Saudi book club brings together readers and writers from around the globe

Al Jalees Book Club hosts the “Writing Across Nations” dialogue session in Riyadh. (Supplied, Al Jalees Book Club)
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Updated 21 January 2025
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Saudi book club brings together readers and writers from around the globe

  • Al Jalees Book Club was founded in 2014 and has a presence in Riyadh and Jeddah
  • American poets, novelists and academics from the University of Iowa attended talk

RIYADH: Bookworms and aspiring writers alike were given space to explore their creative talent and learn from seasoned authors at Al Jalees Book Club’s “Writing Across Nations” dialogue session in Riyadh this week.

The club was founded in 2014 by Rana Hajjar, a Jeddah native who wanted to create a productive and welcoming community for local readers and writers.

“Al Jalees is my passion project, I started it because I wanted a space to fit in, a community that understands my interest,” she said.

Hajjar said that although the literary community has very much always been alive in Saudi Arabia, it was very difficult to find each other. So the main goal of the club was for her and others to feel less alone.




Elizabeth Willis, professor of poetry at the University of Iowa at Al Jalees Book Club “Writing Across Nations” dialogue session in Riyadh. (Supplied, Al Jalees Book Club)

Al Jalees has an English department, run by Hajjar in Riyadh, and an Arabic department, run by her sister Rabab, in Jeddah.

Hosted in collaboration with the US Embassy, writers from a wide range of genres and diverse backgrounds were encouraged to attend the “Writing Across Nations” discussion to listen to and engage with American poets, novelists, and academics eager to share the toolkits they have developed to hone their craft.

According to Tom Sleigh, a poet, dramatist and essayist with 11 books of poetry in his arsenal, a common mistake up-and-coming writers commit is comparing their style with that of other authors and trying to live up to those standards, when true talent and audience intrigue comes from the uniqueness one offers in one’s work.

“The idiosyncrasy with which each person approaches their relationship to language meant that there was a kind of utterly unapologetic relationship to writing differently than each other,” he said.

Echoing Sleigh’s words, Cate Dicharry, director of the Writing and Humanities Program at the University of Iowa, said that although she has always been an avid reader, writing seemed unachievable, partly because many of the writers she admired had passed on, creating an enigmatic image of the published author that seemed impossible to emulate.




Al Jalees Book Club hosts “Writing Across Nations” dialogue session in Riyadh. (Supplied, Al Jalees Book Club)

Dicharry also said that young, ambitious students are “reading really good work that is in its final form,” and getting very discouraged when their first drafts do not sound as advanced, creating a fearful cycle that dims potential rather than develops it.

Toxic comparisons aside, all panelists agreed that the key to becoming a great writer is to be a great reader.

Christpher Merril, director of the International Writing Program at the University of Iowa, said that new writers will “fall in love” with a poet and begin imitating them, and if they are lucky enough, they will bore themselves and look for another poet to be encapsulated by.

“Bit by bit you fall in love with different poems (and poets) and then you find your way to writing your own poem,” he said.

In an interview with Arab News, Hajjar said that one non-fiction book everyone should read is “Feel the Fear and Do It Anyway” by Susan Jeffers, a self-help book Hajjar uses to advocate for breast and ovarian cancer awareness and prevention.

The fiction book she recommends is “East of Eden” by John Steinbeck, a multi-generational novel that explores the struggle between good and evil through the interconnected lives of two families in California’s Salinas Valley.

Recalling his time covering the war in former Yugoslavia, in preparation for writing his book: “Only the Nails Remain: Scenes from the Balkan Wars”, Merril spoke about how writing first begins with observing, whether that means observing people’s behaviors or the settings around you.

“Part of your job as a writer is you are paying attention, you’re taking notes, and you’re trying to think: how is he doing that?”

Through writing comes understanding; even if situations seem unclear at first, write them down first and examine the chaos later, Merril said.




Al Jalees Book Club hosts “Writing Across Nations” dialogue session in Riyadh. (Supplied, Al Jalees Book Club)

Responding to a question from Arab News, Merril said: “I am not going to imagine that I am writing from a place of knowledge about myself, I am writing from a place of vast ignorance, with the hope that some lights might go off along the way.”

Elizabeth Willis, professor of poetry at the University of Iowa, emphasized that writing fiction or other literary forms and understanding yourself as a person are both lifelong practices, so do not make your craft wait for you or it will be waiting forever.

Sleigh said that the quiet that comes with writing inadvertently gives you the space and freedom to work through matters in your own life, mirroring Merril’s “through writing comes understanding external concept internally.

Al Jalees hosts large events every month and over the years they have accumulated more than 120 speakers to join their sessions in over 700 events.

