Exploring Uzbekistan: a crossroads of cultures 

The Poi Kalan complex consists of the Kalan Mosque, Kalan Minaret, and Mir-i-Arab Madrasa. (Getty Images)
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Updated 06 March 2025
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Exploring Uzbekistan: a crossroads of cultures 

  • The Central Asian country is home to some of the finest examples of Islamic design in the world 

BUKHARA: As a young Saudi girl, I didn’t often hear stories from my late Uzbek grandmother about her homeland. Instead, she shared her heritage through food. During family gatherings, she would pile our plates high with Bukhari rice, a fragrant dish as rich in history as Uzbekistan itself. But neither my father nor my siblings had ever been to her homeland, so when I was offered the chance to go — close to my birthday too — it felt like a gift from destiny.  

Saudi citizens can now visit Uzbekistan without a visa, and though it remains a niche tourist destination, the country has been a crossroads of Islamic, scientific and cultural development, for centuries, influencing Central Asia and the wider Islamic world.  

It has been home to some of the Islamic world’s most significant scholars, including Imam Al-Bukhari, Al-Tirmidhi, Al-Biruni and Al-Khorezmi. Their contributions to science, mathematics and astronomy are still globally influential.  




The walls of the ancient city of Khiva in Uzbekistan. (Getty Images)

While glitzy Tashkent, the capital, offers a beguiling blend of modernity and history — and the country’s best shopping options — you’d be doing yourself a disservice if that was your only destination. 

Try, for example, the storied ancient city of Samarkand in the northeastern Zerafshan River valley. Once a hub on the Silk Road, Samarkand is a tapestry of Persian, Greek, Arabic, Mongol and Soviet influences, and earned UNESCO World Heritage status in 2001. Founded in the 7th century BCE and flourishing during the Timurid era of the 14th and 15th centuries, Samarkand became a beacon of Islamic culture. Its famed Bibi-Khanym Mosque and the Registan Square are exemplars of Islamic creativity; the square’s trio of majestic madrasas — Ulugh Beg, Sher-Dor, and Tilya-Kori — feature intricate tilework, calligraphy and design that influenced Islamic architecture far and wide. I had the best ice cream there, too. 




The Bibi-Khanym Mosque, Samarkand, Uzbekistan. (Getty Images)

Bukhara, another millennia-old Silk Road city that has long been a center of Islamic scholarship and spirituality, is another must-see. During the Golden Age of Islam, the city became a hub of Sufi thought and Muslim theology, and today it houses more than 350 mosques and 100 religious institutions. It was here that Imam Al-Bukhari compiled “Sahih al-Bukhari,” a major work of Sunni Islam. 

Designated a UNESCO World Heritage site in 1993, Bukhara offers a rare view into a perfectly maintained ancient Islamic city. Highlights include the Ark of Bukhara fortress, dating back to the 5th century, and the Ismail Samani mausoleum, a pristine example of 10th-century Muslim architecture. The city’s Poi Kalan complex  — consisting of the Kalan Mosque, Kalan Minaret, and Mir-i-Arab Madrasa — is a fine showcase for Islamic decorative arts, with tilework and mosaics that have survived through the centuries.  

Both cities are also celebrated for their artistic traditions, which are central to Uzbekistan’s identity. Their high-quality silk, handwoven carpets, and embroidery, notably using the traditional textile adorned with intricate floral and geometric patterns are fan favorites. Along with the hand-painted pottery and other handmade goods, the quality on offer will make you wish you had more suitcases with you. 




 Traditional rugs for sale in Bukhara, Uzbekistan. (Getty Images)

As for the food, Uzbek cuisine is influenced by flavors and techniques from across Central Asia. While it’s heavy on the meat — horse is very popular — there are some great vegetarian dishes and plenty of pomegranates to go around. The plov, a famous rice dish with fragrant meat, carrots and spices, is a must-try; indeed, the plov I shoveled down in Bukhara was better than anything I ever tasted at my family home. Sorry grandma.  

My next favorite thing was to rip into the fresh bread and dried fruit — perfect.  




