Saad Tahaitah showcases cultural heritage in ‘Aseer Memory’ at Red Sea International Film Festival

The film focuses on Mohammed Al-Matali, who lives in Asir. (Supplied)
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Updated 09 December 2024
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Saad Tahaitah showcases cultural heritage in ‘Aseer Memory’ at Red Sea International Film Festival

JEDDAH: Saudi director Saad Tahaitah is set to present his short documentary “Aseer Memory” at the Red Sea International Film Festival in Jeddah, which runs until Dec. 14.

In an interview with Arab News, he discussed on the film’s exploration of cultural identity and the significance of preserving local history through the lens of its central character, Mohammed Al-Matali. The 18-minute film narrates the journey of Al-Matali, who dedicates his life to curating his father’s library, filled with invaluable old books and documents that serve as vital links to the history of the Asir region in Saudi Arabia.

Tahaitah reflected on his filmmaking journey, saying: “I started making documentary films about eight years ago. What always inspires me is the story of people and their places; it’s a significant motivation and inspiration for making every film.”

His attraction to Al-Matali’s story stemmed from the “great legacy that this person possesses.” The director believes that Al-Matali's efforts will have an even more pronounced impact on the culture of the region in the coming years, highlighting that “the film serves as an extension and preservation of his efforts over the past decades.”

Born into a family of scholars, Al-Matali works to preserve precious old books and original documents that are often the only local sources of information about the area in which he grew up. Along with his collections, he has photographed and made videos of the prehistoric petroglyphs and ancient forts that stand in the area. In his latest project, he discovers forgotten local street names in the hope of restoring them to local villages.

Set to run among a slate of international titles hailing from countries including South Korea and the US, Tahaitah hopes that “Aseer Memory” will enlighten the international festival goers who flock to Jeddah about rich heritage of the Asir region.

“The external audience may not be aware of the extent of the culture and heritage we have in our country, especially regarding the subject of the film, the Asir region. The film showcases events and documents from hundreds of years ago, as well as the way of life of people decades ago. I aspire to create more works that focus on this aspect because documentaries are the soft power to convey what we want,” Tahaitah said.

“Documenting culture and human life will create an eternal memory for the region, making films immortal,” he added.


Stars flaunt Arab looks at music’s biggest industry events

Updated 55 min 42 sec ago
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Stars flaunt Arab looks at music’s biggest industry events

DUBAI/ LOS ANGELES: The Grammys are a night of rule-breaking looks and memorable fashion statements where artists shed the traditional playbook of red carpet dressing and take style risks.

Some artists at Sunday night’s Grammy Awards in Los Angeles looked to the past for inspiration, with British girl group Flo, a first-time nominee, paying homage to Destiny’s Child with their matching sets.

Jorja Douglas, Stella Quaresma and Renée Downer each wore coordinated beaded black and royal blue ensembles. Destiny’s Child famously wore matching green lace cut-out looks at the 2001 Grammys where the group won two awards for “Say My Name.”

Former Destiny Child member Michelle Williams arrived on the carpet in a black sheer gown embellished with gold leaves and a black satin train from Lebanese designer Jean-Louis Sabaji.

Michelle Williams arrived on the carpet in a black sheer gown embellished with gold leaves and a black satin train from Lebanese designer Jean-Louis Sabaji.(Getty Images)

It was one of a few Arab looks on the Grammy Awards red carpet, with other stars opting for Middle Eastern designs at pre-Grammy events instead.

On Saturday night, Dove Cameron posed for portraits on the red carpet during the 68th Grammy Awards Pre-Grammy Gala in a pale blue Georges Hobeika gown from the Lebanese designer’s Spring/Summer 2026 ready-to-wear collection.

Dove Cameron posed for portraits on the red carpet during the 68th Grammy Awards Pre-Grammy Gala in a pale blue Georges Hobeika gown from the Lebanese designer’s Spring/Summer 2026 ready-to-wear collection. (Getty Images) 

On the Grammys red carpet, British rising stars Lola Young and PinkPantheress who are shaking up the music industry with their individual sounds both opted for vastly different Vivienne Westwood looks Sunday. Best new artist nominee Young, who is back after taking a brief hiatus last year, sported an army green sweatsuit printed with children’s toys on the carpet. PinkPantheress opted for a signature corseted off-the-shoulder gown draped with the Union Jack symbol.

Zara Larsson glowed on the carpet in her sunny yellow bra top and maxi skirt sequined set. The “Midnight Sun” singer made reference to the song with her radiating look. In keeping with her theme, the Swedish singer wore a circular ray around her skirt while performing at the Grammy’s Premiere Ceremony before removing the rays for her walk down the carpet.

Unlike the tuxedos at other award shows, male Grammy nominees often shake things up. Singer-songwriter Darren Criss was one of the first to arrive shortly after the carpet opened. Criss, who hosted the Grammys premiere ceremony, donned a shimmering lace suit from Tanner Fletcher with an off-white silk cravat shaped into a bow.