Coldplay ticket scalping fiasco sparks backlash in India

Coldplay performs onstage at Rose Bowl Stadium on September 30, 2023 in Pasadena, California. (AFP/File)
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Updated 01 October 2024
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Coldplay ticket scalping fiasco sparks backlash in India

  • Disgruntled fans say tickets for Mumbai concert being sold for 30 times the original price
  • Local media reports say police questioned local ticket seller BookMyShow regarding controversy

MUMBAI: British rock band Coldplay’s upcoming tour of India has triggered a police investigation and dismayed fans after scalpers bought up cheap tickets to resell online for more than $1,000 apiece.

Thousands of music fans tried and failed to buy tickets for three concerts scheduled in financial hub Mumbai next January, sold by popular Indian online ticket portal BookMyShow.

All three shows sold out in minutes, and those who missed out were infuriated when they saw $70 (6,000-rupee) tickets appear on resale websites at vastly inflated prices.

“The tickets are being sold at 10 times, 20 times, 30 times the price that is being sold on the website itself,” student Anna Abraham, 19, told AFP.

“I wouldn’t feel good about it myself if I knew that I paid for something 30 times more than what I could have paid for.”

Local media reports said BookMyShow’s chief operating officer was questioned by police Monday after a complaint brought by Mumbai lawyer Amit Vyas, who claimed the vendor was working with “black marketeers” to make an extra windfall on ticket sales.

“I checked with nearly 100 people who I know are regulars at concerts, none of them had gotten a ticket,” Vyas said, according to the Indian Express newspaper.

“This made me suspicious. I then decided to approach the police as I knew that something was amiss.”

BookMyShow issued a statement after the public backlash began last week, saying it had “no association” with unauthorized ticket selling.

“Scalping and black marketing of tickets is strictly condemned and punishable by law in India and BookMyShow vehemently opposes this practice,” the company said.
Controversies surrounding tickets for major international musical or sporting events are not new.

US megastar Taylor Swift lashed out at Ticketmaster in 2022 following fan anger over sales to concerts staged for her globe-spanning ‘The Eras Tour’.

The debacle sparked debate over the Ticketmaster’s privileged position in the industry amid fan complaints of hidden fees, rampant ticket scalping and limited tickets due to presales.


Lebanese filmmaker turns archival footage into a love letter to Beirut

Updated 28 February 2026
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Lebanese filmmaker turns archival footage into a love letter to Beirut

LONDON: Lebanese filmmaker Lana Daher’s debut feature “Do You Love Me” is a love letter of sorts to Beirut, composed entirely of archival material spanning seven decades across film, television, home videos and photography.

The film premiered at the 82nd Venice International Film Festival in September and has since traveled to several regional and international festivals.

Pink Smoke (2020) by Ben Hubbard. (Supplied)

With minimal dialogue, the film relies heavily on image and sound to reconstruct Lebanon’s fragmented history.

“By resisting voiceover and autobiography, I feel like I had to trust the image and the shared emotional landscape of these archives to carry the meaning,” Daher said.

A Suspended Life (Ghazal el-Banat) (1985) by Jocelyne Saab. (Supplied)

She explained that in a city like Beirut “where trauma is rarely private,” the socio-political context becomes the atmosphere of the film, with personal memory expanding into a collective experience — “a shared terrain of emotional history.”

Daher said: “By using the accumulated visual representations of Beirut, I was, in a way, rewriting my own representation of home through images that already existed."

Whispers (1980) by Maroun Bagdadi. (Supplied)

Daher, with editor Qutaiba Barhamji, steered clear of long sequences, preferring individual shots that allowed them to “reassemble meaning” while maintaining the integrity of their own work and respecting the original material, she explained.

The film does not feature a voice-over, an intentional decision that influenced the use of sound, music, and silence.

The Boombox (1995) by Fouad Elkoury. (Supplied)

“By resisting the urge to fill every space with dialogue or score, we created room for discomfort,” Daher said, adding that silence allows the audience to sit with the image and enter its emotional space rather than being guided too explicitly.

 The film was a labor of love, challenging Daher personally and professionally.

“When you draw from personal memory, you’re not just directing scenes, you’re revisiting parts of yourself and your childhood,” she said. “There’s vulnerability in that.”