Plov — a traditional Uzbek dish of rice and meat. (AN Photo)

While Samarkand and Bukhara are major draws, Uzbekistan’s other regions offer further gems. In Khiva, the well-preserved walled city of Ichan-Kala takes visitors back to the Silk Road days with palaces, mosques and minarets aplenty. The Fergana Valley, known for its agriculture and craftsmanship, boasts pottery in Rishtan and silk weaving in Margilan — crafts that have been handed down for generations. 

Traveling within Uzbekistan is both affordable and convenient, with well-connected train routes between the major cities. While Uzbek and Russian are commonly spoken, you can usually find menus with oddly worded English translations at most places. And if not, then smiles and hand gestures go a long way in bridging any language gaps with the friendly locals.  

For Gulf tourists seeking a road-less-travelled destination, but with familiar historical and cultural links, Uzbekistan is an ideal choice.  


Printmaking takes center stage at JAX District exhibition

Updated 24 April 2025
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Printmaking takes center stage at JAX District exhibition

  • Live screen-printing studio teaches public about processes
  • Curator urges support and opportunities for local creatives

RIYADH: In a corner of JAX, Riyadh’s art district, there is an open-door policy for art enthusiasts and culture aficionados to explore the diversity of the printmaking world.

At Printworks — hosted by the Personage concept store and studio —artists, designers and architects are presenting their print-based creations to the public.

The aim is to celebrate the work of the artists and engage the public.

When curator Koren Dasoar and guest curator Dana Qabbani came together for the project, they had the aim of “really doing things that are not just for the sake of it.”

Dasoar told Arab News they are not seeking “applause, but really are conscious of people’s feelings, supporting people and building quality.”

They saw a gap in the art community: a space that caters to emerging artists.

Qabbani told Arab News: “Speaking with all of the young artists and the established ones, people are down.

“People feel they’re not doing enough to appear enough … We felt that there’s a disconnect, even with all the amazing things that’ve been happening in the scene.”

Dasoar added: “We shouldn’t wait for a large format activation or event to happen for creativity to happen.

“It’s about it being constant small- to mid-scale activities that allow people that have a growing creative practice to be able to constantly create and showcase.”

Printmaking itself is a unifier of crafts, the curators say.

It “makes you use your hands physically, and therefore the process is longer than just clicking ‘print’ and having the artwork come out.

“There is more of a practice; it’s more sacred because it slows you down. You’re making the art in slow motion,” Qabbani said.

Dasoar explained: “Print is something that I feel is completely interdisciplinary, multidisciplinary and cross-medium.

“It’s something that has value in the context of artists, architects, industrial designers, product designers, and even the broader creative spectrum of writers, printers, poets.

“Print is a medium that is far-reaching. It also is something that, from a functional standpoint, allows that to be a degree of repetition, meaning that we can create repeats.

“But it’s also something that I think is quite interesting in the contemporary context, for that it takes different mediums from different practices, funnels it through a digital and non-digital medium, and translates it into something that is physical.”

The initiative aims to bring people back to a core idea of loving creativity and making art, or simply having the desire to create.

For aspiring artists to truly thrive, “there needs to be multiple points of contemplation and multiple points of creation,” Dasoar said.

“There is space for everyone, and we have a shared responsibility to support talent, nurture growth, and create opportunities for success.”

These notions manifested in Personage having an open-door policy for such events.

In this edition, the featured artists include Hayat Osama, Naif Alquba, Mohammed Zkria, Abdullah Al-Amoudi, Salman Najem, Abdullah Al-Khorayef, the sibling-led collective TwoMeem, and Shaddah Design Studio’s Il Mushtarayat.

The program allows members of the public to see how their purchased pieces are produced, as each print is made-to-order. The event also creates a space to ask questions in a more conversational setting.

“Community isn’t built in rows of chairs,” Dasoar said.

Printworks functions in two sections. The first is in existing artworks created by the artist, studio, designer or practitioner, ranging from risograph prints, screenprints, and photographic print.

The other section is an on-site, live screen-printing studio where members of the public are able to drop in and learn more about the artists, the ink, and the printing process itself.

All the works, including the print-on-demand pieces, which will be available on a limited-run basis, are part of an exhibition running until the end of April.

