‘Carmen’ ignites passion as it concludes three days at Ithra

The Ithra stage was set ablaze with storytelling through movement, sounds and costumes as the packed crowd cheered on. (Supplied)
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Updated 17 January 2026
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‘Carmen’ ignites passion as it concludes three days at Ithra

  • Dance, live music and storytelling converged for a bold flamenco adaptation

DHAHRAN: As part of King Abdulaziz Center for World Culture’s “Ithra Cultural Days: Spain,” held until Jan. 31, the theater was ignited with fiery passion this week when “Carmen: A Spanish Flamenco Experience” concluded its three-night run.

The Ithra stage was set ablaze with storytelling through movement, sounds and costumes as the packed crowd cheered on.

When the singing began, subtitles in Arabic and English could be seen at the very top of the stage.




The Ithra stage was set ablaze with storytelling through movement, sounds and costumes as the packed crowd cheered on. (Supplied)

“‘Carmen: A Spanish Flamenco Experience’ is a captivating flamenco ballet that combines the intensity and passion of flamenco with the power of Bizet’s iconic opera,” the brochure given out at the performance reads.

Taking place in 19th-century Seville, Spain, a dynamic ensemble of dancers brought to life the legendary characters of an independent factory worker, Carmen, and Don Jose, a soldier, through powerful and expressive flamenco choreography.

Supported by a live orchestra, choir and a number of soloists, the performance immersed the audience in the dramatic and vibrant spirit of the era.

HIGHLIGHTS

• Flamenco combines dance, live music and singing, but the flamboyant and visual aspect is perhaps the most striking.

• Supported by a live orchestra, choir and a number of soloists, the ‘Carmen’ performance immersed the audience in the dramatic and vibrant spirit of the era.

This new adaptation of Bizet’s score introduces innovative flamenco elements that were previously untapped.

It transcends the traditional interpretations often associated with Carmen and reimagines the story within the realities of a more contemporary society.




The Ithra stage was set ablaze with storytelling through movement, sounds and costumes as the packed crowd cheered on. (Supplied)

“Carmen” seamlessly merged fiery flamenco music and classical ballet, shaped by the signature style of David Gutierrez, offering a modern take on the classic narrative.

Gutierrez, who gave some of the most powerful renditions on stage, is the director of the Barcelona Flamenco Ballet, established in 2017 and now known as one of Spain’s foremost flamenco dance companies on the international scene. Gutierrez is also the CEO of Barcelona Flamenco Events.

Ithra was in for a treat with Gutierrez dynamic and striking as Escamilo, the bullfighter; Carmen Orts playing the charming Carmen; and the vivacious Carlos Ruiz as Don Jose.




The Ithra stage was set ablaze with storytelling through movement, sounds and costumes as the packed crowd cheered on. (Supplied)

The corps de ballet consisted of Natalia Marina, Isabel Ponce, Carla Martinez, Maria Garcia, Yeray Fonseca, Mar Sanchez and Alicia Gutierrez.

Guitarists Perez and Jordi Centeno, singer Joel de Pepa, and percussion by Raul Manchon offered the sonic sounds that carried the narrative to newer heights.

Maestro Vicente Arino was on hand as well as producer Jaime Trancoso to ensure that the flamenco elements were not lost in translation.




The Ithra stage was set ablaze with storytelling through movement, sounds and costumes as the packed crowd cheered on. (Supplied)

They spoke to the audience following the performance, alongside Energy Radio’s Danyah Al-Natour, who hosts “Mornings with Danny.”

“A lot of us experienced flamenco for the very first time tonight,” Al-Natour said.

“I think flamenco, as you saw, is a very passionate, powerful art. And with flamenco, you can express all the main feelings of humans,” Arino said.




The Ithra stage was set ablaze with storytelling through movement, sounds and costumes as the packed crowd cheered on. (Supplied)

Flamenco combines dance, live music and singing, but the flamboyant and visual aspect is perhaps the most striking.

Since audiences at Ithra merely had a glimpse of what flamenco culture can be, the Spanish group encouraged Saudi audiences to go to Spain themselves to see it up-close.

“Obviously, the dancing is the most visual and attractive maybe but if you want to learn flamenco, please come to my museum,” Trancoso said.

 


Saudi Arabia’s KAUST named FIFA’s first research institute in MENA

The canal in the King Abdullah University of Science and Technology campus. (Shutterstock)
Updated 10 February 2026
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Saudi Arabia’s KAUST named FIFA’s first research institute in MENA

  • KAUST President Prof. Sir Edward Byrne said that the university’s selection as the fifth FIFA Research Institute in the world — and the first in the region — marks a significant achievement, reflecting Kingdom’s growing presence in international football

RIYADH: FIFA has designated the King Abdullah University of Science and Technology as its first research institute in the Middle East and Asia to support the development of innovative football research, the Saudi Press Agency reported on Tuesday.

The recognition highlights KAUST’s commitment to integrating sports, academic research and industry through advanced, high-level initiatives grounded in rigorous scientific methodologies, contributing to the advancement of football studies.

KAUST President Prof. Sir Edward Byrne said that the university’s selection as the fifth FIFA Research Institute in the world — and the first in the region — marks a significant achievement, reflecting Saudi Arabia’s growing presence in international football.

The accreditation aligns with national efforts to invest in research and development and promote the knowledge economy, supporting Saudi Vision 2030’s goals of building an advanced sports system based on innovation and sustainability.

The collaboration’s first project focuses on developing advanced AI algorithms to analyze historical FIFA World Cup broadcast footage, transforming decades of match videos into structured, searchable data, according to the KAUST website.

This work opens new opportunities to apply state-of-the-art computer vision techniques and deepen understanding of how football has evolved over time.

The second project uses player and ball tracking data from the FIFA World Cup 2022 in Qatar and the FIFA Women’s World Cup 2023 in Australia and New Zealand to compile comprehensive datasets capturing in-game dynamics.

These datasets provide deeper insights into human movement, playing techniques and performance dynamics through AI-driven analysis.