Moving Al Jalees online during the COVID pandemic helped open it up to the rest of the world

“When a book club turns into a culture club, turns into a club where everybody intellectual is all around it, it is a very positive impact for you, for your children, for your family, for your friends, and then you make friends through the thousands of people that you meet,” Hajjar said.

Readers and writers of all levels and backgrounds, as well as those simply interested in the community, are welcome to join their events, she said.

“Language is not just words; it is a lifestyle.”

Al Jalees hopes to expand its Jeddah-based Arabic chapter to Riyadh in the upcoming months, as well as to expand the English chapter to biweekly events.

 


Saudi Arabia witnessing comprehensive cultural development, says expert

Updated 14 February 2026
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Saudi Arabia witnessing comprehensive cultural development, says expert

  • Clotilde Entrecanales of Acciona hails pace of change in Kingdom

JEDDAH: Museums, exhibitions and art centers play a crucial role in the development of free and educated societies such as the one now burgeoning in Saudi Arabia, an expert has told Arab News.

Clotilde Entrecanales, the Spanish art historian and cultural executive who heads Acciona Living & Culture, a leading creator of technology-driven interactive museums, exhibits and events, said the Kingdom is making efforts to expand the role of culture development to show the world the greatest possible cultural offer.

She added that the Kingdom has quickly infused new energy into the region, and is rapidly establishing itself as a global cultural hub through massive investment in world-class museums, public art and international events, aligning with its 2030 vision.

She said: “With around 70 percent of the population under 30, cultural consumption looks very different than in Europe or the US. These spaces can’t feel like quiet, isolated institutions … they need to be fast, dynamic, brave and deeply connected to the city, blending into everyday urban life rather than sitting apart from it.”

Asked about the role of these sites in the evolving global cultural landscape, particularly in emerging cultural hubs like Saudi Arabia, Entrecanales said: “Our vision is to be a purpose-led partner for cultural and entertainment institutions, helping them be more relevant, connected, inclusive and sustainable.”

She added: “In emerging cultural hubs like Saudi Arabia, that approach feels especially relevant. The cultural transformation underway is moving fast — with major heritage and cultural destinations being developed and opened to the world.”

Speaking about her impression of the Kingdom’s approach to blending heritage with modernity face, Entrecanales said: “Others who attempt to achieve this balance often end up turning heritage into a theme, a layer of storytelling or a cultural program. What feels different about Saudi’s approach is how much pressure there is to treat heritage as the foundation, not just the surface.

“When you’re building at this speed and scale, there’s always a risk that history becomes a backdrop instead of a backbone. The projects that work best are the ones that slow down just enough to let the past set the rhythm for the present.”

Regarding opportunities and challenges, she said: “The opportunity is nothing less than positioning Saudi Arabia as a global cultural center. The challenge, as always, lies in balancing the speed and scale of that ambition with long-term sustainability and a sense of authenticity that remains credible and rooted.”

She added: “You can really feel this in places like the Islamic Arts Biennale, which shows hundreds of historical artefacts of the Islamic world, while re-framing them through contemporary scenography and designs by some of the best design studios in the world; or in AlUla, a world-class heritage site that hosts a major contemporary platform like Desert X, allowing ancient context and present-day artistic practice to coexist in a way that feels genuine.”

Under her guidance, ACCIONA Cultura aspires to create museums and cultural experiences that function as landmarks while fostering sustainable, inclusive and immersive interactions.

She elaborated on how the company is integrating technology, culture, and sustainability to preserve and promote the region’s cultural heritage: “We always start with human connection and storytelling: what’s the story, what should people leave with? Tech comes later.”

Recently, ACCIONA Cultura has been involved in significant projects in Saudi Arabia and is looking forward for more.

She said: “Right now, for example, we’re designing and curating a museum gallery where the entire space is shaped by the practice of a Saudi artist. Another example is the Net Zero exhibition at the King Abdulaziz Center for World Culture (Ithra), where we brought together Saudi and international artists to explore sustainability and our relationship with the planet, including voices like Dina Haddadin, Mohammed Al-Faraj, and Zahrah Al-Ghamdi.”

She added: “One of the projects I’m most proud of isn’t a museum, but our NEXT IN Summit, which we’ve hosted in two editions in our ACCIONA Campus in Madrid, highlighting the Kingdom’s unprecedented cultural momentum as it builds future-facing institutions with a startup mindset.”

About further collaboration with Saudi Arabia, she said: “Let’s just say … something’s definitely simmering in the kitchen.”

Commenting on being recognized among the Blooloop 50 Museum Influencers for 2025, she said: “It means a lot. More than anything, it feels like a nod to the years of teamwork and dedication behind Acciona Cultura, rather than to me personally.”