Balad Al-Fann program emphasizes sonic forms of memory recall and resistance

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Updated 28 January 2024
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Balad Al-Fann program emphasizes sonic forms of memory recall and resistance

  • The program aims to revive ancestral forms of wisdom and knowledge transference through sound, music, and silence
  • The program is divided into several thematic periods, each offering unique experiences and opportunities for visitors

Jeddah: Jeddah’s historic district is currently hosting the Samaa program as a part of the Balad Al-Fann initiative, which focuses on early developmental learning through communal listening, music and storytelling.

The program aims to revive ancestral forms of wisdom and knowledge transference through sound, music, and silence. With a series of events and workshops, the Samaa program highlights the significance of sonic forms of memory recall, personal growth and resistance. Its ultimate aim is to create a vibrant and inclusive cultural space within the community.

Tara Al-Dughaither, curator of the Samaa program and founder of the artistic research, documentation and production platform Sawtasura, spoke about the program’s significance and its focus on diverse voices and perspectives.

She said: “We provide a space where the public mostly decides what to do in it. We simply offer some tools such as instruments and books, or devices to play music, while the messaging encourages ‘Learn and Play.’ We believe playfulness and organic expression contribute to the development of people’s creativity, which is the essence of a healthy and diverse culture.”

Al-Dughaither further emphasized the importance of deep listening and the program’s departure from market-driven expectations: “The main goal of this program is enhancing deep listening as a way to tap into the creative process and focus on that rather than final and complete works, which is almost opposite of what the market demands. But I think that’s significant.”

The program is divided into several thematic periods, each offering unique experiences and opportunities for visitors. The program first started with “Electronic Sounds,” exploring the inclusive nature of synthesized and electronic music as a mode of sonic transference. This segment ran until Jan. 2, with artists sharing their music and conducting workshops on sound production techniques for creating synthesized, recorded, and looped forms of memory and storytelling.

From Feb. 1- 14, the focus will shift to “Alternative Arab Narratives,” providing a platform for artists to share their musical expressions and exchange ideas with local artists, representing the ethnic and cultural diversity of Jeddah and the region. This exchange aims to foster a sense of allyship and remembrance.

The period from Feb. 15- 21 will be dedicated to “Folk Remembrance,” emphasizing traditional local culture and prioritizing women and children’s circles. Activities during this period will revolve around rhythm and Arabic poetry as forms of timekeeping and memory transference.

Finally, from Feb. 22 to March 9, the program explores “Listening and Presence” as a means of inner reflection and self-empowerment. Artists and musicians will engage with sound and music academically, delving into deep listening as a gateway to transformation and collective empowerment.

Regarding challenges, Al-Dughaither added: “When approaching an open-ended project like this, it’s always a matter of working with hopes rather than clear expectations. We can only manage and control a select number of pre-planned events while the rest is up to the people and how they respond to the space.”

Sawtasura, the curator-led platform behind the program, aims to organize, collect, and archive musical histories in the Arab and Gulf region, offering alternative and sonic ways of knowing. As with all Sawtasura’s initiatives, the emphasis of sound or voice is integral and central. This particular program marks their first interactive engagement with the public.

Al-Dughaither concluded: “We’re especially excited to host some musicians from our neighboring countries performing in an alternative style. This program is a unique opportunity to engage with sound and music as a form of intellectual and emotional rigor, self-determination, and collective empowerment. Sound here plays the deeper role that it can play, becoming a psycho-emotional gateway to transformation.”

Ahmed Nawaf, a music enthusiast said: “I was blown away by the range of experiences offered in this program. The exploration of electronic sounds allowed me to uncover profound layers of meaning within the music. This program has undeniably transformed my perspective on music and creativity, leaving a lasting impact. I eagerly anticipate the upcoming engagements in the coming months.”


Saudi Film Festival to return in April with focus on Korean cinema

Since its launch in 2008, the Saudi Film Festival has played a central role in nurturing local and Gulf cinema. (Supplied)
Updated 15 February 2026
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Saudi Film Festival to return in April with focus on Korean cinema

  • Ahmed Al-Mulla, founder and director of the Saudi Film Festival, said in a statement: “We’re excited to welcome filmmakers to our annual gathering. Our doors are open to all creators, and filmmakers remain at the heart of everything we do

DHAHRAN: The Saudi Film Festival, organized by the Cinema Association in partnership with the King Abdulaziz Center for World Culture and supported by the Saudi Film Commission, has announced that it will launch at Ithra in Dhahran between April 23-29.

This year’s festival explores the theme of “Cinema of the Journey,” presenting a selection of Arab and international films, both short and feature-length, that center on journeys and movement as essential storytelling elements. 

Since its launch in 2008, the Saudi Film Festival has played a central role in nurturing local and Gulf cinema. (Supplied)

The program includes road movies, travel narratives and films where physical or emotional journeys drive the narrative.

The theme encourages Saudi filmmakers to explore this subject through their own perspectives. It positions cinema itself as an act of continuous transition, where identity, place, and time converge to shape the human experience.

FASTFACTS

• This year’s Saudi Film Festival will explore the theme of ‘Cinema of the Journey,’ presenting a selection of Arab and international films that center on journeys and movement as essential storytelling elements.

• The program includes road movies, travel narratives and films where physical or emotional journeys drive the narrative.

Following last year’s focus on Japanese cinema, the festival will present a special “Spotlight on Korean Cinema” this year.

Ahmed Al-Mulla, founder and director of the Saudi Film Festival, said in a statement: “We’re excited to welcome filmmakers to our annual gathering. Our doors are open to all creators, and filmmakers remain at the heart of everything we do. This year’s festival creates an atmosphere filled with inspiration, idea exchange, and shared learning. It’s a celebration of cinematic creativity for everyone.”

Tariq Al-Khawaji, deputy director of the festival, added: “At Ithra, we’re proud of our longstanding partnership with the Cinema Association. It has enabled the festival’s growth and thematic diversity year after year, which we see clearly in how we empower filmmakers and create opportunities to engage with global cinema. 

“The festival continues to grow across all areas, from preparations and participation to industry expectations locally and regionally. That makes attention to every detail essential.”

Since its launch in 2008, the Saudi Film Festival has played a central role in nurturing local and Gulf cinema. After intermittent early editions, it has now established itself as an annual platform for narrative and documentary competitions, industry programs and project markets.

By bringing together emerging and established filmmakers in Dhahran each year, the festival strengthens Saudi Arabia’s growing presence on the global film stage.