Best and Worst: Saudi gamer Xzit Thamer talks gaming, favorite shows

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Updated 08 November 2024
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Best and Worst: Saudi gamer Xzit Thamer talks gaming, favorite shows

DUBAI: The Saudi gamer, streamer and social media personality talks gaming, favorite shows and how to have a productive day. 

Best TV show you’ve seen? 

“The Walking Dead.” They knew how to make a story about zombies and survival horror in a very good way. I've watched a lot of things related to zombies, but the story for “The Walking Dead” was perfect. 

Worst TV show you’ve seen? 

“Friends.” It felt very fake. I hate it so much. 

Best advice for an up-and-coming gamer/streamer? 

Don’t give up. Consistency is the key. I've been creating content for more than 11 years now. It took me six years to get to a million followers — it took me so many years to succeed. But I didn't give up. And I was consistent. So keep trying. Keep pushing. 

Worst advice for an up-and-coming gamer/streamer? 

To change what you’re doing. Like, I'm a gamer; if I change my content to something else that I don't love, I wouldn’t succeed. 

Best advice you've ever been given?  

Don’t overthink. You know what you know. Just get started. 

Worst advice you've ever been given? 

I was told I was wasting my time. 

Best game you’ve ever played? 

“Grand Theft Auto: San Andreas.” It has the best storyline. It’s about someone who left home to start a new life and then his mom dies and he has to come back to try and fix things. It also has cool gameplay and it’s the game that made me famous on streaming. 

Worst game you’ve ever played? 

I hate all horror games. I played “Resident Evil” when I was very young and it was so scary that I threw the disc off the top of my building. I was so traumatized. 

Best gaming console? 

The PlayStation 5. I don’t see the PS5 as a console, I see it as a family member or, like, a teacher. I learned to speak English back in the day because of the PlayStation. I kept a small dictionary with me — this was before I had the internet — so I could understand the games I was playing. Now, after all these years, I’m part of the PlayStation Playmakers team. 

Worst gaming console? 

It’s not a console but I don’t enjoy PC gaming. It’s got great graphics and everything but it’s not very comfortable for playing games. It’s not as fun. 

Best subject at school? 

Sports. I loved playing football. And, to be honest, I loved sports because then I didn’t have to be studying. 

Worst subject at school? 

I sucked at maths. Never got it. 

Best holiday destination? 

My favorite city is Dubai. I love going there. I’ve been there more than 30 times. I just can’t get enough. It’s the perfect city. 

Worst holiday destination? 

I went to Italy and I found it so boring. Plus, the food wasn’t great and, if you’re travelling, good food is a must. 

Best way to have a productive day? 

Wake up early. If I wake up late, I’m in a bad mood. I’m usually up between 5 or 6 a.m. 

Worst way to have a productive day? 

Overthinking. If you get stuck thinking about a bad interaction or incident, you know you’re going to kill your time. 


OPINION: Saudi Arabia’s cultural continuum: from heritage to contemporary AlUla

Updated 12 February 2026
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OPINION: Saudi Arabia’s cultural continuum: from heritage to contemporary AlUla

  • The director of arts & creative industries at the Royal Commission for AlUla writes about the Kingdom’s cultural growth

AlUla: Saudi Arabia’s relationship with culture isa long and rich. It doesn’t begin with modern museums or contemporary installations, but in the woven textiles of nomadic encampments, traditional jewellery and ceramics, and of course palm‑frond weaving traditions. For centuries, Saudi artisans have worked with materials drawn directly from their environment creating objects that are functional, but also expressions of identity and artistry.

Many of these traditions have been recognised internationally, with crafts such as Al-Sadu weaving inscribed on UNESCO’s Intangible Cultural Heritage list.

Sadu weaving. (Getty Images)

This grounding in landscapes, resources, and collective history means Saudi Arabia’s current cultural momentum is not sudden, but the natural result of decades — even centuries — of groundwork. From the preservation of heritage sites and, areas, some of which have been transformed into world-renowned art districts, to, the creation of institutions devoted to craft, the stage has been set for a moment where contemporary creativity can move forward with confidence, because it is deeply rooted.

AlUla, with its 7,000 years of human history, offers one of the clearest views into this continuum. Millennia-old inscriptions at Dadan and Jabal Ikmah stand alongside restored mudbrick homes in Old Town and UNESCO-listed Hegra. In the present, initiatives like Madrasat Addeera carry forward AlUla’s craft traditions through design residencies and material research. And, each winter, the AlUla Arts Festival knots these threads together, creating a season in which heritage and contemporary practice meet.

Hamad Alhomiedan, the director of arts & creative industries at the Royal Commission for AlUla. (Supplied)

This year, that dialogue began in the open desert with Desert X AlUla 2026. Now in its fourth edition, the exhibition feels like the pinnacle of the current moment where contemporary art, heritage, and forward-thinking meet without boundaries. The theme of Desert X AlUla 2026 was “Space Without Measure,” inspired by the work of Lebanese-American artist and writer Kahlil Gibran[HA1] [MJ2] . The theme invited artists to respond to the horizons of AlUla’s landscape and interpret its wonder through their perspective.

Works by Saudi and international figures converse directly with nature: Mohammed Al-Saleem’s modernist sculptures bring in celestial-inspired geometry; Maria Magdalena Campos-Pons translates the colour of AlUla’s sunsets; Agnes Denes “Living Pyramid” turns the oasis into a vertical landscape of indigenous plants, . The 11 artists of this year’s edition were able to capture AlUla’s essence while creating monumental works that speak directly to our relationship with the environment. 

Artist Performance at Desert X AlUla 2026 by Maria Magdelena Compos Pons and Kamaal Malak. (Courtesy of Arts AlUla and AlUla Moments)

In AlJadidah Arts District, “Material Witness: Celebrating Design From Within,” features heritage craft and material research from Madrasat Addeera alongside work by regional and international designers, showing how they translate heritage materials into contemporary forms.[HA3] [MJ4] 

Music adds another element of vitality, filling the streets of AlJadidah Arts District, with performances supported by AlUla Music Hub, featuring local musicians.

The opening of “Arduna,” the first exhibition presented byof the AlUla Contemporary Art Museum, co-curated with France’s Centre Pompidou, adds another layer to this conversation. Featuring Saudi, regional, and international artists, from Picasso and Kandinsky to Etel Adnan, Ayman Zedani and Manal AlDowayan, the [HA5] [MJ6] exhibition signals the emergence of a global institution rooted in the heritage and environment of AlUla, placing local voices in context with world masters.

Each activation in this year’s AlUla Arts Festival is part of the same Saudi cultural continuum, . This is why the Kingdom’s cultural rise feels different from rapid developments elsewhere. The scale of cultural infrastructure investment is extraordinary, but its deeper strength lies in how that investment connects to living traditions and landscapes.

The journey is only accelerating. Rooted in heritage yet open to the world, the Kingdom’s cultural future is being shaped not by sudden inspiration, but by our traditions and history meeting the imagination and creative voices of our present.