Strings of light: Festival to celebrate Saudi musical heritage in historic Al-Balad

A variety of Saudi musicians will perform at the festival in genres spanning orchestral and folk music. (Supplied)
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Updated 06 March 2024
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Strings of light: Festival to celebrate Saudi musical heritage in historic Al-Balad

  • Tariq Abdulhakim Center is hosting the event to commemorate the inauguration of new engagement rooms at its museum dedicated to Saudi composer and musician Tariq Abdulhakim
  • CEO of the Museums Commission: The Tariq Abdulhakim Center’s new interactive engagement area is centered around the world’s first laser qanoon (Arab zither)

JEDDAH: A festival in Jeddah’s historic district will celebrate Saudi musical heritage using light and laser instruments.

The Tariq Abdulhakim Center is hosting the event to commemorate the inauguration of new engagement rooms at its museum dedicated to Saudi composer and musician Tariq Abdulhakim, who died in 2012.

It will be held from March 7-8 in Jeddah’s old town of Al-Balad, a UNESCO World Heritage Site. Events run from 6-10 p.m. on both days.

The festival will include family entertainment, live music, carnival games and a range of activities for all ages.

A variety of Saudi musicians will perform at the festival in genres spanning orchestral and folk music. The museum’s new rooftop terrace cafe will host the performances.

Ibrahim Al-Sanousi, acting CEO of the Museums Commission, told Arab News: “The Tariq Abdulhakim Center’s new interactive engagement area is centered around the world’s first laser qanoon (Arab zither). The qanoon, which is a plucked trapezoidal musical zither, is a centuries-old instrument that has woven beautiful Arab melodies over time.

“The enduring legacy of this instrument now finds new life in the Tariq Abdulhakim museum. Beams of light replace the physical strings, and when the beams are interrupted by the player’s hands, the instrument produces beautiful, innovative Arab sounds.”

Al-Sanousi added: “Laser harps, based on the western harp, were developed in the late 1970s but have only appeared in some museums more recently. Rather than reproduce a foreign instrument, the Tariq Abdulhakim Center, which is dedicated to safeguarding regional heritage, developed the new laser qanoon in respect of Saudi and Arab culture.”

By inaugurating the new musical area and launching the world’s first laser qanoon, the center “embodies its mission of bridging heritage with the future,” the CEO said.

He added: “The center safeguards Saudi (and Arab) rich musical heritage, while fostering new musical practices that speak to the new generations.”

On Friday, a parade will journey through Al-Balad, concluding with a concert. The event is free for adults and children.

Last year, the Museums Commission, through the Ministry of Culture, launched the center to preserve and celebrate the Kingdom’s rich musical and intangible cultural heritage.

During his life, Tariq Abdulhakim played a crucial role in shaping the Kingdom’s musical identity, including founding the Saudi military band during his time in service.


The difference between European and Gulf weddings — from a photographer’s point of view

Updated 21 January 2026
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The difference between European and Gulf weddings — from a photographer’s point of view

DUBAI: From her early career in northeast France to working across the Gulf and Europe, wedding photographer Maddy Christina has observed many contrasts between such events in different parts of the world.

Her early years as a photographer were defined by variety; she worked across fashion, family portraits and weddings simultaneously before recognizing how wedding photography brings multiple genres together in a single day. 

Christina said weddings in the region required a shift in both perspective and technique. (Supplied)

“I actually fell into weddings by accident,” Christina told Arab News. “It blends every discipline at once — fashion for the couple session, sports for the reception, documentary work throughout the day, still life with details and jewelry.”

Christina’s connection to the Middle East began through Parisian clients who invited her to Dubai for a post-wedding session: “I instantly connected with the energy of the city,” she said.

Christina’s connection to the Middle East began through Parisian clients who invited her to Dubai for a post-wedding session. (Supplied)

A few years later, a wedding in Kuwait marked the start of her long-term relationship with the region.

Now working extensively across the Gulf Cooperation Council, Christina said weddings in the region required a shift in both perspective and technique.

For Christina, the most meaningful aspect extends beyond the wedding day itself. (Supplied)

“Working across the GCC has opened my mind in ways I didn’t expect,” she said, adding it felt like “resetting everything I thought I knew about weddings” — particularly compared to her experience in Europe.

She said there were clear distinctions between the two regions. “European weddings tend to be more demonstrative and expressive, while brides in the Gulf often place a deeper emphasis on tradition, family bonds and a sense of ceremony,” she said. “The emotional language is different, yet equally beautiful.”

From a technical standpoint, the contrast is just as pronounced: “In the south of France, I was used to shooting outdoors at sunset with couples already comfortable in front of the camera. Here, I often find myself in much smaller spaces, with no windows, artificial light and couples who may be more reserved.”

Christina is drawn to candid moments. (Supplied)

She added that adapting to these conditions pushed her to explore new ways of shaping light and expanded her creative approach.

While Christina is drawn to candid moments, like “guests laughing together, old friends reconnecting, a fleeting emotion passing across someone’s face,” posed pictures remain central to her work.

For Christina, the most meaningful aspect extends beyond the wedding day itself.

“It’s not the decor that makes a wedding unforgettable for me,” she said. “It’s the connection I build with the bride. That long-term bond is what feels truly magical.”