Israeli army blocks Oscar media tour of villages in West Bank

Israeli security forces block the entrance to the village of Al-Tuwani in the Masafer Yatta area in the Occupied West Bank on June 2, 2025. (AFP/File)
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Updated 02 June 2025
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Israeli army blocks Oscar media tour of villages in West Bank

  • Soldiers bar journalists from visiting Palestinian residents on trip organized by award winners

JERUSALEM: Israeli soldiers on Monday barred journalists from entering villages in the West Bank on a planned tour organized by the directors of the Oscar-winning movie “No Other Land.”

The directors of the film, which focuses on Israeli settler attacks on Palestinians in the Israeli-occupied territory, said they had invited the journalists on the tour Monday to interview residents about increasing settler violence in the area.

In a video posted on X by the film’s co-director, Yuval Abraham, an Israeli soldier tells a group of international journalists there is “no passage” in the area because of a military order. 

Basel Adra, a Palestinian co-director of the film who lives in the area, said the military then blocked the journalists from entering two Palestinian villages they had hoped to visit.

‘They don’t want the world to see what is happening here’

“They don’t want journalists to visit the villages to meet the residents,” said Adra, who had invited the journalists to his home. “It’s clear they don’t want the world to see what is happening here.”

Some of the surrounding area, including a collection of small Bedouin villages known as Masafer Yatta, was declared by the military to be a live-fire training zone in the 1980s. 

Some 1,000 Palestinians have remained there despite being ordered out, and journalists, human rights activists, and diplomats have visited the villages in the past.

Palestinian residents in the area have reported increasing settler violence since Oct. 7, 2023, when Hamas attacked Israel and kick-started the war in the Gaza Strip. 

Israeli soldiers regularly move in to demolish homes, tents, water tanks, and olive orchards — and Palestinians fear outright expulsion could come at any time.

Adra said the journalists were eventually able to enter one of the villages in Masafer Yatta, but were barred from entering Tuwani, the village where he lives, and Khallet A-Daba, where he had hoped to take them.

Adra said settlers arrived in Khallet A-Daba on Monday and took over some of the caves where village residents live, destroying residents’ belongings and grazing hundreds of sheep on village lands. 

The military demolished much of the village last month.

“No Other Land,” which won the Oscar this year for best documentary, chronicles the struggle by residents to stop the Israeli military from demolishing their villages. 

The joint Palestinian-Israeli production was directed by Adra, Hamdan Ballal, another Palestinian activist from Masafer Yatta, along with Israeli directors Yuval Abraham and Rachel Szor.

The film has won a string of international awards.

Israel captured the West Bank in the 1967 Mideast war, along with the Gaza Strip and East Jerusalem. 

The Palestinians want all three for their future state and view settlement growth as a major obstacle to a two-state solution.

Israel has built well over 100 settlements, home to over 500,000 settlers who have Israeli citizenship. 

The 3 million Palestinians in the West Bank live under seemingly open-ended Israeli military rule, with the Palestinian Authority administering population centers.


To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

Updated 27 December 2025
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To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

  • ⁠ ⁠50 years after its creation, the Grendizer anime series continues to capture Arab imagination
  • ⁠ ⁠⁠Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet

LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.

Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.

But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.

Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.

Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.

While the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East. (Supplied)

The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.

Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.

Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.

 

Grendizer at 50
The anime that conquered Arab hearts and minds
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