Nora Attal attends Business of Fashion party in Paris

Nora Attal posed with the CEO and Editor-in-Chief of The Business of Fashion publication Imran Amed. (Getty Images)
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Updated 29 September 2024
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Nora Attal attends Business of Fashion party in Paris

DUBAI: British Moroccan model Nora Attal posed with the CEO and Editor-in-Chief of The Business of Fashion publication Imran Amed at the BoF 500 Class of 2024 celebration during Paris Fashion Week on Saturday.

The annual list highlights 500 of the most influential people in the global fashion industry, with this year’s cohort including the likes of Thomas Plantega, who has been recognized for steering the turnaround of the resale platform The Vinted Group; Faraz Manan, a Pakistani designer based in Dubai whose bridal garments are worn across South Asia and by the South Asian diaspora in the Middle East and beyond; and Maryse Mbonyumutwa, the founder of pan-African fashion brand Asantii and garment manufacturer Pink Mango.

The Class of 2024 includes people of 37 nationalities based in 26 countries.




Nora Attal posed with the CEO and Editor-in-Chief of The Business of Fashion publication Imran Amed. (Getty Images)

“Back in September 2013 when we first conceived of the BoF 500, I wrote: ‘No other sector has a cast of characters as passionate, diverse and interesting as those who influence and animate the business of fashion. Yet, mostly, what’s projected in the media that reaches the broader world is only a thin, and sometimes superficial, slice of this captivating group. The more we thought about it, the more we felt like now was the right time to explore this talented community of people and collect them together online’,” Ahmed wrote in his editor’s note ahead of the release of this year’s list.

The celebration was held at Paris’s Shangri-La Hotel and was attended by industry insiders, including design duo Benjamin Alexander Huseby and Serhat Isik, who both wore outfits adorned with the Palestinian keffiyeh print.

The Berlin-based duo have garnered a large industry fan-base for their streetwear aesthetic and focus on sustainability.




Design duo Benjamin Alexander Huseby and Serhat Isik were spotted at the celebration in Paris. (Getty Images)

Attal attended the event in a striking black grown with a cut-away back portion that left a white, swimsuit-style corset visible when she turned around.

The model has had a busy season so far, walking in high-profile shows such as Burberry, Simone Rocha and Nensi Dojaka — all within a span of just two days — at London Fashion Week in September. After wrapping up her appearances at London Fashion Week, the model headed to Milan where she hit the runway for Alberta Ferretti and Dolce & Gabbana.


‘One in a Million’: Syrian refugee tale wows Sundance

Updated 24 January 2026
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‘One in a Million’: Syrian refugee tale wows Sundance

PARK CITY: As a million Syrians fled their country's devastating civil war in 2015, directors Itab Azzam and Jack MacInnes headed to Turkey where they would meet a young girl who encapsulated the contradictions of this enormous migration.

In Ismir, they met Isra'a, a then-11-year-old girl whose family had left Aleppo as bombs rained down on the city, and who would become the subject of their documentary "One In A Million," which premiered at the Sundance Film Festival on Friday.

For the next ten years, they followed her and her family's travels through Europe, towards Germany and a new life, where the opportunities and the challenges would almost tear her family apart.

The film is by directors Itab Azzam and Jack MacInnes. (Supplied)

There was "something about Isra'a that sort of felt to us like it encapsulated everything about what was happening there," MacInnes told an audience at the Sundance Film Festival in Park City, Utah on Friday.

"The obvious vulnerability of her situation, especially as being a child going through this, but that at the same time, she was an agent.

"She wasn't sitting back, waiting for other people to save her. She was trying to fight, make her own way there."

The documentary mixes fly-on-the-wall footage with sit-down interviews that reveal Isra'a's changing relationship with Germany, with her religion, and with her father.

It is this evolution between father and daughter that provides the emotional backbone to the film, and through which tensions play out over their new-found freedoms in Europe -- something her father struggles to adjust to.

Isra'a, who by the end of the film is a married mother living in Germany, said watching her life on film in the Park City theatre was "beautiful."

And having documentarists follow her every step of the way as she grew had its upsides.

"I felt like this was something very special," she told the audience after the screening. "My friends thought I was famous; it made making friends easier and faster."