Hindus, Muslims gather in unity to celebrate Diwali at historic Karachi temple

Hindu community buys sweets in front of a temple during Diwali festival in Karachi on November 1, 2024. (AN Photo)
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Updated 02 November 2024
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Hindus, Muslims gather in unity to celebrate Diwali at historic Karachi temple

  • Diwali honors the victorious return of Lord Rama, one of Hinduism’s most revered figures, from exile
  • Devotees light up homes and workplaces, distribute sweetmeats and wear colorful clothes to mark festival

KARACHI: Thousands of men, women and children, both Hindus and Muslims, gathered on Friday at the 234-year-old Shri Swaminarayan temple in the southern Pakistani port city of Karachi to celebrate one of the biggest Hindu festivals, Diwali.

Diwali honors the victorious return of Lord Rama, one of Hinduism’s most revered figures, from exile and was celebrated in various parts of the world either on Thursday or Friday.

It is also known as the festival of lights to symbolize the triumph of light over darkness, or good over evil, explaining why fireworks are so central to the Diwali celebrations.

The Swaminarayan temple, situated in the Serai Quarters area, is not only frequented by Hindus living in the neighborhood, but members of the community from elsewhere in the bustling megapolis too.

“Diwali is a festival of happiness, a festival of lights. Our lord Rama returned to Ayodhya after 14 years in exile. His wife Sita and his [younger] brother Laxman were also with him, who stood by him,” Hansa Rani, an academic, told Arab News, lighting up small oil lamps, called ‘diyas,’ to welcome their Lord.

“We celebrate their return with happiness [on Diwali], wear new clothes, distribute sweets and make rangoli [in which] we decorate our floor with colors.”




A Hindu woman and a young girl hold clay-lamps during a ceremony to celebrate Diwali, the festival of lights, at Somi Narin temple, in Karachi on November 1, 2024. (AP)


One of the most prominent Hindu festivals, Diwali is celebrated across the globe wherever the community resides. Devotees light up their homes and workplaces to signify light over darkness.

The festivities span over the course of five days, starting with ‘Dhanteras,’ that marks the first day of Diwali, followed by ‘Naraka Chaturdashi’ [Choti Diwali], Diwali, ‘Govardhan Puja’ and Bhai Dooj. Each day has different rituals and significance.




Pakistani Hindu women celebrate 'Diwali', the festival of lights, at the Krishna Temple in Lahore on November 1, 2024. (AFP)

“We are here to celebrate Diwali. As you can see, how happy these people are. There is one festival in the entire year during which we have mithai (sweetmeats), worship, light diyas, and meet our relatives,” Gauri Dara, who was at the temple with her family, told Arab News, on the sidelines of the celebrations.

“On this day, our cousins from other cities come to meet us too. We celebrate Diwali together.”




Children light firecrackers during 'Diwali' festival celebrations in Karachi on November 1, 2024. (AFP)

Muslims, who attended the celebrations at the Swaminarayan temple, said they had come to stand in solidarity with their Hindu brothers and sisters and share their happiness on the joyous occasion.

“[Despite] being a Muslim, I come here every year since the past 10 years in fact. I love the fact that we get to celebrate Diwali with our Hindu community every year because I have a lot of Hindu friends in Pakistan,” Qasim Shafique, a senior television news producer, told Arab News.

“Our flag also represents [minorities]. The white part in the [Pakistani] flag is for minorities. So, I come to celebrate that every year. I’ll meet all my Hindu friends here and we will enjoy the festivities together.”


BMW Art Cars mark 50 years at inaugural Art Basel Qatar

Updated 09 February 2026
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BMW Art Cars mark 50 years at inaugural Art Basel Qatar

DOHA: BMW’s long-running Art Car initiative took center stage at the inaugural Art Basel Qatar, with Thomas Girst, BMW Group’s head of cultural engagement, reflecting on five decades of collaboration between artists, engineers and the automobile.

Speaking at the fair, Girst situated the Art Car program within BMW’s broader cultural engagement, which he said spanned “over 50 years and hundreds of initiatives,” ranging from museums and orchestras to long-term partnerships with major art platforms.

“Every time Art Basel moves — from Miami to Hong Kong to Qatar — we move along with them,” he said. “That’s why we’re here.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Art Basel (@artbasel)

The occasion also marked the 50th anniversary of the BMW Art Car series, which began in 1975 with Alexander Calder’s painted BMW 3.0 CSL. Since then, the project has grown into a global collection that brings together motorsport, engineering, design and contemporary art. “Those Art Cars speak to a lot of people at the intersection of motorsports, technology, racing engineering, arts, lifestyle and design,” Girst said.

For Girst, the relationship between art and the automobile has deep historical roots. He pointed to early modernist fascination with cars, noting that “since the inception of the automobile,” artists have seen it as both a subject and a symbol of modernity. “There’s a reason for arts and culture and cars to mix and mingle,” he said.

At Art Basel Qatar, visitors were invited to view David Hockney’s BMW Art Car — Art Car No. 14 — displayed nearby. Girst described the work as emblematic of the program’s ethos, highlighting how Hockney painted not just the exterior of the vehicle but also visualized its inner life. The result, he suggested, is a car that reflects both movement and perception, turning the act of driving into an artistic experience.

Central to BMW’s approach, Girst stressed, is the principle of absolute artistic freedom. “Whenever we work with artists, it’s so important that they have absolute creative freedom to do whatever it is they want to do,” he said. That freedom, he added, mirrors the conditions BMW’s own engineers and designers need “to come up with the greatest answers of mobility for today and tomorrow.”

The Art Car World Tour, which accompanies the anniversary celebrations, has already traveled to 40 countries, underscoring the project’s global reach. For Girst, however, the enduring value of the initiative lies less in scale than in its spirit of collaboration. Art, design and technology, he said, offer a way to connect across disciplines and borders.

“That’s what makes us human. We can do better things than just bash our heads in — we can create great things together,” he said.