“We have a portion of the artists that are just in the exhibition segment, and we have several artists that have been the collaborators on the screens that are on the print and demand,” Dasoar said.

The event has talks and workshops by various creatives including Dasoar and Cristian Checcanin, the art director at TOLD, the agency behind the design of Saudi Arabia’s riyal logo.

While this is the first edition of Printworks, the goal is to create an event every month with a new, diverse set of artists and curators who can bring in fresh ideas and concepts.

This type of activation is connected to a core pillar of Personage’s mission and identity.

As a space that exists at the intersection of concept store, creative studio, and cultural platform, Personage is fundamentally about bringing people together — bridging disciplines, creative practices, and perspectives.

“We believe that the creative industry truly blossoms when we support its practitioners, while also allowing patrons and buyers to grow, connect, and engage through experiencing — and investing in — the outcomes of creativity.

“In this way, we nurture both the creators and the community that surrounds and uplifts them,” Dasoar said.


Gigi Hadid honored by family, friends on her 30th birthday

Updated 24 April 2025
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Gigi Hadid honored by family, friends on her 30th birthday

DUBAI: The internet is abuzz with celebrities, designers, family and friends sending birthday wishes to US Dutch Palestinian model Gigi Hadid as she turns 30.

Gigi’s younger sister, Bella Hadid, shared a carousel of photos on Instagram to celebrate her birthday. “IT’S GIGI DAY EVERYONE SAY IT WITH ME. HAPPPYYY 30th BIRTHDAYYYY JELENAAAA,” she wrote.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Bella (@bellahadid)

The post featured a mix of baby and childhood photos, runway moments and family memories.

Yolanda Hadid, Gigi’s mother, took a moment to reflect on her daughter’s 30-year journey. “Thirty years went by in a flash, 10,950 days to be exact but there hasn’t been one day without you on my mind,” she wrote, sharing photos of Gigi from babyhood to recent moments.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by YOLANDA (@yolanda.hadid)

She added: “As you know giving birth to your first born is life changing, it really marks the first day of the rest of your life as you transition from womanhood into the blessing of motherhood. Today is your special day and I want to say thank for choosing me to be your mommy and for all the love, light and reflection you have brought into my life.”

Italian designer Donatella Versace also shared a birthday message, posting a few images with Gigi and writing: “Happy Birthday to my Taurus twin, @gigihadid! I wish I was with you on this special day. I am sending you kisses and so much love - today and always. Love you!”

American fashion designer Thom Browne posted a picture of Gigi on the brand’s page, sending her well wishes as well. 

Fan pages also shared short tribute videos to celebrate the supermodel’s special day.


Winners take to the stage as curtain falls on 11th Saudi Film Festival

Updated 24 April 2025
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Winners take to the stage as curtain falls on 11th Saudi Film Festival

  • Impressive showcase ends dazzling event

DHAHRAN: The 11th Saudi Film Festival, which was hosted at the King Abdulaziz Center for World Culture, concluded with a dazzling showcase on Wednesday following a week of cinema-centric programming.

The celebration took place after the final films were screened, and featured a selfie-heavy red carpet at which Saudi fans stood waiting for their favorite stars to arrive.

In the feature film competition, ‘My Driver & I,’ directed by Ahd Kamel, took home the Golden Palm for Best Feature Film. (Supplied)

Just as on opening night seven days earlier, Saudi actors Aixa Kay and Khaled Saqer hosted. There were no musical numbers or performances this time around, just awards and heartfelt speeches.

The big winners were invited on stage to collect their Golden Palm Awards — which resembled film strips sprouted in the shape of a palm tree and drenched in gold — after each jury provided a short speech as to why the winner had been chosen.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@saudifilmfestival)

 

The award for Best Feature Film was given to “My Driver & I,” directed by Ahd Kamel. It was collected by the film’s star — who played teenage Salma — Roula Dakheelallah.

The Golden Palm Award for Best Feature Film (GCC) went to the Iraqi film “Songs of Adam” by Oday Rasheed. The films “Hobal,” “Siwar,” and “Holes” each received special recognition from the jury for their cinematography.

Meshal Al-Mutairi received the Golden Palm for Best Acting.

