Syrian TV presenter runs for cover on air as Israeli strikes hit Damascus

A Syrian presenter reacts in shock as an Israeli missile strikes a building in Damascus, interrupting her live broadcast. (X: @Israel_katz)
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Updated 16 July 2025
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Syrian TV presenter runs for cover on air as Israeli strikes hit Damascus

  • In a major escalation, the Israeli army bombed the Syrian military headquarters in Damascus

DUBAI: A widely circulated video showed a Syrian news presenter visibly startled and leaving her live segment to take cover as Israeli strikes hit Damascus on Wednesday.

Israel’s Defense Minister, Israel Katz, shared the video on X with the caption: “The heavy blows have started.”

In the video, the presenter jolted on air at the sound of the explosion, as a missile struck the building behind her.

 

 

In a major escalation, the Israeli army bombed the Syrian military headquarters in Damascus and carried out additional strikes on Syrian forces in the southern city of Sweida amid intensified clashes between government troops and Druze armed groups.

Israel has attacked Damascus following on threats to ramp up attacks if the Syrian government forces did not withdraw from Sweida, vowing to protect the Druze religious minority.

Before the live segment was interrupted, the presenter was reporting on Katz’s statement that the Israeli army would continue “to operate vigorously in Sweida to destroy the forces that attacked the Druze until they withdraw completely.”

Clashes raged in Sweida on Wednesday after a ceasefire between government forces and Druze armed groups collapsed. Israel has launched a series of airstrikes on convoys of government forces in southern Syria since the clashes erupted and has beefed up forces on the border.

The army said it struck near the entrance to the Syrian Ministry of Defense in Damascus.


Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

Updated 17 January 2026
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Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

  • The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive

PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.