Meet Riyadh’s first French cheesemonger, Philippe Caillouet  

Philippe Caillouet (L) with Café Boulud's head chef Daniel Boulud. (Supplied)
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Updated 07 February 2025
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Meet Riyadh’s first French cheesemonger, Philippe Caillouet  

  • ‘A good cheese doesn’t just feed your body, it feeds your soul,’ Caillouet tells Arab News 

RIYADH: When Philippe Caillouet imagines Riyadh’s future, he doesn’t see glittering skyscrapers or the construction cranes carving out Vision 2030. He sees cheese. 

Not the rubbery processed slices found in diners across the city. No, Philippe’s vision is one of hand-pressed wheels of camembert, buttery brie layered with the sharpness of Madinah mint, and alpine tommes with histories as rich as their rinds. 

At the Four Seasons Hotel Riyadh, where he oversees Café Boulud’s cheese cave and non-alcoholic wine library, Caillouet curates dozens of artisanal varieties to introduce Riyadh’s diners to the nuanced flavors of European cheesemaking. 




Philippe Caillouet. (Supplied)

“Cheese isn’t a commodity,” he says, standing in the cave’s hushed cool. “It’s a living product. It has terroir, history, personality. You can’t treat it like a block of butter.” 

Caillouet is Riyadh’s first French cheesemonger and he carries the title with pride. He also sports a tri-colored collar that marks him as a Meilleur Ouvrier de France, a national accolade given to his country’s finest craftsmen. 

The meticulously climate-controlled cave housing some 60 varieties of handpicked cheese. There’s gruyère, manchego, comté, and the indulgent vacherin Mont d’Or, which Caillouet serves baked and oozing, accompanied by non-alcoholic wine pairings from the library he also oversees. 

“It’s not only about having the best cheese,” he says. “It’s about knowing how to serve it — the right temperature, the right accompaniments, the right story. If a cheese doesn’t have a story, it’s just food. When it has one, it becomes an experience.” 

Born in Poitiers, the 56-year-old started his career in hospitality school, where an inspiring teacher instilled in him a passion for the “art of service.” From there, he worked his way up through the French hospitality circuit, running dining rooms at Michelin-starred institutions including La Palme d’Or in Cannes. But it wasn’t the gleaming service stations or polished silverware that captivated him — it was the cheese. 




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“It’s similar to wine,” he says. “Cheese is tied to the land, the season, the hands that make it. No two wheels are ever the same.” 

By the time he opened his own fromagerie in the south of France, his reputation was firmly established. Yacht owners from Monaco, Cannes Film Festival organizers, and French Riviera gourmands made pilgrimages to his shop for perfectly aged Roqueforts and custom-made cheese boards, long before grazing platters became a trend. 

So what brought Caillouet to Saudi Arabia last year? Opportunity. 

“Cheese, as a concept, is still in its infancy in Saudi, but the people are curious, sophisticated, and hungry for new experiences,” he says.  

Nowhere is Caillouet’s panache more evident than in his handmade Paris-Madinah cheese — a creamy brie infused with the sharp, herbaceous mint of Madinah. 

“I was amazed by the mint here,” he says. “It smells like mint, tastes like mint — it’s alive. You don’t get that everywhere.” 

At first, it was offered discreetly to adventurous diners, but within weeks, word spread. Now, guests arrive asking for “the one with the mint,” often bringing friends or returning with family to try it again. “That’s how cheese becomes culture,” he says. “It spreads, person to person.” 

Riyadh’s diners, while adventurous, do arrive with preconceptions. Blue cheese, for example, can be met with hesitation, due to associations with overpowering flavors. 

“If you’ve only had mass-produced blue cheese with a year-long shelf life, of course you won’t like it,” Caillouet says. So, he introduces them to artisanal blues — creamy, subtle, with just the right tang. “When you explain why it’s different, people trust you. And then they fall in love with it.” 

Riyadh is rapidly becoming a global dining destination. “It’s alive, growing, full of potential. You just have to nurture it,” Caillouet says. 

Like the Kingdom, Caillouet is dreaming big. “Why shouldn’t Saudis have the same level of cheese as they do in Europe?” he asks. “They’re already flying to Paris for Chanel and Hermès — why not stay here and enjoy the best Gruyère or Camembert? The country deserves it.” 

At 56, he shows no signs of slowing down. “I don’t believe in retirement,” he says. “If you love what you do, why would you stop?”  

For Caillouet, cheese is more than his livelihood — it’s a purpose. “A good cheese doesn’t just feed your body, it feeds your soul,” he says, recalling a spring day in France when a bite of fresh chèvre stopped him in his tracks.  

“It tasted like sunshine, like the season itself. That’s what I want to bring to Saudi Arabia — cheese that makes you pause, think, feel,” he says. “That’s the future I imagine.” 


Sotheby’s to bring coveted Rembrandt lion drawing to Diriyah

Updated 18 January 2026
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Sotheby’s to bring coveted Rembrandt lion drawing to Diriyah

DUBAI: Later this month, Sotheby’s will bring to Saudi Arabia what it describes as the most important Rembrandt drawing to appear at auction in 50 years. Estimated at $15–20 million, “Young Lion Resting” comes to market from The Leiden Collection, one of the world’s most important private collections of 17th-century Dutch and Flemish art.

The drawing will be on public view at Diriyah’s Bujairi Terrace from Jan. 24 to 25, alongside the full contents of “Origins II” — Sotheby’s forthcoming second auction in Saudi Arabia — ahead of its offering at Sotheby’s New York on Feb. 4, 2026. The entire proceeds from the sale will benefit Panthera, the world’s leading organization dedicated to the conservation of wild cats. The work is being sold by The Leiden Collection in partnership with its co-owner, philanthropist Jon Ayers, the chairman of the board of Panthera.

Established in 2006, Panthera was founded by the late wildlife biologist Dr. Alan Rabinowitz and Dr. Thomas S. Kaplan. The organization is actively engaged in the Middle East, where it is spearheading the reintroduction of the critically endangered Arabian leopard to AlUla, in partnership with the Royal Commission for AlUla.

“Young Lion Resting” is one of only six known Rembrandt drawings of lions and the only example remaining in private hands. Executed when Rembrandt was in his early to mid-thirties, the work captures the animal’s power and restless energy with striking immediacy, suggesting it was drawn from life. Long before Rembrandt sketched a lion in 17th-century Europe, lions roamed northwest Arabia, their presence still echoed in AlUla’s ancient rock carvings and the Lion Tombs of Dadan.

For Dr. Kaplan, the drawing holds personal significance as his first Rembrandt acquisition. From 2017 to 2024, he served as chairman of the International Alliance for the Protection of Heritage, of which Saudi Arabia is a founding member.

The Diriyah exhibition will also present, for the first time, the full range of works offered in “Origins II,” a 64-lot sale of modern and contemporary art, culminating in an open-air auction on Jan. 31 at 7.30 pm.