Film ‘Warfare’ immerses viewers in real-time Iraq War mission

In this file photo taken on November 21, 2003 US soldiers and members of Iraqi police (L) secure the perimeter of the Palestine (background) and the Sheraton hotels in Baghdad. (AFP file photo)
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Updated 02 April 2025
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Film ‘Warfare’ immerses viewers in real-time Iraq War mission

  • “Warfare” sees the young men taking up positions in a residential building in the dark of night

LONDON: New A24 movie “Warfare” places audiences among a platoon of US Navy SEALs as they battle insurgents during the Iraq War.
Written and directed by combat veteran Ray Mendoza and filmmaker Alex Garland, the movie is a real-time re-enactment of a 2006 surveillance operation gone awry and based entirely on the memories of Mendoza and the soldiers who took part in it.
“Warfare” follows Garland’s 2024 film “Civil War,” which Mendoza worked on as a military supervisor, and features an ensemble cast of top talent including Cosmo Jarvis, Will Poulter, Charles Melton, Joseph Quinn, Kit Connor and D’Pharaoh Woon-A-Tai.
It pays tribute to wounded sniper Elliott Miller, played by Jarvis, whose recollections of the events are sparse.
“I wanted to make it for Elliott,” Mendoza said at the film’s London premiere on Tuesday. “He doesn’t recall what happened. Over the years he’s asked a lot of questions. I’ve been in this industry for 15 years now, and it’s kind of a goal, a journey, for me to acquire all the tools and skills I needed along the way to make it.”
The filmmakers set a rule to “not invent or heighten anything” and recount the events as accurately as possible.
“What films usually do is they find a way to dramatize, and that sometimes means romanticize combat and conflict and to be inaccurate. We tried to strip all of that out and present war in this instance, as it was. That was our sole intention,” Garland said.
“Warfare” sees the young men taking up positions in a residential building in the dark of night. It depicts their close bond and the chaos that ensues when they come under fire and try to evacuate wounded soldiers.
For the cast, portraying real people and recreating the events in Ramadi, came with responsibility.
“We had to try and do the story, what happened, justice and try to do these characters justice,” said Connor, who plays gunner Tommy.
“Warfare” was shot outside London over five weeks in early 2024. In preparation for its extended takes and carefully choreographed scenes, the cast took part in an intensive three-week boot camp.
“That included weapons handling, strategy, tactics, some of the language that is unique to SEALs and the military. We learned radio communications, first aid, some navigational stuff, and then went out on a few exercises as a team and put it into practice,” said Poulter, who plays an officer in charge of the operation.
Although immersing audiences in warfare, the movie is rooted in humanity, said Michael Gandolfini, who plays Lt. Macdonald.
“It’s about human beings and it’s about consequences of human beings doing these things to other humans. You walk out, I believe, feeling immense pain but immense humanity.”
“Warfare” begins its global theatrical rollout on April 10.

 


Makkah museum displays world’s largest Qur’an

Updated 04 February 2026
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Makkah museum displays world’s largest Qur’an

MAKKAH: The Holy Qur’an Museum at the Hira Cultural District in Makkah is showcasing a monumental handwritten copy of the Holy Qur’an, recognized as the largest Qur’an of its kind in the world.

The manuscript measures 312 cm by 220 cm and comprises 700 pages, earning the museum recognition from Guinness World Records for displaying the world’s largest Qur’an, the Saudi Press Agency reported.

The manuscript is a magnified reproduction of a historic Qur’an dating back to the 16th century, the SPA stated.

The original copy measures 45 cm by 30 cm, with the chapters written primarily in Thuluth script, while Surah Al-Fatiha was penned in Naskh, reflecting the refined artistic choices and calligraphic diversity of the era.

The Qur’an is a unique example of Arabic calligraphy, gilding and bookbinding, showcasing Islamic art through intricate decorations, sun-shaped motifs on the opening folio, and elaborately designed frontispiece and title pages that reflect a high level of artistic mastery.

The manuscript was endowed as a waqf in 1883. Its original version is currently preserved at the King Abdulaziz Complex for Endowment Libraries, serving as a lasting testament to Muslims’ enduring reverence for the Qur’an and the richness of Islamic arts across the centuries.