Book Review: ‘The Bluest Eye’ by Toni Morrison

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Updated 12 June 2024
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Book Review: ‘The Bluest Eye’ by Toni Morrison

“The Bluest Eye,” published in 1970, is the debut novel by acclaimed American author Toni Morrison. 

It tells the story of a young African-American girl called Pecola Breedlove who grows up during the Great Depression and longs to have blue eyes, which she sees as a symbol of beauty and worth.

The novel’s exploration of racism and internalized oppression is one of its most compelling aspects. 

Morrison illustrates how racist beauty standards become internalized, especially by young black girls such as Pecola. She portrays how the dominant white culture’s idealization of white, blue-eyed beauty creates a deep sense of shame and unworthiness in Pecola, who believes her blackness and brown eyes make her inherently ugly.

In the novel, Pecola’s mother Pauline has also adopted these white beauty standards, and in turn projects her own feelings of inadequacy on to her daughter, demonstrating how damaging ideals rooted in racism become embedded within a community over time.

Another aspect of the novel is the nuanced exploration of how economic and social marginalization exacerbates this racism.

Pecola’s family lives in poverty, which further contributes to their sense of debilitation and lack of agency.

“The Bluest Eye” serves as a searing indictment of racism’s corrosive effects, while also acknowledging the complex psychological and social factors at play. 

It received critical acclaim and is considered an important work of 20th-century American literature. Morrison’s vivid and poetic writing style is a hallmark of the novel.


What We Are Reading Today: ‘A Love Story from the End of the World’

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Updated 17 January 2026
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What We Are Reading Today: ‘A Love Story from the End of the World’

Author: Juhea Kim

Juhea Kim’s 2024 climate fiction work “A Love Story from the End of the World,” turns the climate catastrophe inward, offering ten stories where environmental collapse is felt in the fragile interiors of the human experience.

The short stories in this book imagine a familiar world where ecological collapse is a lived reality. Global cities are sealed inside domes to survive toxic air. Humans drift across ruined landscapes on mobile arks. Islands become landfills for the waste of richer nations. 

Yet Kim keeps her focus trained on the human scale, writing about how people continue to reach for life and one another even as the ground beneath becomes less stable.

They are all love stories, though not in the traditional sense. Some explore romance and longing, others center on family bonds, friendship, or the connection between humans and the natural world.

The writing is clear and precise, never overwrought, delivering characters’ thoughts and emotions while keeping the bigger concerns in clear view.

“Mountain, Island” follows a boy living on a massive landfill island who gains online fame for his K-pop-inspired dances. The contrast between joy and horror is almost unbearable, and it brings to light the global inequalities that we have grown far too used to accepting. 

In “Biodome,” the opening story, Seoul is sealed beneath a protective dome and follows a civil engineer navigating prospects for an arranged marriage. Intimacy and connection feel constrained, shaped by a reality where even the air is controlled and the possibilities of life have narrowed.

“Bioark,” meanwhile, imagines humanity surviving aboard a massive ark after Earth’s land becomes uninhabitable, using this floating world to examine class and capitalism even at the end of everything. 

Kim has spoken in interviews about conceiving this short story collection as an exhibition, inspired by colors and life changing art experiences around the world. Each story, indeed, feels like a distinct work, yet is enriched by its neighbors. Read together, they form a gallery of love, grief and hope.

“A Love Story from the End of the World” is not a fun and cozy read, despite the title. It is heavy, often heartbreaking, and attentive to the ways we remain human even as the world falls apart. 

Readers who loved “How High We Go in the Dark” by Sequoia Nagamatsu or “What We Fed to the Manticore” by Talia Lakhsmi Kolluri, will find a familiar ache in these stories, and perhaps something to ponder long after the final page is turned.