‘Conclave’ and ‘Brutalist’ share BAFTA honors as Anna Kendrick looks to Georges Chakra archive

British German director Edward Berger (3L) Italian actor Isabella Rossellini (4L) and British actor Ralph Fiennes (2R) pose with the award for Best film for "Conclave" during the BAFTA British Academy Film Awards ceremony at the Royal Festival Hall in London on February 16, 2025. (AFP)
Short Url
Updated 18 February 2025
Follow

‘Conclave’ and ‘Brutalist’ share BAFTA honors as Anna Kendrick looks to Georges Chakra archive

  • “Conclave”, which stars Ralph Fiennes as a cardinal corralling conniving clergy as they elect a new pope, was also named outstanding British film and took trophies for editing and adapted screenplay
  • US filmmaker Brady Corbet took the BAFTA for best director for “The Brutalist,” while leading man Adrien Brody scooped up the best actor gong

DUBAI/LONDON: Hollywood actress Anna Kendrick hit the red carpet at the 78th British Academy Film Awards in an archival look by Lebanese designer Georges Chakra on Sunday night in London.

Kendrick showed off a silk chiffon pleated gown adorned with bands of cascading black crystal fringe and a sweeping train from the designer’s Fall/Winter 2005-2006 couture collection at the BAFTAs.




Anna Kendrick showed off a look from Georges Chakra's Fall/Winter 2005-2006 couture collection. (Getty Images)

Meanwhile, Papal thriller “Conclave” and immigrant epic “The Brutalist” tied for top honors at the ceremony, with each film picking up four coveted gongs.
“Conclave,” directed by German-born Edward Berger, won the BAFTA for the best film with its tale of the intrigue and horse-trading behind the scenes during the election of a new pope.

Accepting the award, Berger recalled the journey to make the film took seven years, paying tribute to British screenplay writer Peter Straughan's “wonderful script” and lead actor Ralph Fiennes.

US filmmaker Brady Corbet took the BAFTA for best director for “The Brutalist”, while leading man Adrien Brody scooped up the best actor gong for his portrayal of a Hungarian Holocaust survivor and architect who emigrates to the United States.

Brody told a winners press conference that the film was “an opportunity for me to honor my own ancestral struggles.”

In “a film that speaks to tremendous cruelty and despicable behavior in our past... we see elements existing today that can guide us and remind us of that,” he added.

Veteran British actor Fiennes, who played a cardinal in “Conclave”, once again saw his hopes of winning a BAFTA gong dashed, losing out to Brody in the race for the honour.

Scandal-hit “Emilia Perez”, a surreal musical about a Mexican druglord, had been heavily favored at the beginning of the year. But it ended the evening with just two BAFTAs, including one for Zoe Saldana for best supporting actress.

Until last month, French director Jacques Audiard's movie had been expected to be a frontrunner having won 11 nominations.

But old racist and Islamophobic tweets by lead actor Karla Sofia Gascon surfaced at the end of January, shaking up the race just before the London ceremony and the Oscars on March 2.
 


Netflix and Righters House launch screenwriting lab to develop Saudi film talent

Updated 3 sec ago
Follow

Netflix and Righters House launch screenwriting lab to develop Saudi film talent

DUBAI: Netflix has partnered with Saudi creative hub Righters House to launch “Write the Future — Feature Film Writers Lab,” a screenwriting initiative aimed at developing emerging Saudi writers and strengthening the Kingdom’s growing film industry.

Announced this week, the three-month programme will take place i three regions — Asir, Al Madinah and the Eastern Province — bringing professional training and mentorship directly to local creative communities.

The lab will support 18 selected participants through online masterclasses, in-person writers’ labs and pitch preparation sessions. Participants will receive guidance in key areas of screenwriting, including story development, character creation, narrative structure and pitching.

Pelin Mavili, Netflix’s director of global affairs for the Middle East, North Africa and Turkey, said investing in writers is essential to building a sustainable creative ecosystem.

“Screenwriting is at the heart of storytelling, and investing in writers is one of the most meaningful ways we can support the future of storytelling ... we are focused on building skills, creating access to industry expertise, and supporting emerging voices across Saudi Arabia,” she said.

The program, delivered in Arabic, will conclude with each participant completing a full feature-film development package, preparing them to take their projects forward.

That package will include a logline, synopsis, treatment, pitch deck, and a recorded pitch.

This “is a strategic step to empower writers living in the Kingdom with global storytelling tools, bridging the gap between creative potential and professional industry standards, said Rulan Hasan, co-founder and head of content at Righters House.