Lyna Khoudri spotted at TV series festival in Lille

Benjamin Voisin and Lyna Khoudri at Series Mania. (Getty Images)
Short Url
Updated 23 March 2025
Follow

Lyna Khoudri spotted at TV series festival in Lille

DUBAI: French Algerian actress Lyna Khoudri made an appearance at Series Mania 2025 this weekend in Lille, France.

Also known as the International TV Series Festival, Khoudri and her castmates were on hand to promote Apple TV+ show “Careme.”

“An ambitious, young chef uses his seductive charm to work as a spy so he can save his father — and make his name,” the official logline of the period drama reads. The series is set to land on Apple TV+ on April 30.

It is a biographical series about Antonin Careme, who rose from humble beginnings to become known as the world's first celebrity chef during the Napoleonic era. Careme is played by Cesar Award-winner Benjamin Voisin, who is joined by Cesar Award-winner Khoudri, César Award nominee Jérémie Renier (“My Way,” “Saint Laurent”),”) and Alice Da Luz (“Hanami,” “And the Party Goes On”).

The Cesar Awards are France’s reply to Hollywood’s Academy Awards.

“Careme” is directed by filmmaker Martin Bourboulon, who also directed Khoudri in Afghanistan evacuation drama “13 Days, 13 Nights,”

The drama, the full title of which is “In The Hell Of Kabul: 13 Days, 13 Nights,” stars Khoudri alongside Danish BAFTA-winning “Borgen” star Sidse Babett Knudsen, Roschdy Zem (“Chocolat,” “Oh Mercy!”), and theater actor Christophe Montenez.

Set against US troops’ withdrawal from Afghanistan in August 2021, as the Taliban marches on Kabul, the film recounts the true story of French Commander Mohamed Bida who oversaw security at the French embassy, which was the last Western mission to remain open.

The film marks a change for Bourboulon after period dramas “The Three Musketeers – Part II: Milady,” “The Three Musketeers – Part I: D’Artagnan” and “Eiffel.”

Khoudri, 32, first rose to prominence in her role as Nedjma in Mounia Meddour’s critically acclaimed drama “Papicha.” For her work in the film, she won the Orizzonti Award for best actress at the 74th Venice Film Festival, and she was nominated in the Cesar Awards’ most promising actress category.

Khoudri also starred in the 2019 mini-series “Les Sauvages” and in 2016’s “Blood on the Docks.”

Notably, she was cast in Wes Anderson’s 2021 comedy “The French Dispatch” alongside Timothee Chalamet, Bill Murray, Tilda Swinton, and Owen Wilson.

 


Yataghan boutique in Jeddah celebrates Saudi heritage

Updated 20 December 2025
Follow

Yataghan boutique in Jeddah celebrates Saudi heritage

JEDDAH: Yataghan, the contemporary Saudi jewelry house founded in 2008 by designer and entrepreneur Sarah Abudawood, has announced an expansion with its Riyadh debut at Kingdom Centre, alongside the relocation of its headquarters and flagship store to a street-front location on Jeddah’s Thalia Street.

The brand, known for blending Arabian heritage with modern minimalism, unveiled two boutiques designed as immersive experiences rather than mere retail spaces.

Every detail of the new Jeddah location has been carefully curated; brass accents inspired by the Yataghan blade evoke precision and luxury, while striped, gray onyx symbolizes continuity and progress, according to the brand’s founder. Vast windows, softened by Yataghan’s signature hexagonal motif, a symbol of harmony, order, and strength, flood the boutiques with natural light, creating an inviting environment for visitors.

Inspired by the Yataghan sword, with its distinctive, single-edged blade, the brand’s collections fuse minimalist design with Arabic calligraphy and tribal motifs.

“The name Yataghan draws its meaning from the two swords on the Saudi flag — a symbol that has always fascinated me for what it represents: conviction, protection, truth, and above all, balance,” Abudawood told Arab News.

“The Yataghan sword, known for its graceful curve and exquisite craftsmanship, embodies purpose and precision. It is drawn to defend what matters and to guard what is sacred. It sets boundaries and restores equilibrium, reminding us that strength is not only about force, but about knowing when to advance and when to stand still.

“That balance is reflected in every piece we create. Because, like the sword, Yataghan is more than an ornament; it is a statement of purpose, and identity.”

Abudawood explained the cultural inspiration behind the brand, highlighting pieces connected to Saudi identity. “This branch carries designs that are deeply connected to Saudi identity and cultural memory. Some pieces are exclusive, inspired by symbols, rhythms, and forms rooted in our heritage, interpreted through a modern lens … Jeddah, in particular, has a unique spirit: fluid, expressive, open, and layered with history. That essence subtly informs the designs you’ll find here.” 

The founder also spoke of the brand’s philosophy of minimalism and meaningful design.

“It comes from my belief that simplicity creates space for meaning. I have always been drawn to architecture and the principle that form must follow function. I design with intention; nothing is accidental. Every line has a purpose, every curve holds a story. Minimalism, for me, is not about removing emotion; it is about distilling it. I want each piece to feel timeless, personal, and quietly powerful.”

The label has been flaunted by high-profile clients — including Jennifer Lopez, Lady Gaga and Lama Akeel — but Abudawood emphasized the brand’s focus on connection over visibility. “Whether someone is a public figure or not, what moves me is when they feel seen by the jewelry. Yataghan has always been about resonance, about creating pieces that speak to identity, strength, and personal stories,” she said.

Looking ahead, 2026 will mark new chapters for Yataghan, including local and international expansion, innovative collections, and a stronger focus on storytelling and community collaborations. “Growth has never been about reach alone; it’s about depth, integrity, and lasting impact,” Abudawood added.

“Ultimately, what drives me is purpose. I’m motivated by the desire to create work that matters, to offer women something that reflects who they are, not who they’re expected to be. Design, for me, is a form of dialogue, a way to translate emotion into form. As long as I’m creating with honesty, intention, and heart, I know I’m exactly where I’m meant to be.”