
  • Saudi artist Rawan Al-Shehri’s piece, titled Spontaneity, is composed of three large, curved pieces crafted with two different stones

RIYADH: At the sixth Tuwaiq International Sculpture Symposium — a Riyadh Art initiative to beautify the city with public artworks — visitors have flocked to Roshn Front to check out the latest creations by 30 international and local artists.

This year’s theme, “From Then to Now: Joy in the Struggle of Making,” has pushed artists to widen the idea of what a completed artwork really is, and encouraged them to consider ways in which the process of creation could be more engaging to a public audience.

During the opening of the symposium last month, at which 30 artists began their sculpting journey on raw stone, co-curator Sebastian Betancur-Montoya told Arab News: “Art tends to be this idea of the artist as a sort of genius and the ideas are kind of obscure. It’s not clear where things come from, or how things are made.

“I thought it was very interesting to create a space — this event — where the interest was not in the final product, but the whole creative, physical, and intellectual process behind those pieces.”

Saudi artist Rawan Al-Shehri’s piece, titled “Spontaneity,” is composed of three large, curved pieces crafted with two different stones. The piece is designed to promote playfulness and invite public interaction.

She told Arab News: “My work focuses on how artists can sometimes believe they must produce the perfect art piece, but I think the focus should be the process of building an art piece — the joy in it and being more natural, or in our element, during our work.

“We could be faced with challenges or hurdles that change or enhance, even, the work itself and make it unique.”

Rather than keeping the viewer at bay, she hopes that the work will pull them in, adding: “They can sit on parts of it, slide on a corner, or even climb on a piece.”

Saudi artist Ali Al-Tokhais’ sculpture “Care and Interest in the Content” draws inspiration from the positive and cohesive relationship between the leadership of the Kingdom and society.

The 3-meter sculpted piece of granite resembles a spiral, with 13 lines marking its center to symbolize the number of regions in the Kingdom — each rich in cultural, economic, and social diversity.

He told Arab News: “This sculpture embodies the spirit of Saudi Arabia in all its regions, with a forward-looking vision led by Vision 2030, which has focused on the development of both people and place, with the homeland becoming a safe haven for the diversity and multiplicity that distinguish the Kingdom’s regions within a unified national framework.”

Al-Tokhais’ art journey began with creating wood figures using carpentry and blacksmithing techniques. From there, the passion evolved, leading him into the world of stone sculpting in which he said he found “a means of expressing ideas and emotions” in the material.

He added: “I began to explore new dimensions of art that reflected both cultural and human identity.”

The exhibition is an invitation to explore the cultural and creative world embodied in each sculpture.

Al-Tokhais said: “It is a gathering where we share moments of beauty and deep reflection, further enhancing Riyadh’s position as a global destination for arts and creativity.”

He emphasized the importance of local and international art forums in enriching the art scene and enhancing the exchange of experiences among sculptors worldwide, adding: “Art forums have always provided exceptional opportunities for growth and development, as they allow artists to explore new methods and expand their creative horizons.

“Through my various contributions, both in Saudi Arabia and internationally, I have been able to develop my artistic vision and refine my techniques, which are reflected in my works and my unique style in sculpture.”

The exhibition mirrors the public engagement program of the live sculpting phase, which featured panel discussions, workshops, masterclasses, and guided tours — prompting visitors to further engage with the artists’ creative processes and the significance of contemporary sculpture until the event’s conclusion on Feb. 24.

Co-curator Dr. Manal Al-Harbi said at the opening: “The forum is not limited only to displaying sculptures, but rather provides a rich interactive experience through community activities that give the public the opportunity to learn about sculpting techniques, speak with artists, and participate in the creative process, which enhances interaction with the arts and makes them part of daily life.”


Hamza Hawsawi on headlining The Fridge in Riyadh

Updated 14 February 2026
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Hamza Hawsawi on headlining The Fridge in Riyadh

DUBAI: Saudi R&B artist Hamza Hawsawi headlined The Fridge’s “Concert Series KSA Season 1” over the weekend, performing a show in Riyadh’s JAX District as part of a two-day program spotlighting emerging talent.

Hawsawi’s performance followed “The Fridge Open Mic,” which took place at the same venue the night before. The open mic offered rising artists a professional stage to perform original material in front of a live audience, creating space for experimentation and discovery within the local music scene.

Speaking during the event, Hawsawi highlighted the importance of platforms such as open mics for artists. “I think it is important because an open mic is an opportunity to get to know new artists,” he said. “For industry professionals, like Fridge, it is an eye-opener to the scene, and it lets you understand how the scene is going, what kind of artists you’re gonna be dealing with in the future.”

From an artist’s standpoint, he added, the format remains essential for growth. “We do need open mics. We do need to be out there and to try different things, and to sing to different people, and to test our art and find out if people are gonna gravitate towards it or not.”

Hawsawi has spent more than 15 years developing a sound rooted in R&B, soul and pop, building an audience that now spans the region and beyond. He has accumulated more than 33 million global views and collaborated with a range of regional and international artists. 

His track “Million Miles” was selected as the official Rally Dakar anthem, while his live performances have included stages such as MDLBeast and the Abu Dhabi Grand Prix.

Asked whether he feels a responsibility to help shape the Saudi R&B scene, Hawsawi described a fluid relationship with that role. “Sometimes I feel that sense of responsibility,” he said. “Other times I feel like I’m just a human being trying to express my feelings … But we’re just artists at the end of the day.”

He added that while he sometimes embraces being a beacon for the genre, “other times I feel like I want to be low-key, and I don’t even want to be seen or heard.”

Hawsawi also reflected on one of his personal challenges as an artist in the Kingdom: writing and performing primarily in English. 

“That has been the biggest challenge to face,” he said. 

While Arabic remains the most widely spoken language in Saudi Arabia, Hawsawi explained that English allows him to express what he feels more clearly, particularly when it comes to emotion and meaning.

“The nuances of what I feel and all the metaphors for me trying to say something but not saying it, you know, not a lot of people get that,” he said, noting that his work often reaches a niche audience. “But I’m happy with that.”