A Ghana toddler sets a world record as the youngest male artist. His mom says he just loves colors

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Ace-Liam Nana Sam Ankrah, who will turn two in July, paints amidst his own art work at his mother's art gallery in Accra, Ghana,on May 27, 2024. (AP Photo/Misper Apawu)
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Ace-Liam Nana Sam Ankrah, who will turn two in July, paints at his mother’s art gallery in Accra, Ghana, on May 27, 2024. (AP Photo/Misper Apawu)
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Updated 03 June 2024
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A Ghana toddler sets a world record as the youngest male artist. His mom says he just loves colors

ACCRA, Ghana: Meet Ace-Liam Ankrah, a Ghana toddler who has set the record as the world’s youngest male artist.
His mother, Chantelle Kukua Eghan, says it all started by accident when her son, who at the time was 6 months old, discovered her acrylic paints.
Eghan, an artist and founder of Arts and Cocktails Studio, a bar that that offers painting lessons in Ghana’s capital, Accra, said she was looking for a way to keep her boy busy while working on her own paintings.




Ace-Liam Nana Sam Ankrah, who will turn two in July, shows off his paint tubes at his mother’s art gallery in Accra, Ghana, on May 27, 2024. (AP Photo/Misper Apawu)

“I spread out a canvas on the floor and added paint to it, and then in the process of crawling he ended up spreading all the colors on the canvas,” she said.
And that’s how his first artwork, “The Crawl,” was born, Eghan, 25, told The Associated Press.
After that and with his mother’s prodding, Ace-Liam kept on painting.
Eghan decided to apply for the record last June. In November, Guinness World Records told her that to break a previous record, her son needed to exhibit and sell paintings.

She arranged for Ace-Liam’s first exhibition at the Museum of Science and Technology in Accra in January, where nine out of 10 of his pieces listed were sold. She declined to say for how much the paintings sold.
They were on their way.
Then, Guinness World Records confirmed the record in a statement and last week declared that “at the age of 1 year 152 days, little Ace-Liam Nana Sam Ankrah from Ghana is the world’s youngest male artist.”
Guinness World Records did not immediately respond to an Associated Press query about the previous youngest male artist record holder.
The overall record for the world’s youngest artist is currently held by India’s Arushi Bhatnagar. She had her first exhibition at the age of 11 months and sold her first painting for 5,000 Rupees ($60) in 2003.




Ace-Liam Nana Sam Ankrah plays on a table at his mother’s art gallery iat his mother’s art gallery in Accra, Ghana, on May 27, 2024. (AP Photo/Misper Apawu)

These days, Ace-Liam, who will be 2 years old in July, still loves painting and eagerly accompanies his mom to her studio, where a corner has been set off just for him. He sometimes paints in just five-minute sessions, returning to the same canvas over days of weeks, Eghan says.
On a recent day, he ran excitedly around the studio, with bursts of energy typical for boys his age. But he was also very focused and concentrated for almost an hour while painting — choosing green, yellow and blue for his latest work-in-progress and rubbing the oil colors into the canvas with his tiny fingers.
Eghan says becoming a world record holder has not changed their lives. She won’t sell “The Crawl” but plans on keeping it in the family.
She added that she hopes the media attention around her boy could encourage and inspire other parents to discover and nurture their children’s talents.
“He is painting and growing and playing in the whole process,” she says.
 


French musician joins Saudi talents for creative residency in historic Al-Balad

Updated 04 December 2025
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French musician joins Saudi talents for creative residency in historic Al-Balad

  • Collaboration ‘fosters dialogue through music’ ahead of Jeddah concert
  • Stracho Temelkovski: ‘Maybe it’s humility, maybe it’s the respect I feel in this area. I know it’s a very important place, and I feel good energy’

JEDDAH: A creative residency encouraging musical collaboration between Saudi and French artists was held in Jeddah’s Al-Balad this week. 

The French Consulate General in Jeddah, in partnership with the Tariq Abdulhakim Museum, the French Embassy, and Alliance Francaise, brought together French musician Stracho Temelkovski and five Saudi artists for the residency. 

Held from Nov. 27 to Dec. 5, the program featured multi-instrumentalist Temelkovski along with Saudi talents Sultan Al-Qurashi on oud, Ziyad Ayman Saeed on violin, Amin Mohammed Abu Harb on semsemiya, Abadi Abdulrahim Al-Qurashi on drums, and singer Mada Ali Al-Ghamdi. 

