South Korean star Park Sung-hoon talks K-dramas at Red Sea International Film Festival

Park Sung-hoon attended the Red Sea International Film Festival in Jeddah. (Getty Images)
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Updated 08 December 2024
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South Korean star Park Sung-hoon talks K-dramas at Red Sea International Film Festival

JEDDAH: South Korean actor Park Sung-hoon, who stars in Netflix’s smash hit “Squid Game,” jetted to Saudi Arabia for the Red Sea International Film Festival and spoke to Arab News about his hopes for Saudi-Korean cultural collaboration.

The rising South Korean star, who is also known for his roles in dramas such as “The Glory” and “Queen of Tears,” lauded the popularity of Korean entertainment content in the Kingdom.

“I am grateful for this, and this really motivated me to try to pay back for this interest, and here I am at the Red Sea International Film Festival enjoying every bit of it,” he said.




The rising South Korean star, who is also known for his roles in dramas such as “The Glory” and “Queen of Tears,” lauded the popularity of Korean entertainment content in the Kingdom. (Getty Images)

Globally, three South Korean subscription platforms lead in Korean content offerings: Wavve and Watcha, each with over 4,000 titles, and Tving, with over 3,500 titles, according to data science firm BB Media. Excluding local platforms, Amazon Prime Video currently holds the top position among global subscription streaming platforms in terms of Korean titles with 1,394, though Netflix is close behind and boasts more original K-dramas.

The actor touched on the role of streaming platforms in popularizing Korean content internationally, saying “Korea has always put an effort to make good quality movies and dramas because it is a way of bringing joy and comfort to people even during hard times, and I think with the advanced changes in technology, streaming networks and platforms provided ways for Korean movies and dramas to be shown to a wider audience.”

As the Kingdom’s entertainment scene continues to expand — with the likes of Film AlUla and the Red Sea Film Foundation offering support to rising filmmakers — the actor said he would like to see more cross-cultural collaboration.

“I was very impressed with what I have (seen) here in Saudi Arabia, and I am aware that the movie industry in Saudi Arabia is moving rapidly, and I would love to see more collaboration between Saudi Arabia and Korea in the film industry,” he said.

On the question of making a film in Saudi Arabia, the young Korean actor, who plays a contestant named Cho Sang-woo in “Squid Game,” said: “I would love definitely to work here. I am very impressed with the beautiful landscape and architecture. Just last night, I was thinking of how wonderful to be in the screen around this amazing landscape.”

He also pointed out that he will convey a positive message to friends and colleagues in Korea about Saudi Arabia, which he is visiting for the first time.

“I am so amazed (by) the great hospitality and passion that we felt at the festival. So, I hope that I will come back next year and also hope for future collaboration between South Korea and Saudi Arabia film industry,” he said.


At Jazan festival, Suad Al-Asiri paints memory, land and leadership

Updated 13 January 2026
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At Jazan festival, Suad Al-Asiri paints memory, land and leadership

  • Local artist channels personal hardship into works that reflect Jazan’s identity, heritage
  • Jazan: A Nation and a Prince, places region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi

RIYADH: At the Ahad Al-Masarihah pavilion at Jazan Festival 2026, Suad Al-Asiri’s paintings blend memory, place and personal history, offering visual narratives shaped by beauty and hardship. 

A novelist and visual artist, Al-Asiri has long used art as a storytelling tool. After a near-fatal car accident in March 2024, her work took on a new urgency. Bedridden for 11 months, cut off from the public world for more than a year, she describes that period as one of the most painful in her life — yet also transformative. 

“First of all, praise be to God for granting me life, as the accident was extremely severe,” she said. “By God’s grace, I was given a new life. All my thinking after the accident was about becoming an inspiration to others — about enduring pain and obstacles, and still leaving an impact.” 

Her return to public life came in 2025, when she participated in National Day celebrations with the ministry of interior. By the time she arrived at Jazan Festival, she was ready to channel that experience into her art. 

The centerpiece of her display, “Jazan: A Nation and a Prince,” places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi, governor and deputy governor of Jazan respectively. 

Visitors linger over the details: the painting incorporates coffee beans, sesame and khudair — materials drawn from local products.

“I wanted people to recognize these products immediately,” she said. “They are part of Jazan’s daily life, and using them makes the work more tangible, more connected to everyday experience.” 

The painting sparks conversation. Visitors discuss leadership, identity, and the intimate relationship between people and their environment. 

Beyond the central piece, Al-Asiri presents individual portraits of the two princes, expanding the dialogue into a broader exploration of heritage and memory.  

Her journey into art is tied to her life as a storyteller. Early experiments with charcoal and pencil evolved into abstract art, drawn by its expressive freedom. 

From there, she explored realism, surrealism, and eventually modern art, particularly pop art, which has earned her wide recognition in artistic circles. Her novels and media work complement her visual practice, earning her the title “the comprehensive artist” from the governor.

Yet what stands out most in this exhibition is how Al-Asiri’s personal resilience flows through each piece. Her experience of surviving a devastating accident, enduring months of immobility, and returning to the public eye informs every brushstroke. 

Visitors sense not just her artistic skill, but her determination to turn life’s hardships into inspiration for others. 

Walking through the pavilion, one can see it in the way she blends heritage symbols, southern landscapes, and scenes of daily life. 

Each painting becomes both a document and a dialogue — a celebration of Jazan’s culture, a reflection on identity, and a testament to the power of human perseverance. 

At Jazan Festival 2026, Suad Al-Asiri’s art is a quiet, persistent inspiration for anyone who pauses long enough to listen.