Four columnists quit Jewish Chronicle amid Gaza fabricated articles scandal

The JC conducted an internal review and concluded that while Perry’s military background was verified, it could not substantiate some of his claims. (AFP/File)
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Updated 16 September 2024
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Four columnists quit Jewish Chronicle amid Gaza fabricated articles scandal

  • Jonathan Freedland, Hadley Freeman, David Baddiel and David Aaronovitch said they resigned due to outlet’s low editorial standards, ideology
  • Jewish Chronicle was found to have published high-level stories by Elon Perry that were allegedly not true

LONDON: Four prominent columnists have resigned from the Jewish Chronicle following allegations that the London-based newspaper published fabricated articles concerning Israel and its conflict with Gaza.

Jonathan Freedland and Hadley Freeman announced their resignations on social media early Sunday. They were joined by fellow columnists David Baddiel and David Aaronovitch.

Freedland criticized the JC for showing only minimal contrition, while Freeman stated that recent events made her continued association with the paper untenable.

A statement from a spokesperson for Baddiel said on Sunday the comedian also had “no plans to write any more columns” for the JC.

The controversy erupted on Friday after the Israel Defense Forces revealed details from an investigation into the JC’s articles, finding some to be untrue.

The JC has since removed the disputed articles and severed ties with Elon Perry, a freelance journalist and former IDF member responsible for several high-profile stories.

One of Perry’s articles, published on Sept. 5, claimed that Hamas leader Yahya Sinwar was planning to escape to Iran through the Philadelphi Corridor.

The story, purportedly based on leaked intelligence documents, was widely reported and shared by media in Israel, including by Prime Minister Benjamin Netanyahu’s son.

However, the IDF later stated it had no knowledge of such documents.

The JC conducted an internal review and concluded that while Perry’s military background was verified, it could not substantiate some of his claims.

Consequently, the JC issued a statement on Friday saying it had removed Perry’s articles from its website and ended its association with him.

“While we understand he did serve in the Israel Defense Forces, we were not satisfied with some of his claims,” it said. “We have therefore removed his stories from our website and ended any association with Mr. Perry.”

Freedland, a senior columnist for The Guardian, said on Sunday that he was quitting the JC, which he has contributed to for 26 years, saying the latest scandal “brings great disgrace on the paper.”

On X, he said: “Too often, the JC reads like a partisan, ideological instrument, its judgements political rather than journalistic.”

Freeman, who is also a contributor to The Sunday Times, told BBC Radio 4 on Monday that she and the other resigning columnists “felt there had not been editorial standards” applied to Perry “because this journalist adhered to an ideology that perhaps was similar to that of the editorial board.”

In response, Perry claimed that the JC’s statement was a “huge mistake” and suggested that the criticisms were driven by “jealousy.”


Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

Updated 17 January 2026
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Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

  • The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive

PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.