More than 100,000 tickets sold for Egyptian treasures exhibition in Sydney

The outer coffin of Sennedjem, the artisan who worked on Ramses’ tomb, surrounded by projected paintings from his tomb, depicting the journey through the Underworld. (ArtsHub)
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Updated 23 November 2023
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More than 100,000 tickets sold for Egyptian treasures exhibition in Sydney

  • Exhibition includes 182 artifacts from the collection of the Egyptian Museum in Cairo
  • Mostafa Waziri: It also contains the king’s coffin, which was transported in a majestic procession with the royal mummies from the Egyptian Museum … to the National Museum

CAIRO: Some 110,000 tickets have been sold this month for the exhibition “Ramses the Great and the Gold of the Pharaohs” at the Australian Museum in Sydney.

Mostafa Waziri, secretary-general of the Supreme Council of Antiquities of Egypt, said the exhibition included 182 artifacts from the collection of the Egyptian Museum in Cairo.

He added: “It also contains the king’s coffin, which was transported in a majestic procession with the royal mummies from the Egyptian Museum … to the National Museum of Egyptian Civilization.”

The Sydney exhibition received an overwhelming response from the public when it opened to visitors on Nov. 18.

A delegation from the Ministry of Tourism and Antiquities; John Graham, the minister of arts, music and tourism in Australia; and more than 500 other invitees attended the official opening, along with Waziri, on Nov. 16.

Waziri said: “The exhibition also includes some other artifacts from the excavations of the Egyptian mission … in Saqqara, in addition to some at collections from several Egyptian museums that highlight some of the distinctive characteristics of ancient Egyptian civilization from the era of the Middle Kingdom until the Late Era.

“The exhibition also includes a collection of statues, jewelry, cosmetics, paintings, stone blocks decorated with carvings, and some colorful wooden coffins.”

Mai Sayed, a journalist specializing in tourism, told Arab News: “Since the beginning of the ‘Ramses the Great and the Gold of the Pharaohs’ exhibition, its journey outside Egypt has been successful. Since its first stop in November 2021 in the American city of Houston, it has achieved great success.”

She added: “The same situation happened on its second stop in August 2022 in the city of San Francisco in the United States of America, and then its third stop in April 2023 in the French capital Paris where it attracted 820,000 visitors.”

Sayed said that the exhibition’s success confirmed the world’s fascination with Egypt, adding: “That is why I see that there should be exploitation and a continuation of these exhibitions in the many capitals of the world.”


Fine-art photographer looks to capture beauty of Saudi Arabia’s volcanic fields 

Updated 57 min 15 sec ago
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Fine-art photographer looks to capture beauty of Saudi Arabia’s volcanic fields 

DUBAI: British fine-art photographer John Balsdon is set to undertake his first-ever project in the Middle East this month as he heads hundreds of miles into Saudi Arabia’s isolated Harrat Rahat volcanic field to capture shots of Harrat Khaybar.

In late January, Balsdon will shoot images of lava flows, black basalt formations and sprawling desert plains while accompanied by a small film crew, drone pilot Chris Davies, and a Saudi guide.

“Saudi Arabia felt like a place of immense creative potential, one that is still largely unexplored from a visual storytelling perspective. I was drawn to the idea of documenting a country at a moment of transformation,” the lawyer-turned-artist told Arab News.

“During the research phase, I was genuinely surprised by the diversity of the landscapes. The scale and contrast, from deserts and volcanic terrain to coastlines and mountains, challenged any single perception of the country,” he added.

The photographs will be part of Balsdon’s ongoing project “Always Look Twice,” which features stunning, textured photographs from Australia, Botswana, Argentina and beyond.

“There have been several places that have left a lasting impression on me, particularly environments where the landscape feels vast and timeless. In particular, the Northern Territories in Australia and the deserts in Namibia. These are the places that recalibrate your sense of scale and remind you of how small we are within a much larger natural story,” Balsdon said.

His aerial shots blur the line between photography and fine art, capturing the textures, patterns and color gradients visible in these awe-inspiring landscapes in defined detail.

 

“I want my images to connect on an aesthetic and visceral level that is both universal and personal. Within those images there must be multiple layers of detail and interest that reward repeated viewings and, very importantly, provide clues that they only could have been taken in the (Kingdom of Saudi Arabia). These requirements present a major challenge to me, but I am relishing this opportunity.”

Balsdon will shoot still and moving imagery to be edited into a short film, as well as a photographic series showcasing Saudi Arabia’s volcanic heartlands.

“These photographs will be supplemented by a film, which will document my process, providing viewers with an opportunity to see how the photographs were taken, the vehicles used and the roads traveled, the gyrocopters and our locations, including our time and experiences in Riyadh, Madinah and the desert,” he explained.