Saudi Arabia returns to London Design Biennale with ‘Good Water’ pavilion

Non-potable water truck, 2025. Photo by Aziz Jamal. (Courtesy of the Architecture and Design Commission).
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Updated 27 March 2025
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Saudi Arabia returns to London Design Biennale with ‘Good Water’ pavilion

DHAHRAN: Saudi Arabia will participate at the London Design Biennale 2025 with “Good Water,” an exhibition exploring the hidden costs and economies of water, running from June 5-29 at Somerset House.

Commissioned by the Architecture and Design Commission, the pavilion is curated by a multidisciplinary design collective comprising Alaa Tarabzouni, Aziz Jamal, Dur Kattan and Fahad bin Naif. Drawing on their backgrounds in architecture, design and the arts, they will challenge conventional notions of access, distribution and the perceived value of water.

Sumaya Al-Sulaiman, CEO of the Architecture and Design Commission, said: “Saudi Arabia’s return to the London Design Biennale marks another chapter in our commitment to design as a tool for dialogue and cultural exchange. We look forward to engaging in conversations on creativity, innovation, and systems thinking during our fourth participation in the event.”

The exhibition responds to this year’s biennale theme “Surface Reflections,” by inviting visitors to reconsider their relationship with water.

At the heart of the Saudi pavilion is a sabeel, a traditional water fountain deeply rooted in Saudi culture that provides complimentary water to anyone who passes by. It is seen as a symbol of hospitality and generosity.

The sabeel, within this context, represents a paradox. While it offers water freely, the reality is that no water is truly free, the exhibition argues. Every drop is made possible through a network of labor, energy and infrastructure — whether extracted through costly desalination, bottled and imported or transported through vast water systems requiring maintenance and oversight. The cost is absorbed by governments, corporations, and workers, yet the long-term impact is shared by all.

In this showcase, “Good Water” repositions the sabeel not just as a gesture of goodwill, but as a question: Who pays for “free” water? What does it truly cost?

“The pavilion uses familiar elements to draw attention to water’s hidden economies,” said the participants Tarabzouni, Jamal, Kattan and bin Naif in a joint statement. “It encourages visitors to drink with awareness, to acknowledge the price, and to recognize that while the cost of good water may be borne by someone else, it ultimately affects everyone. By relocating the sabeel to the London Design Biennale—where water scarcity is not an immediate concern—we reframe it as an object of scrutiny, making the invisible visible and the passive active.”

In 2023, Saudi Arabia participated at the 4th London Design Biennale with a pavilion titled “Woven” by Ruba Alkhaldi and Lojain Rafaa. 


Mini op-ed: We need a ‘potluck’ culture of reading

Updated 10 March 2026
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Mini op-ed: We need a ‘potluck’ culture of reading

DUBAI: The number of times we hear, “My kids don’t read,” “I don’t have the time,” or “Do people even read anymore?” is alarming.

With newspapers declared dead and YouTube summaries or ChatGPT reviews becoming the main course of words, I often wonder: have those asking these questions considered the role they play?

Each of us — school representatives, librarians, parents, educators, children, and even occasional readers — must ask whether we are helping create a culture where reaching for a book feels as natural as reaching for a smartphone.

Even the smallest effort counts. I think of a reading culture as a potluck where everyone brings something small, and together it becomes a wholesome meal. If you do not know where to begin, look around.

Purva Grover is an author, poet, playwright, stage director, TEDx speaker, and creative entrepreneur. (Supplied)

The UAE is rich in public libraries including in Sharjah and Dubai, such as the Mohammed Bin Rashid Library, which is proof that access is not the issue. 

Meanwhile, Saudi Arabia is embedding reading into its national identity under Vision 2030 through digital libraries, major book fairs, and daily school reading.

Not a reader? Events such as the Emirates Airline Festival of Literature or the Sharjah International Book Fair offer easy entry points for conversation, community and curiosity.

They are built on cultural blocks that subtly encourage even non-readers into reading spaces. You could even start a reading club. I run one in Dubai called The Reading Village and have seen its quiet magic.

Culture is built by saying yes. And no to pirated PDFs on WhatsApp, as well as unchecked screen habits.

Tiny habits can help build an environment where reading becomes as much a part of our lives as scrolling on Netflix to decide what to binge-watch next.

Purva Grover is an author, poet, playwright, stage director, TEDx speaker, and creative entrepreneur. She is the founder of The Reading Village, a Dubai-based community.