Over several afternoons of musical exchange, they worked on a collaborative repertoire that will culminate in a public performance on Friday night, Dec. 5, at Festival Garden in Al-Balad’s Cultural Square. 

Temelkovski described the residency as a natural extension of his lifelong artistic mission. “I really like to make bridges in my music,” he said. “That’s one of the aims. Music has to be something deep, and I try every time to make a real meeting with another culture.” 

He added that the chance to collaborate with Saudi musicians resonated with his own background. “I have oriental roots from Macedonia. Even though I’m French, this inspired me to make this bridge happen with Saudi culture because it’s something different from what I’m used to, and it was really exciting.” 

During his time in Jeddah’s Old Town, Temelkovski said Al-Balad became a source of quiet creative energy. 

“I feel really welcomed at Al-Balad. It’s something you cannot explain. Maybe it’s humility, maybe it’s the respect I feel in this area. I know it’s a very important place, and I feel good energy. I feel I’m welcome. Every person, every musician I met and all the staff have been so kind to me. 

“That’s not a small detail because I feel everyone is really involved, and it helps me be in a creative process. 

“Being in this museum feels like meeting between my music and Saudi Arabia. Tariq Abdulhakim was one of the greatest musicians in this land, and I have the impression that I’m meeting his sons. It’s something very deep for me.” 

Studying the late maestro’s compositions further shaped Temelkovski’s experience. 

“I have listened to his music, and it really inspires me because I like this music. It’s so rich in the melodic interpretation and in the rhythm. I even feel a link with my Macedonian roots in the rhythmic way,” he said. 

Mohammed Nehad, consul general of France in Jeddah, highlighted the significance of the collaboration, saying: “This artistic residency illustrates the ambition shared by France and Saudi Arabia to foster dialogue between traditions, open up new spaces for creativity, and support today’s talents. 

Nehad said that meeting between Temelkovski and the Saudi musicians, made possible thanks to the commitment of the Tariq Abdulhakim Museum, “demonstrates the strength of Saudi Arabia’s musical heritage and the creativity that arises from the intersection of cultures.” 

Larry Lamartiniere, managing director of Alliance Française, added: “This event perfectly embodies the mission of the Alliance Française Saudi Arabia which is building cultural bridges through dialogue, creativity and shared experiences.” 

Saudi drummer Al-Qurashi said that the residency expanded his creative perspective. 

“Working with Stracho mixed Arabic, French and Saudi styles, and it really changed how I listen, perform and connect with musicians. It was a big step for me personally, and it helps show the world the beauty of Saudi music when it blends with new cultures.” 

Referring to the upcoming concert, he said: “I’m excited for the audience to feel the unique mix of Saudi and French styles and the new energy we created together.” 

Singer Al-Ghamdi described the residency as an artistic turning point. “Working with him made everything feel easier, and he always made sure the work came from passion and authenticity, not from pressure or abdication. 

“That really aligns with who I am as an artist,” she said. “I often struggle with rigidity and lack of creativity when collaborating with some musicians. 

“In the past, I worked with artists who made me feel like art was exhausting and heavy. But Mr. Stracho brought me back to my core. He reminded me that art has no limits, no fixed rules, no single language or style. It’s a space full of freedom and humanity.” 

Al-Ghamdi, whose style is a blend of Oriental, Arabic, English, and predominantly Western influences, said that the residency supported her global artistic ambitions. 

“My goal is for my art to reach global audiences, not just the Gulf or Middle East. As a Saudi woman, I have a vision, feelings, and ideas I want to share proudly. 

“I want to show the world the real Saudi culture — its beauty, strength, wisdom and pride.” 

Preparing for the concert on Friday, Al-Ghamdi said she looked forward to bringing her authentic self to the stage. “I want the audience to feel the message that being true to yourself is powerful. There is no need to complicate things or fear judgment. 

“The more authentic and open-minded we are, the faster we connect. Difference is the essence of beauty, and love is the foundation that brings us together. Clean, honest music is the best way to elevate the soul.” 

Temelkovski expressed similar hopes for the final performance. “It’s the bridge. I want to share not just entertainment but a ritual together, a meeting between my identity and Saudi music and all these wonderful musicians. 

“When music has no lyrics, sometimes it’s easier to be universal. I want to give something unique, something new. I want the experience to be a kind of meditation, but also to dance and express happiness.”