“Mera, Mera, Mera” by Khalid Zaidan won the Golden Palm for Best Short Film.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@saudifilmfestival)

 

The Abdullah Al-Mohaisen Award for a first film was presented to “Sharshura” (The Hearse) by Ahmed Alnasser, who shared with the audience that he was a volunteer at SFF in 2014 at the second edition, and that he would place his new award next to his baby who was born that morning.

The Golden Palm for Best Short Film (GCC) was awarded to “Delusion” by Issa Al-Subhi, with “The Last Dismissal” by Jawaher Alamri earning special recognition from the jury.

“Othman in the Vatican” by Yasir bin Ghaneem won the Golden Palm for Best Documentary Film, while the award in the GCC was awarded to “The Dark Side of Japan” by Omar Farooq.

Ahmed Al-Mulla, the festival’s director, said: “We are gathered once more for cinema at the 11th edition of the Saudi Film Festival.

“We arrived with stories and dreams in our hearts. In just a few short days we have listened to tales that were not only watched, but deeply felt.

“Each year you return to this space and fill it with warmth — with your hearts and with your creative spirit.

“You move through the rhythm of the festival as if it’s a language you’ve always spoken. We thank everyone — those behind the curtain, those who adjusted the lights, and those who stayed with us until the last shot. Thank you to those who chose to be here — cinema does not call to us in vain.”


Daniah Alsaleh discusses her Art Dubai installation ‘Shams’ 

Updated 24 April 2025
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Daniah Alsaleh discusses her Art Dubai installation ‘Shams’ 

  • The Saudi artist showed off work created during a residency in AlUla 

DUBAI: “Sunsets are always mesmerizing to me no matter how many times you view them,” said Saudi artist Daniah Alsaleh, standing next to her installation “Shams” (sun in Arabic) — presented at the booth of Art on 56th in the digital section of Art Dubai this month.  

Alsaleh called the work “a meditation on time, transformation, and the ways history can be reinterpreted through technology.” 

“Shams” consists of a projector playing a looped video, surrounded by overlapped photographs of images of the mountains of AlUla — included shots of a multitude of sunrises and sunsets that Alsaleh shot from various locations in AlUla, Saudi’s ancient desert region. But the sun was not the only influence on the work. Alsaleh was also inspired by carnelian, reddish-brown semiprecious stones that have been found at numerous ancient sites in AlUla and nearby Tayma, a large oasis.  

“The work is inspired by carnelian beads excavated from archaeological sites,” Alsaleh told Arab News. “Through my research, I discovered that there are a lot of associations and symbolism between carnelian stones and the sun, especially the ancient sun goddess. Captivated by this symbolism, I filmed sunrises in AlUla and used machine-learning interpolation to create a video of a moving sun in a parallel universe. The shifting hues of the sun in ‘Shams’ mimic the warm browns and deep reds that appear when light passes through carnelian, connecting ancient materials with contemporary digital processes.”  

In ancient Egyptian mythology, carnelian gemstones represented the sun god Horus and the fertility goddess Isis. Carnelian was believed to help encourage an understanding of the cycle of life and remove fear of death. 

“I discovered that many carnelian beads were found in excavation sites in AlUla and Tayma that date back to the early Bronze Age,” Alsaleh told Arab News. In Tayma, she said, a carnelian bead factory with millions of shards of carnelian has been uncovered, along with unfinished beading products and flint drills, some dating back to around 4,000 BCE, suggesting the area was once a major production center for carnelian jewelry that likely played a role in the ancient trade networks and cultural exchange that connected AlUla and the surrounding area with much of the world.  

“According to several theories I read, raw carnelian came through the trade routes with the Indus Valley; beads were manufactured in Tayma and then exported to the Levant and Egypt,” Alsaleh said.  

While the research behind “Shams” explored the ancient world, its incorporation of digital technology gives the piece a contemporary, avant-garde edge. 

“I don’t always necessarily incorporate digital into my works,” Alsaleh explained. “It depends on what is the perfect fit for that project or installation. Sometimes I work purely with digital; sometimes I work purely with paint on canvas. It really depends on the context and the project I'm working on.” 

