Labubu mania sweeps the UAE, CEO of The Little Things says

Labubu has found its way into the UAE’s trend-savvy culture. (Supplied)
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Updated 07 June 2025
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Labubu mania sweeps the UAE, CEO of The Little Things says

DUBAI: Once just a niche collectible from Asia, Labubus have now become the must-have accessory among youth, influencers and collectors of all ages.

Seen clutched in the hands of BLACKPINK’s Lisa and Rosé, flaunted by Rihanna, and even making cameos in Kim Kardashian’s social media posts, Labubu has found its way into the UAE’s trend-savvy culture.

According to Hassan Tamimi, CEO of The Little Things, the UAE’s official POP MART retailer, the demand for Labubu has reached unprecedented levels.

“Labubu has become more than a collectible here,” Tamimi told Arab News Japan. “It’s a lifestyle statement. We’re seeing people pair them with luxury handbags, sports cars, even use them in wedding shoots.”

But in a region known for its love of luxury and limited-edition goods, the blind box collectible has struck a chord, especially among Gen Z and millennial buyers seeking aesthetic, niche fandom items with resale value.

However, the spike in popularity has brought an unfortunate side effect: a flood of fake Labubu figures infiltrating the UAE market. Counterfeit toys, often dubbed “Lafufu” by collectors, have been circulating online via scam websites and unverified sellers.

“We’ve had several customers walk into our stores with fake Labubus thinking they were real,” Tamimi said. “It’s heartbreaking, especially for those who paid high prices for something inauthentic.”

Tamimi warned buyers to look out for telltale signs: typos on packaging, incorrect paint colors, poor stitching on plushies, or even the wrong number of teeth, authentic Labubu figures always have exactly nine.

To meet the overwhelming demand while keeping things fair, The Little Things has implemented a strict one-piece-per-customer policy. The company has also increased restocking efforts and trained in-store staff to help collectors verify authenticity.

Tamimi also pointed out that Labubu’s appeal lies in the thrill of the hunt.

“The blind box format taps into that collector instinct, there’s excitement, suspense, and FOMO. You never know which figure you’ll get, especially with rarer editions, and that makes each purchase feel like an event,” he told Arab News Japan.

While Labubu has long been a cult favorite in Japan, Tamimi noted that the UAE is quickly becoming a hotspot in its own right. In Dubai and Abu Dhabi especially, Labubu fans are forming communities, trading figures and sharing unboxings and display setups online.

“What’s happening here mirrors what we’ve seen in Tokyo,” he added. “The only difference is access, Japan often gets first dibs on regional exclusives. But that scarcity is part of what makes collecting in the UAE so exciting.”

As for those looking to join the Labubu craze, Tamimi has one piece of advice: stick to official sellers.

“If it’s too cheap or too easy to find online, it’s probably fake. Trust verified stores. The magic of Labubu is in the real thing.”

- This article was first published on Arab News Japan. 


Animated Saudi film screens at Red Sea International Film Festival 

Updated 10 December 2025
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Animated Saudi film screens at Red Sea International Film Festival 

RIYADH: It is life imitating art — and art imitating life: a story about work burnout created work burnout, but for Saudi filmmaker Rwad Khalid, every sleepless night paid off. 

Arab News spoke with Khalid, who joked about the literal and metaphorical Mary Poppins-like bag she always carries. In real life, she hauls cameras and “other things” everywhere.

Her dedication to her craft has paid off — Khalid's seven-minute fantasy-drama-comedy animation, “Business Bag,” will be screened at the Red Sea International Film Festival in her home country.

A 2025 graduate of Princess Nourah bint Abdulrahman University in Riyadh with a degree in film and animation, she is passionate about crafting Saudi-centric stories that explore universal social themes through animation.

The film is produced by fellow classmates Linah Alqudari, Manar Alzahrani, and Dana Al-Omran, as part of their graduation project. Each brought their own distinct animation style, and the four of them worked together to weave a cohesive final look. Khalid and Alqudari wrote the script.

Her team unexpectedly became experts in the legal world when they tried to secure the copyright to vintage Japanese music from a deceased singer to use in their film. Determined not to take money from their families, they pooled their own savings and university allowances to fund the project.

“Business Bag” follows a young man overworked and over-caffeinated, drowning in office work pressure and routine — until, on a short walk outside the office, his bag suddenly flies away in the dead of night. As he chases it across Riyadh, he rediscovers the city’s beauty and learns to rebalance his life.

Work-related burnout is universal, the team determined, which is why the film barely uses dialogue. Instead, it leans on music and street sounds of bustling Riyadh.

The entire animation process was swift. 

“Other animators would tell me, like, ‘No way — it’s crazy. You did this in only two months? That’s impossible,’” Khalid said. “But it was possible, after all.”

Khalid said many people have asked why the main character is a man, given that the film was created by a team of women. 

“I knew I wanted Riyadh to be a main character. I also knew I wanted it to take place at night. Logically, I wouldn’t place a woman in that space in Riyadh at night,” she said. 

 “Let the boy suffer,” she added with a laugh.