Priyanka Chopra Jonas eyeing Bollywood return in 2025, crossover star says at RSIFF

Priyanka Chopra Jonas is not yet done with India’s film industry and is planning to return as soon as 2025. (Getty Images)
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Updated 13 December 2024
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Priyanka Chopra Jonas eyeing Bollywood return in 2025, crossover star says at RSIFF

  • Misses dancing and culture, she says at Red Sea film festival
  • Feels ‘fortunate’ to work in 2 of world’s largest film industries

JEDDAH: Bollywood fans can rest easy — Indian superstar and film producer Priyanka Chopra Jonas is not yet done with India’s film industry and is planning to return as soon as 2025.

“I’ve been seeking to do something again. It’s been almost six, seven years since I’ve done a movie back in India. I’m hoping next year … I’m very close,” Chopra Jonas told Arab News.




Priyanka Chopra Jonas at the Red Sea International Film Festival red carpet on Thursday night in Jeddah. (AN Photo/Hashim Nadeem)

She was speaking on the sidelines of the fourth edition of the Red Sea International Film Festival in Jeddah, where she was honored at the closing ceremony on Thursday.

“I like a couple of things very much. I’m really hoping next year I do an Indian movie, because I miss the dancing,” she said.

“I miss the language, I miss Indian culture. I miss working with the crew that I’ve grown up working with in the Indian film industry,” continued Chopra Jonas, who is married to American musician Nick Jonas.

“So I really never transitioned from Bollywood to Hollywood. The idea was always to balance both. I think I’m very fortunate to be one of the very few talents that can work in two of the largest film industries in the world. And I am very proud of that.”

Chopra Jonas is coming off a packed 2024 schedule where she completed filming on two massive projects, including Amazon Prime Video’s “Citadel” season two and the Hollywood swashbuckler action film “The Bluff,” co-starring Karl Urban.

The series “Citadel,” produced by “Avenger: Endgame” filmmakers Joe and Anthony Russo, and also starring “Game of Thrones” actor Richard Madden, introduced two new international spin-off series this year, with two more in the works.

While “Citadel: Diana” is set in Italy, “Citadel: Hunny Bunny,” starring Samantha Ruth Prabhu and Varun Dhawan, follows the lives of Chopra Jonas’ character Nadia Sinh’s parents.

“I think it’s the only show of its kind in the world to try to achieve that, which is having other original shows from local languages that are all connected. I don’t think that’s ever been achieved in entertainment.

“And it’s a really ambitious idea, and only, I guess, Amazon Prime Video could pull it off. I’ve worked with them a lot this year, and as a studio they just have really ambitious ideas, and I’ve had a great time working this year with them,” said Chopra Jonas.

She added: “The second season was really fun to film because we’ve now connected stories from our international shows as well. In the second season, we have a lot of new cast that’s come in.

“Joe Russo directed most of it himself, which was really cool, because he’s just incredibly talented when it comes to shooting something at that scale, but yet not losing the integrity of your characters. So that was really wonderful.

“I think this season is very grounded. It’s very about the characters and what is happening with each one of our stories, which I think people will find really, really interesting.”

Chopra Jonas also stars in the upcoming pirate flick “The Bluff,” from British indie filmmaker Frank E. Flowers. Apart from Chopra Jonas and Urban, the film also stars “The Lord of the Rings: The Rings of Power” actor Ismael Cruz Cordova.

“I mean, to play a female pirate is an incredible opportunity, and especially because female pirates actually existed. So, it was really wonderful for me to start doing research into the 1800s and 1700s and, you know, read about amazing, legendary female pirates like Grace O’Malley.

“And it was just really amazing to think that in the 1700s you have like women that were captains of pirate ships and did what we usually see men do,” she said.

“And then when I read the script, it’s a really grounded movie. So, it’s not like ‘Pirates of the Caribbean,’ where, you know, it’s like fun, but it’s like the serious version of what piracy actually was like, and pillaging.

“And so it’s a wonderful story about a woman trying to save her family from her past. I love that story. We shot it in Australia over three months. The story is based in the Cayman Islands, so we recreated that. And, yeah, I finished shooting that in August, and then I went into ‘Citadel’ season two.”

Chopra Jonas shot to fame in Bollywood in the early noughties and starred in several blockbusters including “Don 2” and the “Krrish” franchise before catching the eye of Hollywood casting directors, most notably with 2017’s “Baywatch” and 2021’s “The Matrix Resurrections.”


Review: ‘Sorry, Baby’ by Eva Victor

Eva Victor appears in Sorry, Baby by Eva Victor, an official selection of the 2025 Sundance Film Festival. (Supplied)
Updated 27 December 2025
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Review: ‘Sorry, Baby’ by Eva Victor

  • Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character

There is a bravery in “Sorry, Baby” that comes not from what the film shows, but from what it withholds. 

Written, directed by, and starring Eva Victor, it is one of the most talked-about indie films of the year, winning the Waldo Salt Screenwriting Award at Sundance and gathering momentum with nominations, including nods at the Golden Globes and Gotham Awards. 

The film is both incisive and tender in its exploration of trauma, friendship, and the long, winding road toward healing. It follows Agnes, a young professor of literature trying to pick up the pieces after a disturbing incident in grad school. 

Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character. The story centers on Agnes’ perspective in her own words, even as she struggles to name it at various points in the film. 

There is a generosity to Victor’s storytelling and a refusal to reduce the narrative to trauma alone. Instead we witness the breadth of human experience, from heartbreak and loneliness to joy and the sustaining power of friendship. These themes are supported by dialogue and camerawork that incorporates silences and stillness as much as the power of words and movement. 

The film captures the messy, beautiful ways people care for one another. Supporting performances — particularly by “Mickey 17” actor Naomi Ackie who plays the best friend Lydia — and encounters with strangers and a kitten, reinforce the story’s celebration of solidarity and community. 

“Sorry, Baby” reminds us that human resilience is rarely entirely solitary; it is nurtured through acts of care, intimacy and tenderness.

A pivotal scene between Agnes and her friend’s newborn inspires the film’s title. A single, reassuring line gently speaks a pure and simple truth: “I know you’re scared … but you’re OK.” 

It is a reminder that in the end, no matter how dark life gets, it goes on, and so does the human capacity to love.