Japan: A bucket-list destination worth the hype 

Kiyomizu-dera Temple in Kyoto. (Getty Images)
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Updated 23 May 2025
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Japan: A bucket-list destination worth the hype 

  • Our trip to Tokyo and Kyoto proved family-friendly. We will be back 

DUBAI: A bucket-list destination for many, Japan doesn’t disappoint if you’re looking for that hard-to-find mix of bright lights, big cities, fascinating history and glorious nature. As first-time visitors, we opted for the tourist-heavy double whammy of Tokyo and Kyoto on our recent (last-minute) week-long visit during cherry blossom season.  

A wonderful surprise was just how welcoming Japan is for those travelling with young children. With our three- and four-year-old in tow, we visited sites including the beautiful Meiji Jingu Shrine, the extremely popular Sensoji Temple and the buzzing Shibuya Scramble — the world’s busiest pedestrian crossing.  

(A great hack for your must-do timelapse video at the latter? Visit MAGNET by SHIBUYA109 and head to the Dream Capsule store on the 5th floor for a quiet viewing window, which you can follow with a strangely addictive gacha gaming session, fun for all ages.) 




Tokyo's famed Shibuya Scramble at night. (Getty Images)

While it’s easy enough to list the aforementioned sites in a single sentence, it should be stressed that Tokyo is enormous, so organizing your itinerary according to neighborhoods is advisable. My highlights included shopping at LOFT (multiple locations across the city) for beauty products and adorably quirky homeware, and — of course — the ‘TikTok-famous’ 3D cat at the hectic Shinjuku crossing, solely due to the amazement on my kids’ faces. 

Another top tip for travelling in Japan is to ask about the luggage-delivery service before you head to your next destination, which in our case was Kyoto. Your bags will be waiting for you in your next hotel room within 24 hours of dropping them off at the counter. 

With that sorted, we hopped on the bullet train blissfully unencumbered — well, besides the kids — and sped off to Kyoto, home to 17 UNESCO World Heritage sites. The capital of Japan for more than 1,000 years, the city is an incredible maze of temples, shrines and zen gardens. 




Nuunu Kyoto sells original works by Japanese artists. (Instagram)

Our first stop, though, was rather less storied: The Takashimaya Shopping Center is home to Nuunu Kyoto, an art department store selling original work by Japanese artists. The sketches and posters are laid out in record-store format and you can happily pass hours here picking out the perfect  affordable souvenir. 

When it comes to historical sites, this city is bursting at the seams. The stunning views from Kiyomizu-dera Temple’s cantilevered viewing platform were a personal favorite. Although we chose not to take a guided tour, I will say that a tad more info on Kyoto’s various sites would be welcome in the form of billboards or QR codes. 

The peaceful Kodai-ji Temple boasts a small bamboo forest for those unwilling to brave the crowds at Kyoto’s famous Arashiyama Bamboo Grove, and we wrapped up our afternoon by visiting the Nanzen-ji Temple complex, at the base of the forested Higashiyama mountains. The expansive complex, which dates back to the 13th century, includes Tenjuan sub-temple with its serene gardens, stepping stones and koi pond full of inquisitive fish. 

Although it seems ludicrous to visit Kyoto without exploring the iconic red torii gates of the Fushimi Inari Shrine, braving the uphill slope with two prams was something we couldn’t face — but we will return. That was a familiar phrase while we were in Japan, which goes to show what an enjoyable time we had. 

The only warning I have — for couples traveling with children, at least — is to be mindful that restaurants tend to specialize. While this means most eateries are masters of their chosen fare, it also makes it hard to sample great sushi if your young ones are not of sushi-eating age.  

In our case, this meant our four-year-old developed a worryingly expensive penchant for wagyu steak, while our youngest existed on dry noodles and convenience store snacks (although, I have to say, even high-end restaurants were fantastic with the kids, welcoming them in no matter how late it was). 

Overall, Japan made for an ideal destination for a family vacation. Don’t let those social-media gripes about overcrowding put you off. Even in its busiest cities at one of its busiest times of year, Japan is one of the most welcoming places on Earth. 


Sale of Saudi artist Safeya Binzagr’s work sets record at Sotheby’s auction in Riyadh

Updated 01 February 2026
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Sale of Saudi artist Safeya Binzagr’s work sets record at Sotheby’s auction in Riyadh

RIYADH: A painting by Saudi artist Safeya Binzagr sold for $2.1 million at Sotheby’s “Origins II” auction in Riyadh on Saturday, emerging as the top lot of the evening and setting a new auction record for a Saudi artist.

The work, “Coffee Shop in Madina Road” (1968), sold for $1.65 million before the buyer’s premium, the additional fee paid by the purchaser to the auction house on top of the hammer price.

The result nearly doubled the previous auction record for a Saudi artist and became the most valuable artwork ever sold at auction in the Kingdom. It also ranks as the third-highest price achieved for an Arab artist at auction.

It was presented as part of “Origins II,” Sotheby’s second auction staged in Saudi Arabia, comprising 62 modern and contemporary lots and bringing together Saudi artists alongside regional and international names.

Collectors from more than 40 countries participated in the auction, with around one-third of the lots sold to buyers within Saudi Arabia.

The sale totaled $19.6 million, exceeding its pre-sale estimate and bringing the combined value of works offered across “Origins” and “Origins II” to over $32 million.

Saudi artists were central to the evening’s results. All nine Saudi works offered found buyers, achieving a combined total of $4.3 million, well above pre‑sale expectations.

Ashkan Baghestani, Sotheby’s head of contemporary art for the Middle East, told Arab News at the auction that “Safeya made more than any other artist tonight, which is incredible.”

He said the results demonstrated Sotheby’s broader objective in the Kingdom.

“The results tonight show exactly what we’re trying to do here. Bring international collectors to Saudi Arabia and give them exposure to Saudi artists, especially the pioneers.”

All nine works by Saudi artists offered in the sale found buyers, generating a combined $4.3 million. Additional auction records were set for Egyptian artist Ahmed Morsi and Sudanese artist Abdel Badie Abdel Hay.

An untitled work from 1989 by Mohammed Al-Saleem sold for a triple estimate of $756,000, while a second work by the artist, “Flow” from 1987, achieved $630,000.

The sale opened with the auction debut of Mohamed Siam, whose “Untitled (Camel Race)” sold for $94,500. Also making his first auction appearance, Dia Aziz Dia’s prize-winning “La Palma (The Palma)” achieved $226,800.

The sale coincided with the opening week of the Contemporary Art Biennale in Riyadh, reinforcing the city’s growing role as a focal point for both cultural institutions and the art market.

Baghestani added that Saudi modern artists are now receiving long‑overdue recognition in the market.

“There’s so much interest and so much demand, and the price is where it should be,” he said.

International highlights included works by Pablo Picasso, Roy Lichtenstein, Andy Warhol and Anish Kapoor, underscoring Saudi Arabia’s growing role as a destination for major global art events and collectors.

Picasso’s “Paysage,” painted during the final decade of the artist’s life, sold for $1,600,000, becoming the second most valuable artwork sold at auction in Saudi Arabia.

Seven works by Lichtenstein from the personal collection of the artist and his wife, including collages, prints, works on paper and sculptures, all found buyers. Warhol was represented in the sale with two works: “Disquieting Muses (After de Chirico),” which sold for $1,033,200, and a complete set of four screenprints of “Muhammad Ali,” which achieved $352,000.

Baghestani said the strength of the results was closely tied to the material’s freshness. “These were not works from the trade. Some of them had not been seen since the 1970s,” he said.