Fine-art photographer looks to capture beauty of Saudi Arabia’s volcanic fields 

British fine-art photographer John Balsdon pictured on a previous expedition. (Supplied)
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Updated 20 January 2026
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Fine-art photographer looks to capture beauty of Saudi Arabia’s volcanic fields 

DUBAI: British fine-art photographer John Balsdon is set to undertake his first-ever project in the Middle East this month as he heads hundreds of miles into Saudi Arabia’s isolated Harrat Rahat volcanic field to capture shots of Harrat Khaybar.

In late January, Balsdon will shoot images of lava flows, black basalt formations and sprawling desert plains while accompanied by a small film crew, drone pilot Chris Davies, and a Saudi guide.

“Saudi Arabia felt like a place of immense creative potential, one that is still largely unexplored from a visual storytelling perspective. I was drawn to the idea of documenting a country at a moment of transformation,” the lawyer-turned-artist told Arab News.

“During the research phase, I was genuinely surprised by the diversity of the landscapes. The scale and contrast, from deserts and volcanic terrain to coastlines and mountains, challenged any single perception of the country,” he added.

The photographs will be part of Balsdon’s ongoing project “Always Look Twice,” which features stunning, textured photographs from Australia, Botswana, Argentina and beyond.

“There have been several places that have left a lasting impression on me, particularly environments where the landscape feels vast and timeless. In particular, the Northern Territories in Australia and the deserts in Namibia. These are the places that recalibrate your sense of scale and remind you of how small we are within a much larger natural story,” Balsdon said.

His aerial shots blur the line between photography and fine art, capturing the textures, patterns and color gradients visible in these awe-inspiring landscapes in defined detail.

 

“I want my images to connect on an aesthetic and visceral level that is both universal and personal. Within those images there must be multiple layers of detail and interest that reward repeated viewings and, very importantly, provide clues that they only could have been taken in the (Kingdom of Saudi Arabia). These requirements present a major challenge to me, but I am relishing this opportunity.”

Balsdon will shoot still and moving imagery to be edited into a short film, as well as a photographic series showcasing Saudi Arabia’s volcanic heartlands.

“These photographs will be supplemented by a film, which will document my process, providing viewers with an opportunity to see how the photographs were taken, the vehicles used and the roads traveled, the gyrocopters and our locations, including our time and experiences in Riyadh, Madinah and the desert,” he explained.


Bella Hadid leaves Paris for Los Angeles launch event

Updated 11 March 2026
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Bella Hadid leaves Paris for Los Angeles launch event

DUBAI: Supermodel Bella Hadid jetted from Paris to Los Angeles this week to launch her latest campaign with US fashion retailer Revolve.

The Palestinian US Dutch model was on hand in France earlier in the week, where she hit the runway at the Saint Laurent show during Paris Fashion Week.

She then flew across to Los Angeles to launch a campaign with Los Angeles-founded retailer Revolve, which was set up in 2003 by Michael Mente and Mike Karanikolas.

Hadid fronts a campaign launching the e-commerce department store’s first-ever in-house brand, Revolve Los Angeles.

“Born from a deep understanding of the modern woman and inspired by the city where it all began, our eponymous fashion house is a new expression of effortless glamor,” the new fashion label posted on Instagram alongside black-and-white images of Hadid in a selection of looks.

Prior to her trip to Los Angeles, the model showed off French label Saint Laurent’s latest collection in Paris.

Creative Director Anthony Vaccarello, marking his own 10th anniversary at the helm, sent out a parade of razor-sharp Smokings — the house term for its iconic women’s tuxedo — with plunging necklines and elongated silhouettes that crackled with the same transgressive energy founder Yves Saint Laurent unleashed in the 1960s, the Associated Press reported.

But Vaccarello didn’t stop at evening wear.

He extended the same sensual, body-skimming tailoring into daytime suits in fluid pinstripe fabrics with almost no interlining, effectively arguing that the tuxedo silhouette belongs in a woman’s life around the clock.

Plenty of brands in Milan showed strong black pantsuits this season, but the Saint Laurent version still occupies its own territory — sleeker, sharper, more loaded with meaning.

The other half of Vaccarello’s equation was lace, stiffened with latex and tailored into structured cardigan-like jackets and straight skirts.

It was lace with backbone — tough, not delicate.

Paired with smoky eyes, chunky gold jewelry and slingback heels, the collection made a case that Saint Laurent’s codes are as potent as ever.