“Shams” was created in 2024 during a residency supported by the German Archaeological Institute and the Goethe Institute in AlUla at the end of 2023 that Alsaleh completed alongside German artist and photographer Susanne Kriemann.  

The works they created were displayed in the exhibition “ALAAMAT” at ATHR Gallery’s AlUla space, which ended on March 26 and celebrated the connections between art, archaeology and cultural exchange.  

Additional works Alsaleh made during the residency in the form of intricate abstract and realistic images incorporating crushed carnelian stone on watercolor paper were shown in that exhibition alongside “Shams,” and, like the latter, they underline the lasting and crucial impact that nature and the land have had on ancient and modern lives.  


Best and Worst: Saudi presenter Mona Ahmad gets candid on life advice, favorites and more

Updated 24 April 2025
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Best and Worst: Saudi presenter Mona Ahmad gets candid on life advice, favorites and more

DUBAI: Saudi presenter Mona Ahmad gets candid about her favorite film, fashion hits and misses, and life advice.  

Best film you’ve ever seen?    

“Interstellar.” It’s one of those timeless films that you need to watch multiple times, and each time you discover something new. The directing is brilliant and so is the soundtrack. It goes beyond traditional cinema and makes you think deeply about space and time, even changing your perspective on life, and on the person you watched it with.  

Worst film you’ve ever seen?   

Hmm, it’s “The Shape of Water.” It was disappointing and weak in terms of story and dialogue. I didn’t understand the point, and it didn’t compel me to watch it again, despite the high ratings and awards. I just found it to be a very weird movie. 

Best accessory for a little black dress?    

Silver or diamond jewelry. It adds elegance and creates a stunning backdrop that lets the dress take center stage. 

Worst accessory for a little black dress?    

A red scarf — or a polka-dotted black-and-white one. It just doesn’t add any elegance whatsoever.  

Best fashion trend of 2025?    

I’m in love with the creamy vanilla-yellow color. I think it’s a beautiful, vibrant shade, and it’s lovely to have it in our wardrobes this year. 

Worst fashion trend of 2025?    

Super-miniskirts. I think they don’t suit most people, and there are better and more flattering cuts out there. 

Best advice you’ve ever been given?   

The advice I always follow came from my therapist: “What you send out comes back to you.” Whatever you give to others, good or bad, eventually returns to you. 

Worst advice you’ve ever been given?  

Any advice I didn’t ask for I consider bad and unwelcome advice. 

Best book you’ve ever read?    

“You Can Heal Your Life” by Louise Hay. It’s not something you read once and forget, it’s a book that truly transforms the way you think about yourself and the world around you. What’s beautiful about it is how it encourages you to reflect on painful memories and your childhood so you can make peace with them and live your present and future with more health and contentment. And the real-life examples make it even more powerful. 

Worst book you’ve ever read?    

There are many I didn’t like, but the worst… I don’t want to name it for personal reasons, but it’s one of the highest-rated books in the world and it’s been translated into every language. I simply didn’t like it.  

Best thing to do when you’re feeling low?    

Exercise! During my saddest moments or when I feel drained and unmotivated, any form of exercise makes me feel better. It lifts my mood for the whole day. 

Worst thing to do when you’re feeling good?    

Going back to bad memories and toxic people, talking about them… ruminating on the past with all its pain and difficulties without appreciating the present.  

Best holiday destination?    

The Maldives. It’s just the most beautiful place I always choose a cozy, private and peaceful getaway, far from all the noise and life’s demands. 

Worst holiday destination?    

I think any place that’s extremely hot would probably ruin a vacation, but I can’t say I’ve had that experience myself. 

Best subject at school?    

I was a genius in biology. I loved it so much and enjoyed it to the point where I didn’t even need to study before exams. I always got a perfect score. 

Worst subject at school?    

Definitely math. I hate numbers and have a much better relationship with letters. 

Best thing to do to ensure you have a productive day?   

Go to sleep early the night before so I can wake up early, go to the gym, have breakfast, and get my tasks done in the morning. That way, I have the rest of the day to handle my appointments and work with ease. 

Worst thing to do when you’re trying to have a productive day?    

Wake up late with no plan for the day. And waste time on social media.